Met-A-Mora - 1856 - Broadway Articles Page 6

With over 5 million hits on YouTube, Sandy and Richard return to the Metropolitan Room with their seasoned, sassy, San Francisco-style, all-comedy, all-original blend of satire, parody, politics and song -- 'A Tastefully Raunchy Evening With Sandy And Richard Riccardi.'

Celebrating more than 50 years of world renowned superstar Liza Minnelli's show-stopping performances, HATS OFF TO LIZA - A MUSICAL CELEBRATION will fete the icon and living legend through music, song and dance at The Metropolitan Room today, May 13, 2016.

With over 5 million hits on YouTube, Sandy and Richard return to the Metropolitan Room with their seasoned, sassy, San Francisco-style, all-comedy, all-original blend of satire, parody, politics and song -- 'A Tastefully Raunchy Evening With Sandy And Richard Riccardi.'

A MEXICAN AFFAIR comes to The Metropolitan Room in May! Join us today, May 6th, 2016 for a one-night-only performance at the classy and intimate cabaret space, located at 34 West 22nd St in Manhattan.

Celebrating more than 50 years of world renowned superstar Liza Minnelli's show-stopping performances, HATS OFF TO LIZA - A MUSICAL CELEBRATION will fete the icon and living legend through music, song and dance at The Metropolitan Room on Friday, May 13, 2016.

A MEXICAN AFFAIR comes to The Metropolitan Room in May! Join us on Friday, May 6th, 2016 for a one-night-only performance at the classy and intimate cabaret space, located at 34 West 22nd St in Manhattan.

MADAMA BUTTERFLY was never my favorite Puccini until the current production conceived by Anthony Minghella. Before, Butterfly always seemed too submissive, Pinkerton too brutish and their child, well, too cute. Now—particularly with the current cast, headed by the magnificent Kristine Opolais as the young geisha and the dashing Roberto Alagna as the clueless Pinkerton, her American husband--seemed to put my past reservations to rest. The result was a magnificent performance, from beginning to end.

Metropolitan Room presents 'A night of global JAZZ' tonight, January 15th, 2016 at 9:30 to 11:30 PM, featuring Oscar Penas, Uri Gurvich and Petr Cancura.

The number-one male jazz singer in the home of the Alamo will return to the Big Apple the first week of the New Year for his fourth headline appearance at the popular Metropolitan Room, 34 W. 22nd Street.

The number-one male jazz singer in the home of the Alamo will return to the Big Apple the first week of the New Year for his fourth headline appearance at the popular Metropolitan Room, 34 W. 22nd Street.

Who or what is Lulu, the eponymous character in Alban Berg's landmark opera? Is she saint or sinner? Femme fatale or victim? Put-upon or mistress of her own fate? Whatever else she might be, she is fabulous in the hands of German soprano Marlis Petersen, as the center of William Kentridge's vibrant, thrilling new production at the Met.

After its preliminary closing of the books for Fiscal Year 2015 (the 2014-15 season), the Metropolitan Opera reports that it has balanced its budget and ended the season with a surplus of $1 million. The results are a significant turnaround from the company's previous fiscal year, which ended with a budget shortfall of $22 million. The Met's financial success was achieved through budget cuts—including the implementation of historic new union agreements and a program of cross-departmental spending reductions—as well as increased contributions from donors. Final audited financial results for the season will be available in January.

With the season's first performance of Donizetti's ANNA BOLENA--that's Henry VIII's Anne Boleyn to all you Masterpiece Theatre fans--at the Met, the big news is that it's soprano Sondra Radvanovsky's first part of the Tudor Trilogy, with MARIA STUARDA and ROBERTO DEVEREUX to come later in the season. Alongside her, as Jane (here, Giovanna) Seymour, Boleyn's successor as consort to Henry, is mezzo Jamie Barton, this year's winner of the Richard Tucker Award, a past winner of the Met Council Auditions (and many other major awards) and a sensation when she sang her first big role at the Met two years ago, Adalgisa in Bellini's NORMA.

A PUNCH IN THE MOUTH is a musical memoir full of blatant exaggerations, out-and-out lies and a for-real ghost story. It's the adventures and misadventures of Drama Desk winner Michael Garin.

Metropolitan Room presents 'A night of global JAZZ' on January 15th, 2016 at 9:30 to 11:30 PM, featuring Oscar Penas, Uri Gurvich and Petr Cancura.

Visit here to find a theater near you showing this summer encore on July 8. 

The Met was running on all cylinders for the last performance of the season, with Verdi's UN BALLO IN MASCHERA in an energized version of the production that premiered in 2012. The trio of principals--soprano Sondra Radvanovsky as Amelia, tenor Piotr Beczala as Gustavo and baritone Alexey Markov as Anckarstrom--gave ringing, heart-felt performances in a concept from David Alden that previously seemed half-baked. Now, the singing and acting were so good that one could forget the conceit's shortcomings.

What a great idea it was for the Met to mount revivals of Verdi's ERNANI and DON CARLO at the same time! It offers an opportunity to compare two operas that have much in common--and a production well worth seeing.

Will Rogers, 'Oklahoma's Favorite Son,' was one of those do-it-all celebrities. Cowboy; trick roper; vaudeville performer; comedian; newspaper columnist; film actor; politician; husband to Betty Blake; and father to Bill, Mary, James, and Fred. The man did it all. Because Will's vaudeville trick rope act led him to headline the Ziegfeld Follies, THE WILL ROGERS FOLLIES tells his life story as if it were being told through one of Mr. Ziegfeld's productions. It's quite clever. It's also the rootinest, tootinest, knee-slapping, wholesome humored, and down right All-American show I've ever seen. And I loved it.

I don't know when the next time the Met is planning to bring back Tchaikovsky's final opera, IOLANTA (libretto by his brother Modest) into its repertory, but they should, and quickly. And if you have the opportunity, run to see it as fast as you can. It's not often that the Met puts on a opera and production so compelling and glorious to watch and hear.

Is there another staple of major opera houses that's as big a mess as LES CONTES D'HOFFMAN by Jacques Offenbach? If there is, I can't think of it--but it doesn't keep it from being wildly enjoyable in the right hands. The Met's current production is entertaining, in spite of itself.

(New York, November 21, 2014) — This holiday season, the acclaimed wind quintet, WindSync, known for adventurous programs, fiery performances, and unique stage presence, will premiere an interactive and unforgettable version of The Nutcracker for children and adults alike.

TACT/The Actors Company Theatre will hold its Winter Benefit on Monday, December 1st at The Metropolitan Room (34 West 22nd Street). The festive evening entitled 'Catch A Rising Star' will be emceed by legendary Broadway song and dance man Lee Roy Reams and will feature musical performances by eight young up-and-coming Broadway talents. The evening will kick off at 6:30 p.m. with a cocktail reception, followed by the show at 7:00 p.m.

This holiday season, the acclaimed wind quintet, WindSync, known for adventurous programs, fiery performances, and unique stage presence, will premiere an interactive and unforgettable version of The Nutcracker for children and adults alike.?