This ferociously funny drama, follows the intertwined lives of a quick-witted tiger, two homesick American marines, and a troubled Iraqi gardener as they roam the streets of war-torn Baghdad in search of meaning, redemption, and a toilet seat made of gold. Surreal and darkly humorous, it explores the madness of life in war as well as the power and the perils of human nature.
God can’t exist in this hellscape and humans (and tigers) are hunted through it by conscience, even after death. The biblical exhortation “if thy hand offends thee, cut it off” is taken literally. This is heavy stuff, often handled by Joseph with acrid wit. There is a wickedly funny scene where Tom reveals the worst thing about having a state-of-the-art prosthetic (“like Robocop”) replace his right hand. Musa tries to understand the idiosyncrasies of American English through “knock knock” jokes.
There are moments of real gore and some sharply designed sequences that frame this fractured world with confidence. At points some choices drift into what feels like improvised territory and not every beat lands, but there’s a certain charm in that rawness, a looseness that suits a play already teetering between the surreal and the painfully human.
| 2011 | Broadway |
Original Broadway Production Broadway |
| 2025 | West End |
West End |
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