Where Do We Live? - 2004 - Off-Broadway Articles Page 9

He expresses himself as articulately when speaking as he does when singing

Museum of Russian Icons Founding Director Kent dur Russell has announced that he plans to retire in May of 2022 after more than sixteen years of committed leadership at the Clinton-based museum.

Clinton Leupp brings his celebrated alter ego drag legend Miss Coco Peru back to the Renberg Theatre at Los Angeles LGBT Center’s Lily Tomlin/Jane Wagner Cultural Arts Center for three performances of his latest show Bitter, Bothered & Beyond the weekend of April 29, 2022. I got a chance to get some behind the scenes dish on Coco and her latest entertaining efforts.

THE DJANGO, downtown Manhattan’s premier jazz club, is celebrating the next generation of jazz with a special concert series this month. During the month of May, The Django welcomes rising stars as part of its new Next Gen Series.

Club44 Records will release a new lyric video for the classic song “42nd Street” from The Sunday Set, the new album from Billy Stritch and Jim Caruso on Tuesday, April 5 and BroadwayWorld has your exclusive first look!

Vineyard Theatre Artistic Directors Douglas Aibel and Sarah Stern announced Eisa Davis as the first recipient of the Roth-Vogel New Play Commission launched in partnership with 12-time Tony Award-winning producer Daryl Roth and Pulitzer Prize-winning playwright Paula Vogel, whose extraordinary collaborations with The Vineyard have spanned over two decades.

New Earth Theatre today announce the cast for Tsunagu/Connect Live, created by Kumiko Mendl and Kazuko Hohki. This theatre production was developed in response to an oral history project launched in 2020, that conducted over 30 interviews with Japanese women living in the UK.

As the World Premiere production of Whippoorwill by Ruth Kirschner approaches, Centenary Stage Company announces a talk-back with the playwright, Ruth Kirschner, after the 8:00 pm performance on April 1. Performances of Whippoorwill will take place March 31 through April 10 in the Sitnik Theatre of the Lackland Performing Arts Center,

The highly anticipated Broadway revival of Funny Girl is beginning performances tonight, March 26, at the August Wilson Theatre, ahead of an official opening on April 24. Meet the cast bringing this iconic show back to the stage!

Here are my initial thoughts on the new original work by Hunter Bell, Jeff Bowen and Ann McNamee.

Producers Thomas Kail, Lin-Manuel Miranda, Jenny and Jon Steingart, Jill Furman, and Portland Center Stage announced that the national tour of Freestyle Love Supreme will play Portland Center Stage’s U.S. Bank Main Stage from April 8 – May 1, 2022.

The Dallas Opera’s premiere production of Jonathan Dove’s Flight beautifully captures these happenstance experiences in all their simplicity, magic, humor, and heartbreak, reminding us that we are at our most human when we find ourselves at our most vulnerable.

The Green Room 42 has announced their March line-up for in-person performances. Located inside YOTEL Times Square (570 Tenth Avenue, Fourth Floor), The Green Room 42 is Broadway's newest and most spacious cabaret club.

Mean Girls is making its way to East Lansing in 2022 for the first time ever. From March 1st to the 6th, you can catch this Tina Fey-penned musical at Wharton Center.

As the pandemic nears its much overdue endemic end, artists are coming out of the woodwork to sum up the past 24 months with their personal stories of survival and thriving. Last September, Tony award winner Cady Huffman and respected jazz bassist Mary Ann McSweeney presented such an evening at Birdland. With only the two of themselves, they put together an eclectic evening of jazz-flavored tunes with Ms. McSweeney on bass and Ms. Huffman on vocals entitled IT WAS A VERY GOOD YEAR: SONGS INSPIRED BY A PANDEMIC. This coming Tuesday, February 22, Huffman and McSweeney will present a new and improved version of the show at The Green Room 42, with a few surprises for those who caught the show before.

Jacob’s Pillow has announced the full season lineup for Festival 2022, featuring world premieres, new commissions, 90th Anniversary Season celebrations, Pillow-exclusive engagements, and work developed at the Pillow Lab. 

FRIGID New York presents a HUB Theatrical Presentation of BLOCKBUSTER GUY, Written and Performed by Mark Levy, and Directed by Kristen Keim.

THE DJANGO, downtown Manhattan’s premier jazz club, is commemorating Women’s History Month by hosting more than 20 leading female jazz artists on its stage during March.

New York City Ballet today announced that it is postponing the start of its 2022 Winter Season at Lincoln Center for the Performing Arts for nine days due to the recent surge of COVID-19 in New York City, which resulted in the Company not being able to rehearse during the last two weeks of December.

Ringing in a hopeful 2022, Roy and Edna Disney/CalArts Theater, CalArts' downtown center for contemporary arts, will kick off a full year of live performance and art. Through performances, screenings, and exhibitions, REDCAT will once again welcome in-person audiences—as well as online audiences around the world—from January through June 2022. 

FirstWorks will present renowned composer, violinist and activist Daniel Bernard Roumain (DBR) and 'The Telling' at 8 p.m. on January 22, 2022 at WaterFire Arts Center. 'The Telling' is a new collection of his original compositions with instrumental solos, dance and chamber music - each exploring the question: how can we, the living, honor the lost?

The most important figure in musical theatre history is gone; let's celebrate his life by listening to his incredible works. Reviewer Peter Nason gets you started by listing his choices for the 91 greatest Sondheim songs.

Back in 2004, Tina Fey brought us the movie “Mean Girls”, a cute little teen comedy that could have been just another blip in a bevy of teen comedies were it not for the stellar writing of Ms. Fey and a killer cast. Because of that, the movie has become a bit of a classic in the genre. A shining example of how to do it right. Then Fey, along with husband Jeff Richmond for the music and Nell Benjamin for the lyrics chose to convert her classic into a Broadway Musical. They brought over all that stellar writing from the movie, and that’s part of the problem. The other part of the problem is that the new elements, the music and lyrics, don’t quite live up to the writing. So, what we’re left with is a faded carbon copy of the original that while still fun, isn’t quite as “Fetch” as the original.

The Forest by Florian Zeller, translated by Christopher Hampton, with direction by Jonathan Kent, will run from 4 February until 12 March. The Fever Syndrome by Alexis Zegerman, directed by Hampstead Theatre's Artistic Director, Roxana Silbert, will run from 18 March until 23 April. The Fellowship by Roy Williams, directed by Paulette Randall, will run from 17 June until 23 July.

. Today’s leading artists gather on The Django stage to celebrate NEA Jazz Master Dr. Lonnie Smith in special back-to-back tribute concerts 12/9. Two leading pianists make their Django debut: Benito Gonzalez 12/3 followed by Orrin Evans 12/8 leading his new Brazilian project “Terreno Comun”.