by A.A. Cristi
- Feb 4, 2026
Emily Batsford and Concrete Temple Theatre will present CUMULO, a nonverbal puppetry piece exploring themes of autonomy and transformation, at MITU580 in Brooklyn from April 15 to May 3.
by A.A. Cristi
- Jan 27, 2026
59E59 Theaters will present eight diverse UK productions at the Brits Off Broadway 2026 festival, showcasing a range of dramatic and comedic works.
by A.A. Cristi
- Jun 6, 2024
On a rainy New York evening it was all sunshine, joy and music at 1 Vanderbilt Avenue, where the 20th floor, location of TD Bank’s Conference Center, had been transformed for the 20th anniversary celebration of Jazz Power Initiative, an organization founded by two friends: writer/educator Clifford Carlson, and jazz musician/educator Dr. Eli Yamin.
by Caroline Sposto
- Apr 24, 2021
When the pandemic hit, Charles E. Gerber, a NY actor, director, and acting instructor, moved his studio, Will's Playshop, online. From April 25th at 4 p.m. EST - Midnight April 29th, performances will be accessible to a worldwide audience, on a 'pay what you can' basis to benefit The Food Bank for New York City as well as The Workshop Theater.
by A.A. Cristi
- Feb 25, 2021
Broadway Training Center of Westchester, one of the region's premier performing arts schools, is on a roll. Late year, the school purchased its longtime location and the building next door in Hastings-on-Hudson, securing a permanent home. Then in early January, it hosted a highly successful and entirely virtual Winter Gala and Alumni Show, exceeding its ambitious fundraising goal of $100,000.
by Jade Kops
- Jun 30, 2020
Red Line Productions latest theatre in isolation sees the multi award-winning Toby Schmitz return to the Old Fitz Theatre stage in Will Eno's THOM PAIN ( BASED ON NOTHING).
by Valerie-Jean Miller
- Jun 13, 2019
“Pepperland” Premiered two years ago in Liverpool, the Beatles birthplace, when the famous 'Sgt. Peppers Lonely Hearts Club Band' album turned 50 and the UK celebrated it spectacularly.
It is coming to the Segerstrom Center Of the Arts this weekend, June 14th and 15th, 2019. Choreographed and Directed by Mark Morris, whose repertoire of creative work uses and melds music genres in innovative ways, with choreography that has unbridled enthusiasm mixed with stylish technique that immerses itself into the score and lyrics completely. It is his unique style, and the collaboration with Ethan Iverson, the Musical Director and Reconstructor of sorts, that has crafted this delicious and captivating romp through the '60s and The Beatles' 'Sgt. Pepper's Lonely Hearts Club Band' album, with a new twist and dimension to the score and brilliant choreographic concepts and costuming.
by Valerie-Jean Miller
- May 21, 2019
Segerstrom Center for the Arts is excitingly welcoming the return of the Eifman Ballet of
St. Petersburg with the West Coast Premiere of The Pygmalion Effect May 24-26, 2019
A new ballet from the company's award-winning artistic director and choreographer, Boris Eifman, The Pygmalion Effect is inspired by the Greek mythological tale of Pygmalion - a sculptor who became infatuated with his own life-like carving of a beautiful girl. Renowned for works that are 'bold, psychological and highly theatrical' (The New York Times), Boris Eifman infuses his signature choreographic style into this dynamic new production, set to a score by 'The Waltz King' Johann Strauss II.
The Pygmalion Effect received its world premiere in St. Petersburg's Alexandrinsky Theatre on February 6, 2019. This new production marks choreographer Boris Eifman's return to the genre of comedy or, more accurately, tragicomedy; a form which the choreographer has perfected.
Eifman offers the audience a balletic interpretation of the archetypical story of Pygmalion. In the ballet the protagonist is a successful ballroom dancer who transforms a clumsy girl into a virtuoso performer. In this production, Eifman presents a comprehensive artistic and philosophical portrayal of a human personality's remarkable flexibility and ability to adjust in response to set aims and aspirations. The title is a reference to a well-known physiological phenomenon whereby a person's performance is positively influenced by the expectations of others.
by A.A. Cristi
- Nov 21, 2018
Two new character-driven relationship plays, both by award-winning women writers and both inspired by events currently at the forefront of our national consciousness, beat out 1241 other submissions in the inaugural Moss Hart & Kitty Carlisle Hart New Play Initiative. Hart NPI artistic director Christopher Hart will direct Silver Medallion-winning plays Confederates by Suzanne Bradbeer, opening Nov. 9, and Exit Wounds by Wendy Graf, opening Nov. 16, atGrove Theater Center in Burbank, where the two plays will continue to run in repertory through Dec. 16. One will be named the Gold Medallion winner and open on March 13, 2019 for a six-week, off-Broadway run in the 196-seat "Theater A" at 59E59 Theaters in New York City.
by Nicole Rosky
- Jul 26, 2018
AVENUE Q became an overnight sensation on Broadway in July 2003 following a sold-out engagement and was extended four times after being presented Off-Broadway by Vineyard Theatre and The New Group. Since it roared into the spotlight - with its singular cast of people and puppets including Princeton, Kate Monster, Rod, Nicky, Trekkie, Christmas Eve, Gary Coleman and Lucy T. Slut - opening on Broadway on July 31, 2003, AVENUE Q has given over 6,000 performances, running seven years on Broadway before transferring to New World Stages in 2009, where it continues to play to large and happy houses.
by Julie Musbach
- May 16, 2018
The annual Broadway League Awards, honoring excellence and achievement for Touring Broadway, were announced today during the Broadway League's 2018 Spring Road Conference. First presented in 1992, the Broadway League Awards recognize the contributions of those who have displayed exemplary service to the Broadway industry and are considered innovators of their craft.