Time After Time - 2004 - New York Articles Page 9

NYC has so many incredible events, but here are a few top picks to consider this week including Laura Benanti, singer-songwriter Nellie McKay, jazz, a songwriter's response to new work by writer Jennifer Egan (Visit from the Goon Squad) and more.

Portland Stage will begin 2026 with big belly laughs! Bringing this three-time Tony Award-winning laugh riot, Lend Me A Tenor by Ken Ludwig, to the stage.

The Cape Playhouse has announced its 2026 summer line-up, in advance of its centennial on July 4, 2027. The lineup will include a production of The 25th Annual Putnam County Spelling Bee, directed by Claybourne Elder. Learn more about the full season!

While much of the dramatic weight of Angels in America undeniably stems from the specter of AIDS, it would do the play a huge disservice to reduce it to a story about disease alone. What Theater West End makes clear is that Kushner’s work is as much about identity, loss, and the human struggle to reconcile who we are deep down with who we present to the world.

What did our critic think of OTHER DESERT CITIES at Bellevue Little Theatre?

The Boston Modern Orchestra Project (BMOP) has announced the wide-ranging program of its Winter-Spring 2026 season, approaching its 30th year. Season’s highlights include Boston performances of a trio of monodramas, the revival of a neglected opera, and the world premiere of three BMOP-commissioned orchestral works.

Manhattan Theatre Club is presenting the first Broadway production of Tracy Letts' Bug, the sci-fi thriller written by Tony Award and Pulitzer Prize winner Tracy Letts and directed by Tony Award winner David Cromer. Read reviews for the production!

Titanique has announced some of its Broadway cast! Alongside Marla Mindelle, who will lead the Broadway company as Celine Dion, are Jim Parsons, Deborah Cox, Frankie Grande and Constantine Rousouli.

New York City Ballet’s 2026 Winter Season will feature a world premieres by Justin Peck and NYCB Artist in Residence Alexei Ratmansky, two early ballets by Balanchine and more.

Two of the most celebrated dining scenes in the greater Philadelphia and South Jersey region are firing up one of the most delicious collaborations of the winter months.

The Martha Hill Dance Fund has revealed the honorees of the 2026 Martha Hill Awards. The Martha Hill Dance Fund has revealed The MESH Fellowship, a new initiative for mentoring emerging choreographers and professional dancers.

See some of the biggest names performing at cabaret venues this month, at a range of budget points including original RENT costars, a NieR video game music concert with a full orchestra, and more.

This January, the Jersey Shore Arts Center will become the staging ground for a masterclass in psychological warfare. Under the sharp, unflinching direction of Theo Devaney, Edward Albee’s seminal masterpiece, At Home at the Zoo, finds new life in a production that promises to be as visceral as it is intellectual. At the heart of this revival are two powerhouses of the craft: three-time Emmy winner and daytime icon Christian Jules LeBlanc and acclaimed Off-Broadway actor and Ruth Stage Chairman Matt de Rogatis.

It wasn’t until later on in theatre history that revivals began including shows that weren’t initially well received or financially successful in their initial engagements. As musical theatre continued to evolve, and more shows entered the canon, a consensus began to grow about shows being worthy of additional exploration even if they hadn’t been hits the first time around. What about musicals that had been ahead of their time, musicals that had fallen prey to circumstances, early works by writers who became successful later on, and of course, shows that found an audience after closing via their cast recordings?

For the last couple of years or so, theatre nerds everywhere have been besotted with the film version of the hit musical Wicked. After the debut of the first installment, anticipation only grew for Part Two, which dropped this past November. But amid all the brouhaha and ballyhoo over the cinematic offerings, the origins of the musical itself were pushed to the background.

The idea of the concept album took flight at the same time as the idea of the rock musical. A concept album introduces audiences to the score of a musical by deliberately releasing an album of the songs before any live production exists at all. The concept album ostensibly stands on its own terms.

This diverting if uneven revival of the 2004-5 Broadway hit is an amusing distraction from the tense politics playing out at the venue.

Joey Fatone will join the North American Tour company of & Juliet, reprising the role of ‘Lance’ following his recent Broadway run. Fatone will join the touring cast for an exclusive engagement in his hometown when the show plays Dr. Phillips Center for the Performing Arts in Orlando, FL.

This season, three plays are receiving Broadway debuts which already made significant noise off-Broadway in their original productions, years ago. Becky Shaw, Bug, and Marjorie Prime will all be opening on Broadway in early 2026 in brand new productions. The first and last are spending time on Broadway at the Hayes under the auspices of Second Stage while Bug is being presented by Manhattan Theatre Club at their home, the Friedman. 

The Paris revival remains polished and efficient, but once again raises a familiar question: has Chicago become more concert than theatre?

The hilarious and irreverent comedy has become a vital part of every Christmas season in Los Angeles since 1995, and dedicated fans have been returning over the years to laugh at all the riotous antics. 

La Cage aux Folles finally returns to its French roots at the Théâtre du Châtelet—and the homecoming is worth the wait. Olivier Py’s ambitious revival, led by a radiant Laurent Lafitte, blends glamour, wit, and quiet political force in a production that reclaims Jerry Herman’s musical as both spectacle and statement

What did our critic think of AJR ACOUSTIC SET at Newport Music Hall?

Following 25 years of producing multidisciplinary arts programming, uplifting historically excluded stories, and fostering connections through the art of story, Mirror Stage has announced it will be sunsetting operations and active programming.

You certainly won’t find the location of Almost, Maine on any map. That’s because the inhabitants of this upper Maine settlement never bothered to properly incorporate their area into a town. That’s a clue for what lies ahead in Almost, Maine, which opened this weekend at Wichita Community Theatre. The clever uplifting play is a collection of brief vignettes, loosely linked and confined to this remote area. As imagined by playwright John Cariani, Almost, Maine is often as mysterious as its title. Twenty-one actors play various townsfolk who come and go in nine scenes.