The Play What I Wrote - 2003 - Broadway Articles Page 1

Greenwich Theatre announced a revival of MY NAME IS RACHEL CORRIE starring Cassie Bradley, known for her upcoming role in Practical Magic 2. The production, compiled by Alan Rickman and Katherine Viner, follows the young activist's journey from America to Gaza.

Theater camps like Stagedoor Manor and French Woods Festival of the Performing Arts have some incredibly famous alumni. BroadwayWorld looks at a handful of former campers who eventually made their way to Broadway.

Cleveland-based playwright Lisa Langford has been named the fourth recipient of the Dominic Orlando Playwriting Award, earning a $12,000 unrestricted grant. Her winning play will have its world premiere in Cleveland Heights.

Lab Theater Project premieres The Cross & The Saber tomorrow, launching a tense and thought‑provoking world‑future drama that follows ordinary citizens caught in the tightening grip of rising nationalism, shifting faith structures, and expanding government control. Playwright Wendy Graf’s long‑developed story imagines an America on the brink, where questions of identity, conscience, and power collide. Under Owen Robertson’s direction, the production moves with urgency and sharp clarity, blending dark humor with unsettling realism as it pushes audiences to consider the choices that shape a country’s future.

It's the end of an era on Broadway. As BroadwayWorld reported last month, the curtain has officially come down on Boneau/Bryan-Brown, the iconic Broadway press office founded by ATPAM-members Chris Boneau and Adrian Bryan-Brown, after more than three decades representing theatre on Broadway, Off-Broadway and around the world.

Pleasance Theatre Trust has added 95 new shows to its Edinburgh Fringe programme, featuring Tim Vine, Alex Edelman, and Flo & Joan among the highlights spanning comedy, theatre, and new writing.

There’s a strange dichotomy that exists in live theater. I may not like the material, but will still find reason to love its execution. And at Theater West End, they’ve culled together a company of players who help elevate the material of POTUS into a comedy that now exists thanks to their approach to the characters. They form a symbiotic relationship with the audience throughout the two acts to make us still care for them, for their arcs, and for their resolutions – no matter how far-fetched it may seem. This is where the production of POTUS shines.

London's Playground Theatre will present the New York premiere of PICASSO: LE MONSTRE SACRÉ at La MaMa, starring Peter Tate and directed by Olivier Award winner Guy Masterson.

−320°F, written and directed by Hideki Noda OBE, will come to Sadler’s Wells in July. Learn more about the upcoming production here and find out how to get tickets!

Seven years ago, an already hot summer in Boston heated up even more during a pre-Broadway tryout of a truncated version of playwright Matthew Lombardo’s “Tea at Five” at the Huntington Theatre when its star, Academy Award winner Faye Dunaway, was fired after allegations that she physically and verbally assaulted crew members on the troubled production.

If you are new to Death Note, there is a lot to catch up on. It has inspired multiple adaptations across television, film, novels, video games, and even stage productions, becoming one of the most influential franchises in contemporary Japanese pop culture. The musical features a score by Tony, Grammy and Emmy nominee Frank Wildhorn, lyrics by Jack Murphy and a book by Ivan Menchell. Wildhorn and Murphy's past collaborations include The Civil War, Swing, Wonderland, Carmen, and Count of Monte Cristo. Wildhorn is perhaps best known for Jekyll & Hyde, Bonnie & Clyde, The Scarlet Pimpernall, and Dracula. Wildhorn's work on Death Note led to more manga adaptations, including Fist of the North Star in 2021 and Your Lie In April in 2022. I see Death Note as this total international, breaking the glass ceiling of what manga can be musically, around the world,' Wildhorn recently told BroadwayWorld.

Theater West End was wise to split Angels in America in the season as two separate performances, each with their own block in the schedule. Originally, I was concerned that the Part Two of it all might turn away prospective theatergoers. But upon watching both parts now, and bearing in mind my own familiarity for the characters, I can also see now how the original production’s 18-month gap would have also been enticing for an audience.

It’s… Hairspray! BroadwayWorld is taking a look back at what the cast of this beloved musical has been up to since the show first graced the Broadway stage!

To say that the Tony Award-winning 2022 musical “Some Like It Hot,” which Broadway in Boston is presenting at Citizens Opera House through February 8, has quite a pedigree is putting it mildly.

The Broadway production of Ragtime was a glorious accomplishment, a riveting testament to the original American musical and to all that America itself could be. The show ran for 834 performances at the Ford Center, closing in the final year of the 20th century. It was nominated for 13 Tony Awards, taking home four.

KNOW THE PLACE FOR THE FIRST TIME is a show that was born out of disaster, catastrophe, and a feeling of being at a place where I couldn't go on the way that I had been going on...

In honor of the Aida’s 25th anniversary, BroadwayWorld spoke to stars Heather Headley (Aida), Adam Pascal (Radames), Sherie Rene Scott (Amneris), Schele Williams (Nehebka), as Thomas Schumacher (original producer and Disney Theatrical Group chief for its first three decades), lyricist Tim Rice, and book writer David Henry Hwang to compile an oral history of the show’s early days, transition to Broadway, and legacy beyond the boards.

https://docs.google.com/spreadsheets/d/1mbY-0dwFsLz5eEj3TxcKCCFBKyFuTOPVLsWiRZfFeAI/edit?usp=sharing

I decided to speak with Dietrich Smith, adaptor and director of Amerika or, The Man Who Disappeared, about his journey to present it as well as his interest in Franz Kafka’s story.

Be quick to book if you need a good laugh.

Hundreds of lovers of new theatre will gather this summer for an advance look at tomorrow’s hits at TheatreWorks Silicon Valley’s 22nd Annual New Works Festival. Learn more!

The Dominic Orlando Fund, which was created in 2022 following playwright Dominic Orlando's passing in 2021, has announced the third recipient of the Dominic Orlando Playwriting Award: David Johann Kim.

With the first three episodes of Poker Face Season 2 now streaming, BroadwayWorld caught up with Richard Kind to talk about honoring Stephen Sondheim in the show, how he continues to find joy in his work, and why he would love to direct a production of Bounce.

LAGUNA PLAYHOUSE will present one of August Wilson's greatest triumphs focusing on the decade of the ‘50s, the Pulitzer Prize winning play FENCES, directed by Yvette Freeman-Hartley (Laguna Playhouse acclaimed production of Ain't Misbehavin'). 

Josefina López, the celebrated Mexican-American award-winning playwright and screenwriter best known for creating and authoring the play and co-authoring the film Real Women Have Curves, was an undocumented five-year-old immigrant when she migrated with her family from San Luis Potosi, Mexico, to the United States in 1974 to settle in Boyle Heights. And on April 27, she will be making her Broadway debut when Real Women Have Curves: The Musical opens on Broadway!