Review: Make Farce Funny Again with POTUS at Theater West End
by Albert Gutierrez - May 3, 2026
There’s a strange dichotomy that exists in live theater. I may not like the material, but will still find reason to love its execution. And at Theater West End, they’ve culled together a company of players who help elevate the material of POTUS into a comedy that now exists thanks to their approach to the characters. They form a symbiotic relationship with the audience throughout the two acts to make us still care for them, for their arcs, and for their resolutions – no matter how far-fetched it may seem. This is where the production of POTUS shines.
Review: Matthew Lombardo's WHEN PLAYWRIGHTS KILL Slays with Laughter
by R. Scott Reedy - Apr 14, 2026
Seven years ago, an already hot summer in Boston heated up even more during a pre-Broadway tryout of a truncated version of playwright Matthew Lombardo’s “Tea at Five” at the Huntington Theatre when its star, Academy Award winner Faye Dunaway, was fired after allegations that she physically and verbally assaulted crew members on the troubled production.
What Is Death Note? A Complete Guide from Manga to Musical
by Sidney Paterra - Mar 13, 2026
If you are new to Death Note, there is a lot to catch up on. It has inspired multiple adaptations across television, film, novels, video games, and even stage productions, becoming one of the most influential franchises in contemporary Japanese pop culture.
The musical features a score by Tony, Grammy and Emmy nominee Frank Wildhorn, lyrics by Jack Murphy and a book by Ivan Menchell. Wildhorn and Murphy's past collaborations include The Civil War, Swing, Wonderland, Carmen, and Count of Monte Cristo. Wildhorn is perhaps best known for Jekyll & Hyde, Bonnie & Clyde, The Scarlet Pimpernall, and Dracula.
Wildhorn's work on Death Note led to more manga adaptations, including Fist of the North Star in 2021 and Your Lie In April in 2022. I see Death Note as this total international, breaking the glass ceiling of what manga can be musically, around the world,' Wildhorn recently told BroadwayWorld.
Review: ANGELS IN AMERICA, PART TWO: PERESTROIKA at Theater West End
by Albert Gutierrez - Feb 21, 2026
Theater West End was wise to split Angels in America in the season as two separate performances, each with their own block in the schedule. Originally, I was concerned that the Part Two of it all might turn away prospective theatergoers. But upon watching both parts now, and bearing in mind my own familiarity for the characters, I can also see now how the original production’s 18-month gap would have also been enticing for an audience.
A Complete History of RAGTIME
by Jennifer Ashley Tepper - Feb 8, 2026
The Broadway production of Ragtime was a glorious accomplishment, a riveting testament to the original American musical and to all that America itself could be. The show ran for 834 performances at the Ford Center, closing in the final year of the 20th century. It was nominated for 13 Tony Awards, taking home four.
Back to Nubia: Stories from the Making of AIDA After 25 Years
by Caitlin Hornik - Dec 6, 2025
In honor of the Aida’s 25th anniversary, BroadwayWorld spoke to stars Heather Headley (Aida), Adam Pascal (Radames), Sherie Rene Scott (Amneris), Schele Williams (Nehebka), as Thomas Schumacher (original producer and Disney Theatrical Group chief for its first three decades), lyricist Tim Rice, and book writer David Henry Hwang to compile an oral history of the show’s early days, transition to Broadway, and legacy beyond the boards.
Exclusive: Richard Kind Pays Tribute to Stephen Sondheim in POKER FACE
by Josh Sharpe - May 8, 2025
With the first three episodes of Poker Face Season 2 now streaming, BroadwayWorld caught up with Richard Kind to talk about honoring Stephen Sondheim in the show, how he continues to find joy in his work, and why he would love to direct a production of Bounce.
August Wilson's FENCES Begins At Laguna Playhouse In May
by A.A. Cristi - Apr 24, 2025
LAGUNA PLAYHOUSE will present one of August Wilson's greatest triumphs focusing on the decade of the ‘50s, the Pulitzer Prize winning play FENCES, directed by Yvette Freeman-Hartley (Laguna Playhouse acclaimed production of Ain't Misbehavin').
Interview: Josefina López on REAL WOMEN HAVE CURVES THE MUSICAL from Boyle Heights to Broadway
by Shari Barrett - Apr 17, 2025
Josefina López, the celebrated Mexican-American award-winning playwright and screenwriter best known for creating and authoring the play and co-authoring the film Real Women Have Curves, was an undocumented five-year-old immigrant when she migrated with her family from San Luis Potosi, Mexico, to the United States in 1974 to settle in Boyle Heights. And on April 27, she will be making her Broadway debut when Real Women Have Curves: The Musical opens on Broadway!
KEEP ON KEEPIN' ON Comes to Crewe, Blackburn and Blackpool
by Stephi Wild - Apr 16, 2025
A big-hearted comedy performed in three non-theatre spaces in Northern Soul strongholds, Keep On Keepin' On is the story a dysfunctional family just trying to keep it together on a run-down northern high street.
Ashanti to Play Solo Headline Show at London's O2 in April
by Josh Sharpe - Mar 31, 2025
R&B legend Ashanti has announced that she will play a solo headline show ‘An Evening With Ashanti’ on Wednesday 23rd April at Indigo at the O2, with tickets on Artist pre-sale now, and General Sale Tuesday 1st April at AXS.com.
The Decemberists Unveil 2025 Summer Tour Dates
by Josh Sharpe - Mar 18, 2025
The Decemberists have announced a short North American Summer Tour. The band will play two Canadian festival dates - Ottawa Blues Festival and Halifax Jazz Festival before headlining a string of Northeast and Midwest shows.