No Gilbert and Sullivan comic opera boasts as many walk-away tunes as The Pirates of Penzance, the only collaboration of the pair to premiere on Broadway, and not in England. Building on the success of the previous year’s H.M.S. Pinafore, but trading—as their principal “serious” focus—the rigors of naval discipline for the obligations of duty, G&S manage to burlesque their normal share of popular institutions, including the army, the police, and operatic sopranos. Pirate apprentice Frederic, at age 21, has faithfully served out his indentures and, replete with a sense of duty, joins the police force, determined to exterminate his old mates. He falls in love with Mabel, the first girl he sees, but the daughter of Major-General Stanley, who himself is the target of a pirate revenge plot. Plans go awry when it is revealed that, thanks to a leap-day birth, Frederic is really only five and one-quarter years old. The engaging musical score includes some of the catchiest music in the G&S canon: Mabel’s pyrotechnic “Poor, wandering one;” the tongue-twisting patter song “I am the very model of a modern major-general;” “A policeman’s lot;” “Climbing over rocky mountain”—a survivor from Thespis, G&S’s lost first stage work; and “With catlike tread,” which, more than a quarter-century later, was given new words as “Hail, hail, the gang’s all here.” At The Egyptian Theatre.
Bad Victims, written and performed, by award-wining Joanna Pickering, and directed by Erica Gould (world premiers of Neil LaBute and Theresa Rebeck) confirms its cast and returns to stage at The Courtyard Theatre, London with three more special dates on April 26th, 27th and 28th.
Bad Victims, written and performed, by award-wining Joanna Pickering, and directed by Erica Gould returns to stage, with its original cast, at The Courtyard Theatre, London by popular demand, adding two special dates on March 14th and 15th.
Casting has been announced for Bad Victims, a new play from award-nominated playwright Joanna Pickering at The Courtyard Theatre, directed by Erica Gould.
This summer, give yourself a break and journey to the lakes region of Central Maine to celebrate the re-emergence of live theater in Maine. Join Theater at Monmouth for its (R)evolutionary Redux Season.
stream.theatre is adding even more shows to their platform through March and April including 4 exclusive digital premieres of major new productions. For drama fans, Shane Richie stars a new revival of Scaramouche Jones by Justin Butcher, which premieres on 26 March.
BroadwayWorld is saddened to report that jazz icon and actor Annie Ross has passed away at age 89.
Pacific Opera Project (POP) announces its 2020 season productions, marking the company's 10th anniversary season of accessible, affordable, and entertaining opera curated by Artistic Director Josh Shaw. Having produced its first show in July 2011, POP's most recent production, The Mikado, was the company's 35th production to date, totaling 29 different operas at 12 venues. In just the past two years, POP's live streams have garnered over 155,000 views.
Whether your doing Dinner and a Show in Philly or surrounding suburbs...or crossing the bridge into South Jersey, there's something for everyone this theater season.
Rehearsals are in full swing for The 5th Avenue Theatre's production of Kiss Me, Kate, which begins performances next Friday, April 6.
Two-time Tony Award nominee Laura Osnes makes her return to Caf Carlyle with Tony and Drama Desk Award winner Ted Sperling and special guest, two-time Drama Desk nominee Ryan Silverman in Cockeyed Optimists: The World of Rodgers and Hammerstein, tonight, September 26, through September 30.
A friendly reminder! Two-time Tony Award nominee Laura Osnes makes her return to Caf Carlyle with Tony and Drama Desk Award winner Ted Sperling and special guest, two-time Drama Desk nominee Ryan Silverman in Cockeyed Optimists: The World of Rodgers and Hammerstein, September 26-30.
Two-time Tony Award nominee Laura Osnes makes her return to Cafe Carlyle with Tony and Drama Desk Award winner Ted Sperling and special guest, two-time Drama Desk nominee Ryan Silverman in Cockeyed Optimists: The World of Rodgers and Hammerstein, September 26-30.
Back in February, BroadwayWorld reported that stage and screen star Kevin Kline would star in The Acting Company's reading presentation of Noel Coward's charming comedy PRESENT LAUGHTER. Now he's taking the show to Broadway, according to the New York Times.
Set inside the sensationalized female murderess craze that swept 1920s Chicago, CHICAGO draws its audience into a world of crime and glitz against the vivid backdrop of the jazz age. A first time production for Pittsburgh CLO, CHICAGO is sure to be 'all that jazz' and more!
Set inside the sensationalized female murderess craze that swept 1920s Chicago, CHICAGO draws its audience into a world of crime and glitz against the vivid backdrop of the jazz age. A first time production for Pittsburgh CLO, CHICAGO is sure to be 'all that jazz' and more!
?Due to popular demand, A Red Orchid Theatre has extended its critically-acclaimed production of Tennessee Williams' The Mutilated, directed by Ensemble Member Dado. The Mutilated will now run through March 13, 2016. The Mutilated features Ensemble Members Lance Baker, Jennifer Engstrom, Mierka Girten, Steve Haggard, Shade Murray, Doug Vickers and Natalie West with Ciera Dawn, Jennifer Glasse, Roy Gonzalez, Mario Hernandez, Morgan Maher, Lauren Vogel and Dominque Worsley. A Red Orchid Theatre is located at 1531 N Wells.
OKLAHOMA! opens on Friday, July 17th , 2015, playing until Sunday, July 26th , and features an added mid-week matinee on July 22nd , at the 1,800-seat Kavli Theatre at the Thousand Oaks Civic Arts Plaza, located at 2100 Thousand Oaks Boulevard in Thousand Oaks.
Having witnessed the stultifying, bloated NBC production of PETER PAN LIVE (what were the 'powers that be' thinking would hold a child's attention span for three hours, however padded with yet more Peter Pan plugs from Walmart?), I was reluctant to attend Playhouse on the Square's annual production of the James Barrie children's classic. I am probably one of the handful of reviewers to recall the 1955 NBC production (and later one as well) with the legendary pairing of Mary Martin and Cyril Ritchard (whose fruity, overly ripe 'Captain Hook' would make Johnny Depp's 'Jack Sparrow' seem more like a white collar executive). As an IPad-free child inured to black and white fare, it hardly mattered that Mary Martin was, to put it politely, mature; that the production values were clunky; that the wires and 'Tinker' herself were glaringly apparent. In short, I was captivated. Yet, Martin possessed the kind of spunk and spontaneity that made us children believe (not to mention that she had the kind of singing voice that made her a legendary Broadway performer, as evidenced by SOUTH PACIFIC and SOUND OF MUSIC). She could make a child want to fly. Allison Williams, last evening's 'Peter,' lacked that optimistic boyishness (though she had the tomboyish Hilary Swank look 'nailed') and, despite having a pleasant enough voice, often seemed out of breath; but Chrisopher Walken, whom I like and who I initially thought would be inspired casting, seemed to have wandered in from a cocktail party hosted by zombies. His dancing made that of the Monster in YOUNG FRANKENSTEIN seem as nimble as that of Fred Astaire. Despite the wonderful lyrics by Carolyn Leigh, Betty Comden and Adolph Green, and despite the 'ear candy' musical score by Mark Charlalp and Jule Stein, those long, middle stretches in Neverland made me wonder if it would Neverend.
San Francisco Opera presents the Company premiere of Carlisle Floyd's two-act opera Susannah today, September 6 at the War Memorial Opera House.
San Francisco Opera presents the Company premiere of Carlisle Floyd's two-act opera Susannah September 6 at the War Memorial Opera House. Soprano Patricia Racette returns to San Francisco Opera in her role debut as the innocent, strong-willed and falsely accused young woman Susannah Polk.
Goodspeed Musicals kicks off its 2014 season at the Goodspeed Opera House with the home run hit Damn Yankees. Goodspeed brings a unique New England flavor to its production, setting it in 1955 Boston and pitting the storied Yanks against the beloved Boston Red Sox. This ace musical comedy runs now through June 21 at the Goodspeed Opera House in East Haddam, Conn.
Goodspeed Musicals kicks off its 2014 season at the Goodspeed Opera House with the home run hit Damn Yankees. Goodspeed brings a unique New England flavor to its production, setting it in 1955 Boston and pitting the storied Yanks against the beloved Boston Red Sox. This ace musical comedy will run from April 11 - June 21 at the Goodspeed Opera House in East Haddam, Conn. Damn Yankees will be sponsored by Dr. and Mrs. David F. Frankel and Bank of America.
Following a critically acclaimed and sell-out run at the Finborough Theatre, the first production in sixty years of R. C. Sherriff's supernatural drama, The White Carnation transfers for a limited three week run to Jermyn Street Theatre, opening tonight, 4 February 2014 (Press Night: Thursday, 6 February 2014 at 7.30pm). The show stars Michael Praed (Design for Living - West End, Robin of Sherwood, Dynasty) who joins the existing superlative Finborough Theatre cast, which includes acclaimed newcomer Daisy Boulton and Benjamin Whitrow (Mr. Bennet in BBC's Pride and Prejudice).
Following a critically acclaimed and sell-out run at the Finborough Theatre, the first production in sixty years of R. C. Sherriff's supernatural drama, The White Carnation transfers for a limited three week run to Jermyn Street Theatre, opening on Tuesday, 4 February 2014 (Press Night: Thursday, 6 February 2014 at 7.30pm). The show stars Michael Praed (Design for Living - West End, Robin of Sherwood, Dynasty) who joins the existing superlative Finborough Theatre cast, which includes acclaimed newcomer Daisy Boulton and Benjamin Whitrow (Mr. Bennet in BBC's Pride and Prejudice).
The busybodies of proper English village life are brilliantly skewered in Benjamin Britten's devastatingly satirical Albert Herring, onstage at Vancouver Opera for four performances only. Fast-paced, effervescent and musically clever, this sparkling 1950s-style company premiere is a scrumptious treat for Vancouver audiences.
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