THE ALLY Tackles The Conflict — Review
7 / 10
Cuttingly, Farid calls him and his ilk “the sympathetic ear.” Moses similarly beckons an audience which, despite the city and the Public’s ostensible reputation for open-mindedness, is still fairly monolithic in its receptive attitudes. What he, and this production, have managed to do in the current political climate is almost heroic in its thematic resoluteness. It doesn’t reach conclusions, but suggests that the boldest enemy an ally-to-all has lives within.
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