Showing Off - 1989 - Off-Broadway Articles Page 2

Adam Strauss’s hit solo show, The Mushroom Cure, will return to The Marsh Berkeley for a limited run, performing Friday nights (April 8 – May 27). It will run in repertory with his spontaneous comedic show, Adam Strauss is Not Unhappy, performing Saturdays (April 9 – May 21). The Mushroom Cure was inspired by a scientific study showing that hallucinogenic mushrooms may cure obsessive-compulsive disorder (OCD), which launched Strauss on a program of vigilante psychopharmacology.

M.A.D.D. Rhythms, Chicago's premier tap collective, begins the new year with the announcement of new company members, monthly Community Tap Jams, classes, a fundraiser, the launch of a podcast network and more.

Soho Theatre has announced their upcoming November programming featuring MUM, SESSIONS, MAKROOH and more. 

On Tuesday, March 9, Dress Circle Publishing will release of THE UNTOLD STORIES OF BROADWAY, VOLUME 4, the latest in a series by acclaimed historian and producer Jennifer Ashley Tepper. Can't wait to get your hands on it? Let BroadwayWorld hold you over with a special sneak peek from a chapter all about The Imperial Theatre.

Broadway might be dark, but that doesn't mean that theatre isn't happening everywhere! Below, check out where you can get your daily fix of Broadway this weekend, December 19-20, 2020.

Today (December 17) in live streaming: the cast of Homeschool the Musical on Stars in the House, Norm Lewis in concert, and so much more!

Broadway might be dark, but that doesn't mean that theatre isn't happening everywhere! Below, check out where you can get your daily fix of Broadway this weekend, December 12-13, 2020.

Today (December 11) in live streaming: Laura Osnes, Courtney Reed and Susan Egan visit Backstage Live, and so much more!

SHADOWLAND STAGES today announced that the theatre will present a special online benefit reading of CHRISTMAS EVE 1953, a short story by Tom Hanks that has been adapted for the stage by SHADOWLAND STAGES' artistic associate, James Glossman.

Now, as New York City struggles to get back on its feet after long COVID-19 shutdowns, and theaters are still months from being able to reopen, St. Ann's Warehouse, which turned 40 this year, has found a range of meaningful ways to program for New Yorkers and more far-flung audiences.

BWW Reviewer Peter Nason chooses the 101 greatest scenes in cinema from 1901 to 2020. See if your favorite movie moments made the list!

The Marsh Berkeley celebrates Black History month with a special, one-night-only performance of Not a Genuine Black Man, the longest running solo show in San Francisco theater history. This funny, honest, and harrowing piece by award-winning actor, playwright, and talk show host Brian Copeland recounts the struggles Copeland faced growing up in what was declared one of the most racist suburbs in America.

Six weeks of enthusiastic fundraising erupted into two extraordinary performances of lighthearted parodies, inspiring calls-to-action and exceptional dance at this year's Red Bucket Follies. The show, which was performed December 9 and 10, 2019, celebrated the 58 Broadway, Off-Broadway and national touring companies that participated in fall fundraising for Broadway Cares/Equity Fights AIDS.

As soon as the Feast program is launched you can guarantee that most Festival goers mark the date of Picnic on their calendar first, as it has become one of the most loved Feast events.

The Marsh San Francisco announces additional performances of Not a Genuine Black Man, the longest running solo show in San Francisco theater history.

Few bands stick around for thirty years. Even fewer bands leave a legacy during that time that marks them as a truly special, once-in-lifetime type band. And no band has done all that and had as much fun as Leftover Salmon. NPR's Mountain Stage says, “One of the most fun-loving bands you'll encounter, Leftover Salmon has built a fervent audience with an insatiable thirst for living, and re-living, its energetic live performances,” while Offbeat calls them, “One of the most spirited, jovial bands of the jam band nation.” 

The Marsh San Francisco announces an extension of Not a Genuine Black Man, the longest running solo show in San Francisco theater history. This funny, honest, and harrowing piece by award-winning actor, playwright, and talk show host Brian Copeland recounts the struggles Copeland faced growing up in what was declared one of the most racist suburbs in America

Driving Miss Daisy, Alfred Uhry's Pulitzer-winning 1987 play made famous by a 1989 film adaptation starring Morgan Freeman, is brought back to the stage in a new production by York Theatre Royal.

The Marsh San Francisco announces additional performances of Not a Genuine Black Man, the longest running solo show in San Francisco theater history by award-winning actor, playwright, and talk show host Brian Copeland. This funny, honest, and harrowing piece recounts the struggles Copeland faced growing up in what was declared one of the most racist suburbs in America.

The North American tour of A BRONX TALE doo-wops its way into the Citizens Bank Opera House through April 14th as part of the 2018-2019 Lexus Broadway In Boston Season. It is at once a nostalgic stroll down memory lane with an original rock 'n' roll score, a gritty depiction of urban turf wars, and a well-told story about loyalty, love, and family. Based on Chazz Palminteri's 1989 one-man Off-Broadway play that inspired a 1993 film, the musical reunites the author with his directors, Jerry Zaks and Robert DeNiro, and they are joined by composer Alan Menken, lyricist Glenn Sater, and choreographer Sergio Trujillo. Like other musicals that have come before it (HAIRSPRAY, JERSEY BOYS, WEST SIDE STORY, to mention a few), A BRONX TALE feels familiar as it evokes a time, a place, and a genre that we recognize. It is a good, solid show with great music, performances, and design elements that provides a couple of hours of entertainment and escape.

Was the pairing of Iain Bell and Mark Campbell--respectively, composer and librettist of New York City Opera's (NYCO) world premiere STONEWALL--'love at first sight”? I asked them. We were at the workshop in New York earlier this month that allowed them and director Leonard Foglia to cross the t's and dot the i's (and hear their new work performed).

The Marsh San Francisco announces the return of Not a Genuine Black Man, the longest running solo show in San Francisco theater history by award-winning actor, playwright, and talk show host Brian Copeland. This funny, honest, and harrowing piece recounts the struggles Copeland faced growing up in what was declared one of the most racist suburbs in America.

The Shakespeare Theatre Association (STA) annual conference came to Prague this year. It has an extensive performance program, crafted by host Guy Roberts and Prague Shakespeare Company, that was open to the public as well as conference attendees. The conference was all about bringing the focus back to the artistic sides of things, as theatre tries to compete in a world filled with on-demand entertainment.

Theatre for a New Audience presents About Alice, the world premiere of a new play by Calvin Trillin, inspired by his 2007 memoir of the same name. The production, directed by Leonard Foglia, plays January 8-February 3, 2019 at Polonsky Shakespeare Center (262 Ashland Place, Brooklyn). 

The Marsh San Francisco announces a one-night-only Marsh benefit performance of Not a Genuine Black Man, the longest running solo show in San Francisco theater history by award-winning actor, playwright, and talk show host Brian Copeland. This funny, honest, and harrowing piece recounts the struggles Copeland faced growing up in what was declared one of the most racist suburbs in America. "In the current political climate, empathy seems to be a lost commodity. By showing people the world through the eyes of a bullied and lonely little African-American boy, I hope they will develop compassion for the demonized 'other,'" says Copeland. The San Francisco Chronicle described the show as "relentlessly introspective and disarmingly honest, Copeland takes apart the false notion that black masculinity is some monolithic concept, in a way that has continued, unfortunately, to be relevant long after the show's 2004 premiere." Not a Genuine Black Man will play as a Marsh benefit performance for one-night-only at 8:00pm, Thursday, January 10, 2019 at The Marsh San Francisco, 1062 Valencia St., San Francisco. For tickets ($30-$35 sliding scale, $55-$100 reserved) or more information, the public may visit www.themarsh.org or call The Marsh Box office at 415-282-3055 (open Monday through Friday, 1pm-4pm).