Rose-Marie - 1927 - Broadway Articles Page 5

Laguna Playhouse announces the final cast and creative team to join acclaimed film, TV and theatre veterans Frances Fisher (a?oeTitanic,a?? Native Gardens, Barbeque), as a?oeQueen Eleanora?? and Gregory Harrison (a?oeTrapper John, M.D.,a?? Broadway's Chicago, Steel Pier), as a?oeKing Henry IIa?? in THE LION IN WINTER

This Christmas, multi-award-winning Omnibus Theatre premieres a new stage adaptation of The Little Prince, one of the best-selling and most translated novellas ever published. Directed by artistic director Marie McCarthy with music composed by Lillian Henley (1927), costumes and set design by Sophia Pardon.

Merrimack Repertory Theatre (MRT) announced today that critically acclaimed Boston actress Karen MacDonald will star next April in Erma Bombeck: At Wit's End by Allison Engel and Margaret Engel, and Terry Berliner, MRT's Interim Artistic Director, will direct.

During its 50th anniversary season of milestones, CMS begins November with the world premiere of John Corigliano's The Food of Love for Oboe and Celloa?"one of several trailblazing composers highlighted in this concert, including John Cage, Elliott Carter, and Ruth Crawford Seegera?"whose works from the past century have set the stage for composers today (Nov. 7). The piece was commissioned by Corigliano's friends Michèle and Larry Corash for their 50th wedding anniversary. The same day, a free master class will be given by soprano Tony Arnold, who performs in Berg's Lyric Suite for String Quartet the following night, with the Schumann Quartet. The work's hidden musical and numerical codes, and a vocal part, revealed Berg's secret love affair with a married woman (Nov. 8).   

The New York Philharmonic will present the US Stage Premiere of director / set and lighting designer Bengt Gomér's production of Schoenberg's Erwartung and Bartók's Bluebeard's Castle, conducted by Jaap van Zweden. Bluebeard's Castle will feature soprano Nina Stemme (New York Philharmonic debut), recipient of the 2018 Birgit Nilsson Prize, as Judith and baritone Johannes Martin Kränzle (debut) as Duke Bluebeard; Erwartung will feature mezzo-soprano Katarina Karnéus as A Woman (debut). The performances will take place Thursday, September 26, 2019, at 7:30 p.m.; Friday, September 27 at 8:00 p.m.; and Saturday, September 28 at 8:00 p.m.

The Cowgate is the heart of Underbelly, home to its new writing theatre, comedy, cabaret and late-night music and mischief.

The Summer Festival, August 8-18, 2019, is the culmination of 5 weeks of preparation by Young Company students and their professional Directors, Music Directors, Choreographers, Stage Managers, and Design Teams. Performed by actors in grades 4-12, The Young Company Summer Festival includes 6 fully staged productions: family friendly Freckleface Strawberry The Musical, hilarious murder mystery Curtains, and the toe tapping classic Singin' in the Rain. High School Students continue the fun with the madcap musical farce Lucky Stiff, as well as musical satire How To Succeed in Business Without Really Trying, and finally the action-packed adventures of She Kills Monsters.

Opening on Friday, July 26, Bard SummerScape presents the long overdue American premiere of The Miracle of Heliane ('Das Wunder der Heliane,' 1927). An original staging by German director Christian Räth of the grand opera that Erich Wolfgang Korngold considered his masterpiece, 'this show promises everything: symbolism, eroticism, political intrigue and gorgeous orchestration, all done up in the composer's signature 'more is more' musical style' (New York Observer). Featuring Ausrine Stundyte, Daniel Brenna, Alfred Walker and the American Symphony Orchestra under the leadership of festival co-founder and co-artistic director Leon Botstein, The Miracle of Heliane will be sung in German with English supertitles and will run for five performances between July 26 and August 4, with an Opera Talk, free and open to the public, before the matinee on July 28. SummerScape 2019 also provides the chance to sample some of the operettas written and arranged by Korngold and his contemporaries in 'Operetta's America' (August 11) and to see a semi-staged production of his best-loved opera, Die tote Stadt ('The Dead City'; August 18), during the 30th anniversary season of the Bard Music Festival.

Overture Center for the Arts, The Grand Oshkosh, The Grand Theater in Wausau and Viterbo University Fine Arts Center in La Crosse announced today the local judges for Overture's Rising Stars talent search.

Adjusted Realists, a company devoted to telling theatrical stories about slightly unhinged worlds, in association with Weber State University, is thrilled to present ASYLUM SONG, written by award-winning poet Jeanne Marie Beaumont and directed by Elizabeth Ostler. ASYLUM SONG begins previews at HERE (145 Sixth Ave, enter on Dominick, 1 Block South of Spring ) on Friday, May 31, at 7 pm and officially opens Tuesday, June 4 at 7 pm. The limited engagement runs through June 15 with performances Tuesday-Saturday at 7:00 pm, and Saturday and Sunday at 2:00 pm. Tickets are $25. For tickets and information: visit here.org or call 212-352-3101.

What makes a Broadway theatre? Technically any venue with 500 seats or more, located along Broadway in New York City's Theatre District is a Broadway theatre, and the art that is produced in these special places is widely considered the highest form of theatrical entertainment in the world. Today, forty-one theatres are technically Broadway houses, each with their own rich history. Below, we're giving you the scoop on the life of every one of them!

Mint Theater (Jonathan Bank, Producing Artistic Director) will present the American Premiere of The Mountains Look Different by Micheal mac Liammoir, hailed as 'a courageous play in which there is no beating about the bush' by The Christian Science Monitor. Performances will begin May 30th and continue through July 14th only at Theatre Row (410 West 42nd Street). Opening Night is set for June 19th.

Committed since its inception to reviving important but neglected operas, Bard SummerScape has long proven itself 'an indispensable part of the summer operatic landscape' (Musical America).

San Jose Stage Company (Randall King, Artistic Director and Cathleen King, Executive Director) has announced the complete cast and creative team for The Stage's next production, the World Premiere of Luis Valdez's ADIÓS MAMÁ CARLOTA.Presented in partnership with El Teatro Campesino and directed by Kinan Valdez, ADIÓS MAMÁ CARLOTA will run from April 3 - 28 2019 at San Jose Stage Company (490 South 1st Street, San Jose, CA, 95113). The press opening will take place on Saturday, April 6 at 8:00 p.m. Tickets range from $32 - $72 and can be purchased through the Box Office at (408) 283-7142 or online at www.thestage.org.

In 2017, the Broadway musical version of Anastasia (which opened at Hartford Stage nice months earlier), based on the 1997 film, featuring music by Stephen Flaherty, lyrics by Lynn Ahrens and a book by Terrence McNally debuted to much fanfare, and now Nashville audiences are in the thrall of the cast and crew of the national touring company, onstage at Tennessee Performing Arts Center's Andrew Jackson Hall through Sunday, March 24.

The timeless music of George and Ira Gershwin plus an aviator, a Channel swimmer, exuberant dance numbers, sparkling costumes, romance, comedy, and America in 1927 equals My One and Only, Stage Door Theatre's upcoming production at the Lauderhill Performing Arts Center (LPAC). The show will open on March 8th and run through March 24th.

San Jose Stage Company (Randall King, Artistic Director and Cathleen King, Executive Director) has announced the complete cast and creative team for The Stage's next production, the World Premiere of Luis Valdez's ADIÓS MAMÁ CARLOTA. Presented in partnership with El Teatro Campesino and directed by Kinan Valdez, ADIÓS MAMÁ CARLOTA will run from April 3 - 28 2019 at San Jose Stage Company (490 South 1st Street, San Jose, CA, 95113).

The timeless music of George and Ira Gershwin plus an aviator, a Channel swimmer, exuberant dance numbers, sparkling costumes, romance, comedy, and America in 1927 equals My One and Only, Stage Door Theatre's upcoming production at the Lauderhill Performing Arts Center (LPAC). The show will open on March 8th and run through March 24th.

Beginning June 5 and continuing through the 29th, San Francisco Opera presents a trio of extraordinary lyric works Georges Bizet's Carmen, George Frideric Handel's Orlando and Anton n Dvo k's Rusalka featuring powerful leading women in the title roles. Spanning three centuries and sung in French, Italian and Czech, the 2019 Summer Season repertory will occasion the Company debuts of four conductors, including two women, in productions that are new to the War Memorial Opera House stage. Some casting updates for the repertory were announced today and additional casting of supporting roles will be released at a future date.

Meet Miss Baker has begun, with previews of The Price of Thomas Scott, directed by Mint Theater Artistic Director Jonathan Bank. Performances began January 24th and continue through March 23rd at Theatre Row (410 West 42nd Street). Opening Night is set for February 20th.

Director Mark Giesser returns to Upstairs at the Gatehouse with George and Ira Gershwin's madcap musical hidden gem Strike Up The Band, written with George S. Kaufman in 1927. While the original script was rewritten by Morrie Ryskind in 1930, this production presents the original, with the dark satire on America's war-mongering over a trade deal re-established.

Director Mark Giesser returns to Upstairs at the Gatehouse with George and Ira Gershwin's madcap musical hidden gem Strike Up The Band, written with George S. Kaufman in 1927. While the original script was rewritten by Morrie Ryskind in 1930, this production presents the original, with the dark satire on America's war-mongering over a trade deal re-established.

Mint announced "Meet Miss Baker," Mint's latest effort in its ongoing commitment to create new life for neglected women playwrights. From Pulitzer-Prize winning plays by Zona Gale and Susan Glaspell, to forgotten works by Rachel Crothers, Cicely Hamilton, Githa Sowerby, Hazel Ellis, Maurine Dallas Watkins, Lillian Hellman, Rose Franken and Dawn Powell, Mint has long been a champion of neglected plays by women. Up next is English playwright Elizabeth Baker, who will receive three productions, each getting their American premiere, over the next two years.