54 Below will host a lineup of performers including Britani Bateman with Lagoona Bloo, Claybourne Elder, Charles Busch, Ute Lemper, Linda Eder, Orfeh, and Jeanna de Waal, alongside a Frank Sinatra tribute concert and other cabaret acts.
S.E.M. Ensemble, led by Petr Kotik, will perform premieres of electronic works by Michael J. Schumacher and Kotik himself at Paula Cooper Gallery in New York.
Center Theatre Group will present Big League Productions' national tour of THE MUSIC MAN at the Ahmanson Theatre from October 27 to November 8, 2026, marking the show's first major Los Angeles engagement since 1980.
Bruce Cockburn will release a covers album tracing the gospel, blues and folk songs that influenced him, with a title drawn from a Simone de Beauvoir novel.
Bruce Cockburn will release an album of songs by other artists that shaped his musical development, spanning gospel, blues, jazz and folk influences from his youth in Ottawa.
The Shakespeare Theatre of New Jersey will present Robert Schenkkan's Tony Award-winning ALL THE WAY as part of its Revolutionary Voices series, featuring Sherman Howard as LBJ and R.J. Foster as Dr. Martin Luther King Jr.
Cyril Nri will take on the role of Willy Loman in Arthur Miller's DEATH OF A SALESMAN at the Liverpool Everyman, directed by Olivier Award-winning Tristan Fynn-Aiduenu.
Gare St Lazare Ireland and Berggruen Arts and Culture will present the world premiere of HOW IT IS, Samuel Beckett's novel staged as a live art event at Venice's Palazzo Diedo, featuring Conor Lovett and Stephen Dillane.
Patchogue Theatre for the Performing Arts will present the My Generation Tour, featuring The Lovin' Spoonful, Gary Lewis and the Playboys, and The Hollies Greatest Hits starring Rock & Roll Hall of Famer Terry Sylvester.
Chandler Center for the Arts announced its 2026–2027 season lineup, set to launch following a major interior renovation. The season includes music, dance, theater, and family entertainment, with Pick 5 packages now available to members.
A second batch of shows for this year's Edinburgh Festival Fringe has been announced, bringing the current total number on sale for 2026 to 2,083. Learn more here!
A Season of Laughter continues at the Westport Country Playhouse with Theatre People, a new adaptation of Ferenc Molnar’s 1924 three-act farce, Play at the Castle (Játék a kastélyban).
Cheryl Stern is a powerhouse performer and storyteller with an incredible career spanning Broadway, national tours, TV, and beyond. Next week, she'll be in town with the National Tour of FUNNY GIRL, playing Mrs. Strakosh and stepping into the role of Fanny Brice at select performances.
What holiday season can be claimed as complete without a Disney musical, right? While one can tick that box with the opening of “Moana 2” at the local movie house, there is nothing like a live performance to energize those merry-making juices. Palm Canyon Theatre provides that much needed “spoon full of sugar” into their magically musical punch bowl of fun, “Mary Poppins”.
While many jukebox musicals rely heavily on the audience's pre-existing love for the music, 'Jersey Boys' stands out as an exception. This Tony-winning musical, currently gracing the stage at Desert Theatreworks, transcends its soundtrack.
VJM: Thank you both for giving of your time to answer my questions. I don’t think I’ve ever heard of two Choreographers being hired for the same Broadway show, not even a revival, that I can think of. How did that come about for both of you? Ellenore Scott: Funny Girl was my Broadway debut as a choreographer. I was so happy when I got a call from Michael Mayer (the director) asking me to work on this revival with him. He knew I was NOT a tap dancer and was aware of the multiple tap routines in the show and asked if I would be down to share the billing with Ayodele Casel. Ayo is an extraordinary artist so I was thrilled to be by her side as she made her Broadway debut as well. Michael first met me initially at Head Over Heels on Broadway where I was an associate choreographer to Spencer Liff. In 2019, he asked if I would choreograph the Off-Broadway revival of Little Shop of Horrors and we opened the show October 17th, 2019. I have loved working with Michael and feel as though he keeps his people close and I’m grateful he thought of me for this historic revival. Ayodele Casel: I met Michael Mayer in 2016 when he directed a New York City Center Encores! show I performed in. Later that fall he invited me to perform that piece in a Broadway for Hillary fundraiser he was also directing. We'd kept in touch over the years and in 2019, after seeing a show I’d premiered at The Joyce Theater, he asked if I would be interested in providing the Tap choreography for a revival he was working on. Like Ellenore shared, Michael wanted to work with us both to deliver the full choreographic vision of the show. I believe it was a very progressive vision on his part and I’m really thankful that I was able to make my Broadway debut with this team.
Read our critic's review - twelve years after MARY POPPINS first flew into Australian theatres, the musical theatre adaptation of P.L. Travers’ famous magical nanny returns to the Sydney stage to the delight of young and old.
LEGENDS AND BRIDGE is a comedy imagining former, silver-screen legend Joan Crawford (matronly, washed-up, and pickled on spiked Pepsi) who invites Judy Garland (recently fired from her CBS TV show) and Bette Davis (bitter at no longer being the “Queen of Hollywood”) up to her Manhattan apartment in 1964 to live with her as they work on a “secret” film project. I find it difficult to believe anyone reading this does not already know about the three screen legends featured in the show. But just to be sure, I decided to interview the three actors portraying them to find out more about what it was like to portray such well-known personalities.
Based on true events and strikingly relevant today, DAISY explores the moment in TV history when the political attack ad was born. In the autumn of 1964, one year after the assassination of President John F. Kennedy, bloody turmoil over Civil Rights was spilling onto the streets, a fearful ideology that made the threat of nuclear war palpable was growing from the conservative right, and a skirmish in the far-off nation of Vietnam wouldn't go away. With the presidential election looming, an advertising agency working for Lyndon Johnson unleashed the most devastating political commercial ever conceived, the 'Daisy' ad.
There are times when being a theater reviewer is a fabulous gig. Last night at the Providence Performing Arts Center was one of those times. FIDDLER ON THE ROOF, running through Sunday at PPAC is not to be missed. It is warm, funny, sad, uplifting, and helps us see the world from the vantage point of the oppressed-it is gorgeous. First, let's give credit to FIDDLER'S creators: Jerry Bock wrote the music, Sheldon Harnick the lyrics, and Joseph Stein the book. Bock and Harnick had previously collaborated on the Tony and Pulitzer Prize winner Fiorello; Stein had been part of the writing team along with Woody Allen, Mel Brooks, Carl Reiner and Neil Simon on television's Your Show on Shows-these were some talented guys. The original Broadway production of the show, which opened in 1964, had the first musical theatre run in history to surpass 3,000 performances. It held the record for the longest running Broadway musical for almost ten years. The production was extraordinarily profitable and highly acclaimed. It won nine Tony awards, including best musical, score, book, direction and choreography. It spawned five Broadway revivals and a highly successful film adaptation and has enjoyed enduring international popularity.
The Scottsboro Boys were nine African American teenagers, ages 13 to 20, falsely accused in Alabama of raping two white-women on a train in 1931.
What happens when 1880 Western bandits are brought back to life in Azusa, CA by a space alien? Sam Shepard's The Unseen Hand joins Odyssey Theatre Ensemble's 50th Anniversary “Circa '69” Season of significant and adventurous plays that premiered around the time of the company's inception, coupled with Shepard's gritty and audacious Killer's Head. Longtime Shepard collaborator Darrell Larson directs both plays for a Jan. 25 opening at the Odyssey Theatre in West L.A., where performances will continue through March 8.
Orlando was a deeply engaging, intriguing and thought-provoking exploration whose pondering, messages, striking soundscapes and visuals reverberated and lingered long after the curtain had closed. It is a highly ambitious undertaking but Neuwirth and her colleagues were up for the challenge. What is most exciting is what has now been established for a venue such as The Wiener Straatsoper as we move into a new decade of uncertain times when it is vital that radical expressions of art and activism combined are given such a grand stage with which to proclaim their truths.
For those too young to remember, from 1957 to 1962 The Everly Brothers sold more than 35 million records and had 35 Billboard top-100 singles, 26 in the top 40, and to this day, carry the record for most Billboard charting hits of any American Duo. Their success at that time was only rivaled by Elvis. The Zmeds are absolutely thrilled to be able to contribute to a cause that supports the recognition and preservation of the intimate origins of America's greatest Rock 'n Roll sibling duo, stating, 'We are not impersonators. Our aim is to honor the aesthetics of the Everly Brothers' iconic sound and their unique place in music history, all while having a little fun telling our own personal story.' And that they certainly did with great style, talent, and humor.
Doubt: A Parable, a fitting title if ever there was one. Jesus used parables to teach as does Shanley. His message that even though stories like that of Sister Aloysius and Father Flynn did happen, it's up to us to make sure they do not happen again.
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