Right You Are 1964 Off-Broadway — Photo Coverage Page 2

BWW Interview: Valerie Schillawski, Jen Knight, and Deborah Moylan of LEGENDS AND BRIDGE at Dramatically Incorrect Theater Group & Dance Company

by Shari Barrett • Apr 16, 2021

LEGENDS AND BRIDGE is a comedy imagining former, silver-screen legend Joan Crawford (matronly, washed-up, and pickled on spiked Pepsi) who invites Judy Garland (recently fired from her CBS TV show) and Bette Davis (bitter at no longer being the “Queen of Hollywood”) up to her Manhattan apartment in 1964 to live with her as they work on a “secret” film project. I find it difficult to believe anyone reading this does not already know about the three screen legends featured in the show. But just to be sure, I decided to interview the three actors portraying them to find out more about what it was like to portray such well-known personalities.

BWW Feature: DAISY Examines the First Political Attack Ad Created in 1964

by Shari Barrett • Oct 26, 2020

Based on true events and strikingly relevant today, DAISY explores the moment in TV history when the political attack ad was born. In the autumn of 1964, one year after the assassination of President John F. Kennedy, bloody turmoil over Civil Rights was spilling onto the streets, a fearful ideology that made the threat of nuclear war palpable was growing from the conservative right, and a skirmish in the far-off nation of Vietnam wouldn't go away. With the presidential election looming, an advertising agency working for Lyndon Johnson unleashed the most devastating political commercial ever conceived, the 'Daisy' ad.

BWW Review: FIDDLER ON THE ROOF at Providence Performing Arts Center. Don't Miss It!

by Larry O'Brien • Feb 12, 2020

There are times when being a theater reviewer is a fabulous gig. Last night at the Providence Performing Arts Center was one of those times. FIDDLER ON THE ROOF, running through Sunday at PPAC is not to be missed. It is warm, funny, sad, uplifting, and helps us see the world from the vantage point of the oppressed-it is gorgeous. First, let's give credit to FIDDLER'S creators: Jerry Bock wrote the music, Sheldon Harnick the lyrics, and Joseph Stein the book. Bock and Harnick had previously collaborated on the Tony and Pulitzer Prize winner Fiorello; Stein had been part of the writing team along with Woody Allen, Mel Brooks, Carl Reiner and Neil Simon on television's Your Show on Shows-these were some talented guys. The original Broadway production of the show, which opened in 1964, had the first musical theatre run in history to surpass 3,000 performances. It held the record for the longest running Broadway musical for almost ten years. The production was extraordinarily profitable and highly acclaimed. It won nine Tony awards, including best musical, score, book, direction and choreography. It spawned five Broadway revivals and a highly successful film adaptation and has enjoyed enduring international popularity.

BWW Review: BW/Beck's THE SCOTTSBORO BOYS is Both Compelling and Uneven

by Roy Berko • Feb 9, 2020

The Scottsboro Boys were nine African American teenagers, ages 13 to 20, falsely accused in Alabama of raping two white-women on a train in 1931.

Photo Flash: Odyssey Theatre Presents Sam Shepard's THE UNSEEN HAND

by A.A. Cristi • Jan 20, 2020

What happens when 1880 Western bandits are brought back to life in Azusa, CA by a space alien? Sam Shepard's The Unseen Hand joins Odyssey Theatre Ensemble's 50th Anniversary “Circa '69” Season of significant and adventurous plays that premiered around the time of the company's inception, coupled with Shepard's gritty and audacious Killer's Head. Longtime Shepard collaborator Darrell Larson directs both plays for a Jan. 25 opening at the Odyssey Theatre in West L.A., where performances will continue through March 8.

BWW Review: ORLANDO: A Revolutionary, Radical New Opera Blends Art With Activism at Vienna State Opera

by Cindy Sibilsky • Dec 31, 2019

Orlando was a deeply engaging, intriguing and thought-provoking exploration whose pondering, messages, striking soundscapes and visuals reverberated and lingered long after the curtain had closed. It is a highly ambitious undertaking but Neuwirth and her colleagues were up for the challenge. What is most exciting is what has now been established for a venue such as The Wiener Straatsoper as we move into a new decade of uncertain times when it is vital that radical expressions of art and activism combined are given such a grand stage with which to proclaim their truths.

Review: The Zmed Brothers Honor the Early Rock and Roll Icons in THE EVERLY BROTHERS EXPERIENCE

by Shari Barrett • Oct 10, 2019

For those too young to remember, from 1957 to 1962 The Everly Brothers sold more than 35 million records and had 35 Billboard top-100 singles, 26 in the top 40, and to this day, carry the record for most Billboard charting hits of any American Duo. Their success at that time was only rivaled by Elvis. The Zmeds are absolutely thrilled to be able to contribute to a cause that supports the recognition and preservation of the intimate origins of America's greatest Rock 'n Roll sibling duo, stating, 'We are not impersonators. Our aim is to honor the aesthetics of the Everly Brothers' iconic sound and their unique place in music history, all while having a little fun telling our own personal story.' And that they certainly did with great style, talent, and humor.

BWW Review: DOUBT at Studio Theatre is Gripping

by Benjamin Tomchik • Sep 10, 2019

Doubt: A Parable, a fitting title if ever there was one. Jesus used parables to teach as does Shanley. His message that even though stories like that of Sister Aloysius and Father Flynn did happen, it's up to us to make sure they do not happen again.

Throwing Out My CDs by Ben Rimalower: OKLAHOMA!

by Ben Rimalower • Mar 15, 2019

In 10th Grade, I was in the chorus of a production of Oklahoma! in the auditorium of my synagogue and it was the best theatrical experience I've ever had. I remember getting home from the closing night cast party and crying myself to sleep. I could cry now putting on the movie or listening to 'The Farmer and the Cowman,' or maybe most of all, if I sing a little bit of the introduction to the title song.

BWW Review: PLAID TIDINGS Brings Musical Holiday Cheer to Simi Valley

by Shari Barrett • Dec 28, 2018

The hilarious angel doo-wop quartet of Frankie, Sparky, Jinx and Smudge (Craig Sherman, Philip McBride, Augusto Guardado and Andrew Allen) again return to Earth to get a second chance at 'making it big' after missing out on the opportunity when a freak accident caused their demise on the night of February 9, 1964 while the Beatles appeared on The Ed Sullivan Show. Believing their mission is to find the purpose for their return, the spirited guys set out to recall past show-stopping performances, finally realizing how much it meant to bring joy and music to their fans.

BWW Previews: THE GOOD SWIMMER World Premiere at BAM Fishman Space

by Cindy Sibilsky • Nov 25, 2018

The saying, 'Good things come to those who wait,' could certainly be applied to the world premiere of The Good Swimmer playing at BAM's Fishman Space as part of the Next Wave festival from November 28th-December 1st. Defined as a pop requiem for the youth of the Vietnam War, this collaboration between Heidi Rodewald (music) and Donna Di Novelli (lyrics) directed by Kevin Newbury has been the better part of a decade in the making since the two women began working on the piece at a Eugene O'Neill Theater Center residency and left with three songs based on text from out-of-print lifesaving manuals that would become the foundation of The Good Swimmer -- the title song, 'Red Cross' and 'Double Drowning'.

Photo Flash: San Jose Stage Company Continues Season 35 with FOOL FOR LOVE

by A.A. Cristi • Nov 27, 2017

San Jose Stage Company continues their Season 35 honoring an American Theatre icon who shaped the very core of their organization with their presentation of Sam Shepard's Fool for Love. This cowboy romance dissects the poignant causes and effects of love lost through the retrospective eyes of two past lovers.

BWW Interview: Theresa Cunningham Channels Truth with Arena Stage's NINA SIMONE: FOUR WOMEN

by Benjamin Tomchik • Oct 26, 2017

Starting November 10, Theresa Cunningham gets to channel the pioneering songstress and make her Arena Stage debut with the East Coast premiere of Nina Simone: Four Women. Before there was Bono or John Lennon, there was Nina Simone and Christina Ham's new play follows her transformation from artist, to artist and activist.

BWW Feature: BOURBON AND RAISINS in Omaha

by Christine Swerczek • Sep 26, 2017

This has been an unusual weekend for me. I had the privilege of attending two compelling plays written by African Americans about African Americans and performed by African Americans. Both shows are moving presentations that made me laugh. They made me cry. And they made me view the lives of families very different from my own with a new sense of understanding.

BWW Review: I AM NOT A COMEDIAN - I'M LENNY BRUCE Will Open Your Eyes to his Comedic Genius and Dedication to Free Speech

by Shari Barrett • Jun 25, 2017

An undisputed comic legend, Lenny Bruce was one of the greatest artists of the 20th century. His life and work have had an impact on poetry, politics, music, film and comedy from Don Rickles to Richard Pryor and Chris Rock, and any other comedian who is now free to speak his/her mind without fear of legal retribution thanks to Bruce challenging our First Amendment freedom of speech rights. Lenny's tempestuous personal and professional life which Marmo embodies with his body, heart and soul, was marked by great passion and great pain, thanks to his unwavering commitment to free speech, which led to numerous obscenity charges and arrests.