The book follows the experiences of a young boy and his grandmother who live in a world plagued by evil, child-hating witches.
Lucy Kirkwood (book and lyrics) and Dave Malloy (music and lyrics) make a remarkable duo with huge wit and warmth, capturing the magic of Dahl's writing, without dumbing down the darkness. One slightly unwelcome theme is the repetition of certain words or phrases at the end of many of the songs; over and over again. The length, at nearly three hours including interval, may be a bit of a stretch for younger audience members and a few sections of the second half meander a little. However, most of the production whips by in a stream of pure entertainment. Inevitable comparisons will be made with the juggernaut that is Matilda The Musical. While this show is not quite at that point, it is certainly snapping at Matilda's heels.
Designer Lizzie Clachan gives us overarching talons, nightmare fantasies and box-of-tricks physical sets, but the show’s muted colour palette gets a bit boring. Standout songs include Luke’s Ready to Go, the Grand Witch’s insinuating hymn to childlessness Wouldn’t It Be Nice, Gran’s When I Was Young and the irresistible clap-along Get up, sung by Helga (Jersey Blu Georgia on opening night) and the younger cast members. There are occasional lacunae here but this is a polished, witty, crisply sardonic serving of Dahl. And if the other child actors sharing the central roles are as good as the ones I saw, they deserve all the plaudits.
| 2023 | West End |
National Theatre Musical Premiere Production West End |
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