Power Plays - 1998 - Off-Broadway Articles Page 19

No, it's not that Frozen - although the immortal words 'Let it go' do appear in the second half. Otherwise this is a far cry from the Disney juggernaut. Bryony Lavery's 1998 play deals with the abduction of a child, and asks whether evil can be easily defined - or forgiven.

On Sunday, March 11, Hospicare and Kitchen Theatre Company are pleased to offer a special event: a reception and panel discussion on 'Lesbian Love & Loss over the Lifetime.' The reception will begin at 3:00 p.m., followed by a 4:00 performance of Bright Half Life by Tanya Barfield. After the performance, panelists Kate Halliday, Mariette Geldenhuys, Sue Robinson, and Carrie Stearns will moderate a discussion in the theatre.

This year marks the Season Sweet 16 for the powerful Downtown Urban Arts Festival (DUAF).

The Alaskan wilderness, the architecture of Barcelona, and a small village in Ghana are among the diverse worlds explored in Prospect Theater Company's upcoming Good to Go Songwriters' Showcase: a concert celebrating new works-in-process created or co-created by women writers. The third annual concert event will be presented on March 10, 2018 at 8pm at The TimesCenter (242 West 41st, NYC).

Daniel Evans and Rachel Tackley said: 'We're enormously grateful for the warm welcome extended to us by our local community and those visiting from further afield during our first season, which welcomed Chichester's largest-ever Festival audience.

On the heels of a sold out, twice-extended world premiere produced by Vineyard Theatre in association with Audible, Audible Inc., the world's largest producer and provider of downloadable audiobooks and other spoken-word entertainment, is pleased to announce that Tony Award winner Billy Crudup will return to the title role in Harry Clarke, written by Obie Award winner David Cale (Lillian) and directed by Leigh Silverman (Violet).

National New Play Network, the country's alliance of nonprofit theaters that champions the development, production, and continued life of new plays, announces its 74th Rolling World Premiere (RWP): The Madres by Stephanie Alison Walker. The Roll will run through Skylight Theatre Company (March 10-April 29 in Los Angeles, CA) and Teatro Vista (April 21-May 27 in Chicago, IL), MOXIE Theatre (May 13-June 10, in San Diego, CA), and Shrewd Productions (August 24-September 15 in Austin, TX). The Madres was presented at NNPN's 2016 National Showcase of New Plays, hosted by the Department of Theatre and Dance at the University of Texas-Austin.

The Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) announced complete casting today for the world premiere of MLIMA'S TALE, written by two-time Pulitzer Prize winner Lynn Nottage. Directed by Obie Award winner Jo Bonney, MLIMA'S TALE continues The Public's Astor Anniversary Season at their landmark downtown home on Lafayette Street, celebrating 50 years of new work and the 50th Anniversary of HAIR. MLIMA'S TALE begins performances on Tuesday, March 27 and runs through Sunday, May 20 in The Public's Martinson Hall, with an official press opening on Sunday, April 15.

For its 20th anniversary, V-Day is calling on activists around the world to Rise, Resist, and Unite. In 2018, staging a V-Day production of The Vagina Monologues or organizing a One Billion Rising event is more than a theatrical experience, it is an ARTISTIC UPRISING, a RADICAL act, an ACT OF RESISTANCE. 

Elizabeth Birnkrant, known for her roles in JESUS HOPPED THE A TRAIN for Eclipse Theatre, 1984 at Steppenwolf, VICES AND VIRTUES: THE GREAT WAR at Profiles Theatre and other roles with Sideshow, First Floor and Roadworks theatre companies, has been cast in the leading role of L'il Bit in The Artistic Home's production of Paula Vogel's Pulitzer Prize winning HOW I LEARNED TO DRIVE. The Artistic Home co-founder John Mossman will play Uncle Peck, the family member who has a sexual relationship with his niece Li'l Bit during her pre-teen and teenage years. Mossman, who directed The Artistic Home's BY THE BOG OF CATS last year, as an actor has most recently appeared as Leontes in THE WINTERS TALE and O'Trigger in THE RIVALS at Lakeside Shakespeare Theatre.  He has also appeared with The Artistic Home as MACBETH and as Shannon in NIGHT OF THE IGUANA. He played Atticus Finch in Oak Park Festival Theatre's TO KILL A MOCKINGBIRD and performed in the Steppenwolf production of THE MARCH.

The Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) announced complete casting today for the New York premiere of MISS YOU LIKE HELL. With book and lyrics by Quiara Alegr a Hudes and music and lyrics by Erin McKeown, the new musical is directed by Public Theater Resident Director and Founder of Public Works Lear deBessonet, with choreography by Danny Mefford. The musical will begin previews in The Public's Newman Theater on Tuesday, March 20 and run through Sunday, May 6, with an official press opening on Tuesday, April 10.

Mosaic Theater Company of DCtakes its acclaimedVoices From a Changing Middle East Festival on tour this winter, bringing several of its seminal Festival productions (I SHALL NOT HATE, VIA DOLOROSA, and the recent film adaptation of WRESTLING JERUSALEM) to the University of Oklahoma, Grinnell College, and Eastern Mennonite University for presentations of each project, and culminating in a special evening at the University of Chicago's Logan Center for the Arts where excerpts from all three works will be shared in a single evening. The tour reflects different dimensions of the Palestinian-Israeli conflict and the efforts to achieve reckoning and reconciliation through live performance and discussion, in works performed in English, Arabic, and Hebrew (with translated surtitles).

The Artistic Home will continue its 2017-18 season with Paula Vogel's Pulitzer Prize winning HOW I LEARNED TO DRIVE, to be directed by The Artistic Home's Associate Artistic Director Kayla Adams. It will open to the press Sunday, March 25 at 7:00 pm, following previews from March 21-24. HOW I LEARNED TO DRIVE, which premiered in 1997, was a Pulitzer Prize winner and a pioneering drama for its examination of pedophilia and sexual abuse of women. It follows a young woman, named L'il Bit, from age 11 to age 18 and her friendship and sexual affair with her uncle. Director Adams says, this courageous and surprising script reminds me again and again of the healing power of storytelling. In reviewing the 2017 production by the Cleveland Playhouse, the Cleveland PLAIN DEALER said, We can rejoice that 'How I Learned to Drive' feels as fresh and fearless as it did two decades ago - and mourn for the same reason.

The Shakespeare Theatre Company (STC) announces the cast and creative team for Hamlet, directed by STC Artistic Director Michael Kahn and featuring acclaimed actor Michael Urie as the tortured Danish prince. Shakespeare's most celebrated tragedy will run January 16-February 25, 2018 at Sidney Harman Hall.

The multi-award winning Mark Bruce Company will tour their haunting new dance/theatre re-imagining of Shakespeare's Macbeth in 2018.

Veteran Broadway actor, Richard Waits, is bringing Jon-Marc McDonald's anticipated play, Relatively Conscious, to the stage in February at the New York Theater Festival. The play, which centers around the murder of James Byrd Jr in 1998, will run February 6, 7, and 10th at the HudsonGuild Theater in New York City.

Mary Kathryn Nagle's daring new work Sovereignty makes its world premiere at Arena Stage at the Mead Center for American Theater.

Gallery Players will begin 2018 with William Finn and James Lapine's A New Brain. It is an autobiographical musical exploring illness and the healing power of art. A New Brain features music and lyrics by William Finn; book by William Finn and James Lapine. The show started as a concert at The Public Theater in 1996, then premiered Off-Broadway at Lincoln Center in 1998, directed by Graciela Daniele and featuring Malcolm Gets. In 2015 City Center presented A New Brain in their Encores! series with the cast headed by Jonathan Groff.

The New Jersey Symphony Orchestra and Music Director Xian Zhang close the 2018 Winter Festival, America, Inspiring, with the masterwork that embodies its theme Dvo k's New World Symphony. Presented January 26 28 in Newark, Red Bank and Morristown, the program also features Britten's Simple Symphony and Korngold's Violin Concerto with soloist Chlo Hanslip.

Vicky Featherstone, artistic director of the Royal Court, has been named number one in The Stage 100, the definitive guide to the most influential figures working in the UK theatre and performing arts industry today.

The Public Theater announced the exciting national and international line-up today for the 14th annual UNDER THE RADAR FESTIVAL, running January 4-15, 2018.

Arena Stage at the Mead Center for American Theater will host a special post-show conversation with Gloria Steinem on Sunday, January 28 following the 7:30 p.m. performance during the run of Mary Kathryn Nagle's world premiere Power Play Sovereignty.

Irish Arts Center (IAC), the arts and cultural center dedicated to projecting a dynamic image of Ireland and Irish America for the 21st century, announces its Spring 2018 lineup, featuring a characteristically wide range of theatrical, musical, dance, literary, podcast, interdisciplinary and educational events.

Irish Arts Center Announces Spring 2018 Season

From Friday, February 2 through Sunday, February 18, BAMcin matek presents Fight the Power: Black Superheroes on Film.