Married-and How! - 1928 - Broadway Articles Page 11

The University of Washington's Meany Center for the Performing Arts, under the leadership of Executive and Artistic Director Michelle Witt, announces its 2019/20 Season with a lineup of 23 adventurous and visionary artists from around the globe. One of the nation's leading university presenters, Meany Center brings artists of exceptional artistry and diverse perspectives to Seattle, providing extraordinary performances and unique learning experiences to both community and campus. The 2019/20 Season explores the theme of empathy in the arts and celebrates the 250th anniversary of the birth of Ludwig van Beethoven, an artist whose life and work resonates with the season's theme. The new season will also feature work by two Creative Research Fellows participating in the UW's Creative Fellowships Initiative, choreographer Brian Brooks and performance artist Daniel Alexander Jones.

With 'velvet stairs, easy chairs, and perfumed air gently blowing,' the Grand Hotel Berlin may not be a character in the traditional meaning of the word, however, it is the catalyst which sets in motion the fate of every guest who walks through its opulent revolving doors. For choreographer Kelly Crandall d'Amboise, it is her job to provide that motion as the production begins performances this week at Signature Theatre.

Skidmore Theater has announced its Spring Main Stage Production, Cabaret by Joe Kander, Fred Ebb, and Joe Masteroff, directed by artist-in-residence John Michael DiResta. This production explores queerness, fascism, and jazz in a highly immersive fashion in which the theater space is reinvented, transforming the JKB into the Kit Kat Club and allowing some audience members to sit on the stage at cafe tables.

The Cleveland Orchestra and Music Director Franz Welser-M st announced details of their 2019-2020 season which encompasses 76 concerts over 26 weeks. One significant highlight includes a festival designed to explore music and art that was banned, marginalized, and destroyed during the Nazi's Degenerate Art movement, and the continuing impact of censorship on creative expression in society today. The festival will center on Alban Berg's Lulu, one of the 20th century's most influential operas, and includes partner programming with the area's notable arts institutions.

Following solo and concerto performances at Queens College's Karol Rathaus Festival last month, Polish-Canadian pianist Daniel Wnukowski (vnoo-koff'-skee) further champions the music of this long-neglected Galician-Jewish composer with the launch of a recording cycle of Karol Rathaus's complete works for solo piano. The project, spanning four volumes on Toccata Classics, is an extension of Mr. Wnukowski's advocacy for music suppressed by the Nazi regime, and all of the works on Volume 1 appear on recording for the first time.

Renowned for presenting sophisticated and provocative theater that appeals to both kids and adults, 24th Street Theatre puts a cutting edge spin on a seemingly simple tale. The Los Angeles premiere of The Miraculous Journey of Edward Tulane, adapted for the stage by Dwayne Hartford from the award-winning novel by Kate DiCamillo, opens on April 6 at 24th Street's converted carriage house on the edge of L.A.'s historic West Adams historic district. Low-priced previews take place on March 9 and 10.

In 1928 Virginia Woolf explored her freedom of identity with her novel Orlando. Coming out of a fierce but heartbreaking affair with Vita Sackville-West, Woolf imagined a young Elizabethan boy who lives for centuries, meeting poets and kings, and delving into sexuality and gender.

Juliet Doherty, nationally-recognized dancer, film actress and 'ballet goddess' according to Dance Spirit Magazine, stars as Lise in the regional premiere of An American in Paris at Hale Centre Theatre in Sandy, Utah. Doherty will make her Hale Centre Theatre debut on the Young Living Centre Stage, the most-technologically advanced theater-in-the-round stage in the world, February 18 - April 6, 2019.

A Blank stage is set to adorn a combination of a house on one side and what will soon become the work stations of the women in this production. On the projection behind the set were words written to strike a chord with incoming audience members, "If one woman were to tell the truth about her life, the world would split open." These wise words from Muriel Rukyster were the only thing standing between the audience and the works to be portrayed on the stage this night. In the program, Founder and Director Fran Powers wrote, "Directing These Shining Lives has been a project of the heart. "It is vitally important to keep honoring courageous women who sacrificed so much for others." This is the foundation of the Powerstories Theatre mission."With that the scene is set and a whirlwind 90 minutes set to no intermission was about to unfold in front of us.

????Mr. Kavakos and Ms.Wang are frequent collaborators in concert and on recordings. There is such a rapport between them that an easy flow of ideas and emotions inform all of their performances.

A sold-out house of theater patrons and supporters shared in the excitement when Rivertown Theaters for the Performing Arts' Artistic Directors, Kelly Fouchi and Gary Rucker revealed the popular and diverse line-up of productions for the 2019-2020 season Sunday evening, January 27 at the theater in Kenner's historic Rivertown. 

The Shakespeare Theatre Association (STA) annual conference came to Prague this year. It has an extensive performance program, crafted by host Guy Roberts and Prague Shakespeare Company, that was open to the public as well as conference attendees. The conference was all about bringing the focus back to the artistic sides of things, as theatre tries to compete in a world filled with on-demand entertainment.

n the midst of a polar vortex this winter, MN Opera sends an early valentine filled with warmth to the Twin Cities in their production The Italian Straw Hat at the Ordway Center's Orchestra Hall. This comic Italian opera set in 1950's Paris plays similar to a French farce while sung in Italian and accompanied with English subtitles. Composed and written by Nino Rota and his wife Ernesta, the composer earned accolades for his film scores written for Federico Fellini, and "The Godfather," both the first and second versions. In this opera, Rota's mid-century comedy, a groom's horse eats an expensive straw hat on the morning of his wedding day while his father in law's patent leather shoes fit too tight. Sound extraordinary? Yes, all is wondrous mayhem as this Parisian wedding spins out of control and delightful events happen on stage throughout this enchanting opera.

Every January I look forward to attending THE MANOR by Katherine Bates, presented by Theatre 40 inside the historic Greystone Mansion in Beverly Hills where the story upon which it is based actually took place. Now celebrating its 17th year, the annual production has become a Los Angeles/Beverly Hills institution with several performances selling out even before tickets go on sale to the public. Its popularity, no doubt, is due to the scandalous true story as told by the talented actors, costumed to time-period perfection, as well as the chance to be inside the grand and glorious architectural landmark in which the events of 90 years ago actually took place, performed in two acts taking place 10 years apart. The names of all characters in the Doheny saga have been changed, of course, "to protect the guilty" as we are told before the play begins by the mansion's loyal butler, James (Daniel Lench who has masterfully played the part for 6 years).

Red Bull Theater today announced the cast for the next REVELATION READING, the New York Premiere of The Shadow of a Doubt by Edith Wharton, directed by Eleanor Holdridge: Emily Brown, Michael Cerveris, Kimberly Chatterjee, Samantha Blaire Cutler, Sanjit De Silva, Adam Harrington, Kathryn Meisle, Amanda Quaid and Brian Wile.  This will take place on Monday January 28th at 7:30 PM at the Lucille Lortel Theatre (121 Christopher Street, between Bleecker and Hudson Streets).

A longtime advocate for music suppressed by the Nazi regime, Polish-Canadian pianist Daniel Wnukowski (vnoo-koff'-skee) makes his New York debut this February as part of a festival dedicated to the music of Galician-Jewish composer Karol Rathaus (1895-1954). Little-known today, Rathaus was a protege of Franz Schreker and built a successful career in Berlin before fleeing in 1932 due to the deteriorating political situation in Germany. He first migrated to Paris, then to London in 1934. He settled in New York in 1938 and joined the music faculty of Queens College two years later as its first professor of composition.

After a hard day's labor in a parish workhouse for children, a nine-year-old orphan named Oliver asks for a second serving of gruel. The workhouse master, annoyed by Oliver's impertinence, sells him into an apprenticeship with a drunken undertaker and his abusive wife. Fearing for his life, the boy escapes to London, where he falls in with the Artful Dodger and a band of juvenile pickpockets led by the criminal Fagin. Oliver discovers heroes and villains in all manner of strange places as he learns how to survive and thrive on the streets of the city. Including such favorite songs as "Food, Glorious Food," "Consider Yourself," and "You've Got to Pick a Pocket or Two," Lionel Bart's adaptation of Charles Dickens' social satire of 19th-century London remains a cherished musical for all ages.

Michael J. LaChiusa (music, lyrics and book) and George C. Wolfe's (book) musical interpretation of Joseph Moncure March's once scandalous 1928 poem THE WILD PARTY is an escapist night of deliciously dark debauchery.  The latest production from Little Triangle Theatre is a feast for the senses with fabulous music combining with brilliant choreography and creative costuming.

Quintessence Theatre Group presents Lionel Bart's beloved musical Oliver! Adapted from Charles Dickens' Oliver Twist, this tale about finding hope and a chosen family in the bleakest of situations will provide an adventurous escape and moving holiday parable for many Philadelphians starting November 14, 2018. OPENING NIGHT is Today, November 17 at 7:30pm, and performances run through December 23, 2018.

Quintessence Theatre Group presents Lionel Bart's beloved musical Oliver! Adapted from Charles Dickens' Oliver Twist, this tale about finding hope and a chosen family in the bleakest of situations will provide an adventurous escape and moving holiday parable for many Philadelphians starting November 14, 2018. OPENING NIGHT is Saturday, November 17 at 7:30pm, and performances run through December 23, 2018.

Rubicon Theatre Producing Artistic Director KARYL LYNN BURNS today announced programming for the company's JANET AND MARK L. GOLDENSON 2018-2019 Broadway Concert Series. According to Burns, the series offers an opportunity for audiences to enjoy the talents and personal stories and insights of some of the best and brightest concert and cabaret stars of the West End, Broadway and the West Coast.

Last night, Disney welcomed guests including Sarah Jessica Parker to the opening reception of “Mickey: The True Original Exhibition,” a 16,000 square-foot immersive pop-up celebrating the 90th anniversary of Mickey Mouse in New York City. 

Rubicon Theatre Producing Artistic Director KARYL LYNN BURNS today announced programming for the company's JANET AND MARK L. GOLDENSON 2018-2019 Broadway Concert Series. According to Burns, the series offers an opportunity for audiences to enjoy the talents and personal stories and insights of some of the best and brightest concert and cabaret stars of the West End, Broadway and the West Coast.

What do 'Avenue Q,' 'Spamalot,' 'Something Rotten' and 'A Funny Thing Happened on the Way to the Forum?' have in common? They are all American Musical Theater comedies, meant to entertain and evoke laughter.