June Squibb Finds Post-AI Humanity in MARJORIE PRIME — Review
10 / 10
Harrison’s drama is equally poignant, not only in its thematic conceit and narrative scope but in its beautiful turns of phrase: “I don’t have to get better. Just keep me from getting worse,” Marjorie begs of her Prime. The production is equally delicate, with Lee Jellinek’s Palm Springs-style home set pulling off a simple, bravura gesture in the play’s final moments, aided by Ben Stanton’s lighting and Daniel Kluger’s sound design. The clothes which Márion Talán de la Rosa has designed for Squibb are enviably cozy.

