A solid new production of the classic does enough to refine the rough edges
8 / 10
Reaching almost 80 years in age, the show’s flaws aren’t hard to spot (incessant bouts of sexism seem to rear their heads a fair wad). Much as he did with his lavish productions of My Fair Lady and The King and I, Sher is the perfect man for the job here: adding small interventions to the numbers and blocking to both broaden and deepen Graham and Vanessi’s relationship. It’s subtle, and never feels extravagantly overt, but does make the material far more palatable – even though the “spanking” scene still raises an eyebrow or two.
