Unapologetic firecracker energy
8 / 10
It’s a larger-than-life interpretation. Everything from Leah Hill’s pugnacious choreography to a fabulous Greek chorus of drag queens seems bigger and bolder. The Leicester Curve artistic director knows how to make this musical sing out loud and proud. Robert Jones’ set design offers a very real factory setting packed with sewing machines, reams of leather and a recalcitrant workforce, but the Milan showroom finale is a riot of light, colour and pizzazz.
