Just So - 1985 - Off-Broadway Articles Page 8

Pleasance Theatre Trust heads to the US with its Fringe triumphs and welcomes talented American performers this summer. Discover the exciting cross-continental exchange of theatrical talent and creativity.

Adapted from the much-loved 1985 film, and the Hasbro Board Game, Clue: A New Comedy, is a murder mystery of a farcical nature that was written by Sandy Rustin and features additional materials by Hunter Foster and Eric Price.

​​​​​​​Was it Mr. Green in the Library with the Revolver? Miss Scarlet with the Candlestick in the Dining Room? Professor Plum with the Wrench in the Kitchen? These suggestions should sound familiar to any fan of the classic Hasbro board game, Clue, or of the 1985 cult classic comedy film of the same name. But June 4th – 9th in Orlando you might just be accusing Mrs. White of slaying the audience with hilarious comedy in the Walt Disney Theatre (at the Dr. Phillips Center) as CLUE, a new production based on the classic board game and film, takes the stage. Embodying the mysterious (and hilarious) perpetual widow, Mrs. White, will be Tari Kelly who sat down with me to share about her theatrical origins, her experience bringing this classic role to life (and adding her own interpretation to it), and what audiences can expect when they come to see CLUE in Orlando.

What did our critic think of A WALK IN THE WOODS at The Abbey Theater? Bishara’s non-nonsense Honeywell verbally spars with Holliday’s frivolous Botvinnik. The Soviet diplomat believes the only way the treaty can work is if the two develop an attitude of friendship and trust. Honeywell believes the two must maintain a sense of formality.

This time, the reader question was: How often do shows like The Wiz start on tour before coming to Broadway?

Packed with Borodin's music, and African rhythm and dance, romance, and humor that smacks of vaukdeville, this strange package has many delights.

The highly-anticipated musical adaptation of the 1988 classic movie MYSTIC PIZZA, which recently completed a critically hailed run at LA Mirada Theatre for the Performing Arts this past January, will embark on a North American Tour in January 2025.

So, even with one major problem, the muddy sound denign, whether to go see this show is no mystery. The solution: catch it while it’s here.

Discover the latest additions to Pleasance's programme with their third epic on-sale. Get updates on new shows, dates, and what to expect from the upcoming performances.

Angels in America is a landmark play.

Discover the exciting new season lineup at 24-25 Broadway in Santa Barbara. Stay updated on the latest shows and performances, featuring a variety of genres for all theatre lovers.

The Palos Verdes Performing Arts' production of A Chorus Line is everything community theater should be: It makes you realize you don’t need a big Broadway house to get a Broadway experience.

KING HEDLEY II is the eighth and quite possibly bleakest play of August Wilson’s Century Cycle. Pasadena’s A Noise Within is committed to producing the entire cycle, and ANW’s production, under the direction of frequent Wilson helmsman Gregg T. Daniel, wrestles with it valiantly.

Discover the exciting new season lineup at 24-25 Broadway in Thousand Oaks. Get ready for a riveting mix of classic and contemporary performances that will captivate all theater enthusiasts.

Hiro Iida: Known as an electronic music designer making waves worldwide, he's a sound craftsman designing the sound of musicals. A graduate of Berklee College of Music, he has won two Grammy Awards. Some of his notable works include 'The Notebook THE MUSICAL,' 'THE GREAT GATSBY,' 'Kimberly Akimbo,' 'Tootsie' on Broadway, 'MJ THE MUSICAL,' 'Mean Girls' in the UK, 'The Man Who Laughs,' 'Mata Hari,' and 'XCALIBUR' in Korea, as well as 'DEATH NOTE THE MUSICAL,' 'Musical IKIRU,' and 'Your Lie in April' in Japan. He has also provided music to notable figures like Akiko Yano.

The script is filled with pratfalls, sight gags, puns and “Dad jokes,” but what makes this play work is the backstory and the personality given to each character and each role contributes something to the plot.

Pittsburgh CLO is implementing changes to make theater more accessible for families. Discover how they're removing barriers and promoting inclusivity in the world of Broadway.

Led by a bravura performance from Carli Hardon, Nashville Repertory Theatre’s production of The Color Purple – the musical based on the beloved Alice Walker novel – is yet another extraordinary success from the professional company in the midst of its 39th season. Directed with complete self-assurance and confidence by Reggie Law, with evocative and energetic choreography by Joi Ware and the musical direction of Dion Treece that results in one of the most emphatically sung shows in Nashville Rep history.

Join Merle Dandridge (The Last of Us, Station 19) and Jenna Ushkowitz (Glee, Waitress) for Jenna, Merle, and Friends: A Night of Song a night of pop and Broadway performances.

Center Theatre Group (CTG) announced the North American premiere of Stephen Sondheim’s Old Friends, starring Bernadette Peters and Lea Salonga, and directed by Sir Matthew Bourne, playing at the Ahmanson Theatre from February 8—March 9, 2025. 

What did our critic think of DADDY LONG LEGS at Theatre 29?

Three quarters of a century following its first North American game release, a top-quality touring play version of “Clue, A New Comedy” has appeared set in a mansion located in suburban Washington, D.C.   At the risk of sounding like a bad horror novel or even worse “B” movie, all the action takes place in a spooky mansion on a dark and stormy night. This is not the first attempt to leverage the popular game into other venues.

Catch the next leg of FOREIGNER's Farewell Tour this fall featuring Loverboy and Lita Ford.

FOREIGNER has announced the next leg of their farewell tour this fall, with special guests Loverboy and Lita Ford on select dates. 

Jazz is about improvising and surprise, and so Janis Siegel stepped in for the under-the-weather booked singer at Dizzy's because the show must go on–even if it's a different one (with the same musicians). Janis Siegel was in great hands with a trio at Dizzy's on March 20th, and the audience gave them a great big hand. Read all about it.