Him - 1928 - Broadway Articles Page 9

Wheelock Family Theatre at Boston University announces its 2019-2020 Season including Roald Dahl's musical Willy Wonka (October 25-November 24, 2019), Little Women: The Broadway Musical (January 31-February 23, 2020), The Little Prince (April 8-May 24, 2020), and Bud, Not Buddy (April 28-May 24 2020). Subscription packages are now on sale. Visit www.wheelockfamilytheatre.org to view savings options and benefits. Single tickets for the 2019-2020 Season will go on sale September 3, 2019.

Mint Theater (Jonathan Bank, Producing Artistic Director) will present the American Premiere of The Mountains Look Different by Micheal mac Liammoir, hailed as 'a courageous play in which there is no beating about the bush' by The Christian Science Monitor. Performances will begin May 30th and continue through July 14th only at Theatre Row (410 West 42nd Street). Opening Night is set for June 19th.

Berkshire Theatre Group is thrilled to present Rev Tor & Friends Celebrate Santana at The Colonial Theatre on Friday, May 10 at 8pm. Tickets are $25.

Next week, FEINSTEIN'S/54 BELOW, Broadway's Supper Club & Private Event Destination, presents some of the brightest stars from Broadway, cabaret, jazz, and beyond. To purchase tickets or for more information, visit www.54Below.com/Feinsteins or call (646) 476-3551.

Skidmore Theater is pleased to announce its Spring Main Stage Production, Cabaretby Joe Kander, Fred Ebb, and Joe Masteroff, directed by artist-in-residence John Michael DiResta. This production explores queerness, fascism, and jazz in a highly immersive fashion in which the theater space is reinvented, transforming the JKB into the Kit Kat Club and allowing some audience members to sit on the stage at cafe tables

The University of Washington's Meany Center for the Performing Arts, under the leadership of Executive and Artistic Director Michelle Witt, announces its 2019/20 Season with a lineup of 23 adventurous and visionary artists from around the globe. One of the nation's leading university presenters, Meany Center brings artists of exceptional artistry and diverse perspectives to Seattle, providing extraordinary performances and unique learning experiences to both community and campus. The 2019/20 Season explores the theme of empathy in the arts and celebrates the 250th anniversary of the birth of Ludwig van Beethoven, an artist whose life and work resonates with the season's theme. The new season will also feature work by two Creative Research Fellows participating in the UW's Creative Fellowships Initiative, choreographer Brian Brooks and performance artist Daniel Alexander Jones.

Skidmore Theater has announced its Spring Main Stage Production, Cabaret by Joe Kander, Fred Ebb, and Joe Masteroff, directed by artist-in-residence John Michael DiResta. This production explores queerness, fascism, and jazz in a highly immersive fashion in which the theater space is reinvented, transforming the JKB into the Kit Kat Club and allowing some audience members to sit on the stage at cafe tables.

Irish Repertory Theatre announced today special events and programming for the month of April as part of The Sean O'Casey Season, celebrating 30 years of Irish Repertory Theatre.

Opening night Kansas City audiences for 'Anastasia the New Broadway Musical' were treated to a tremendously well performed, visually dazzling, homage to the classic musical theater form. 

Renowned for presenting sophisticated and provocative theater that appeals to both kids and adults, 24th Street Theatre puts a cutting edge spin on a seemingly simple tale. The Los Angeles premiere of The Miraculous Journey of Edward Tulane, adapted for the stage by Dwayne Hartford from the award-winning novel by Kate DiCamillo, opens on April 6 at 24th Street's converted carriage house on the edge of L.A.'s historic West Adams historic district. Low-priced previews take place on March 9 and 10.

Leonard Maltin, curator of the DVD release of the Silly Symphony series, said "Walt Disney was a visionary.  He used his Silly Symphonies to expand the medium of animation to the limits of his imagination.  They are among Walt's greatest achievements and deserve to be seen and enjoyed by a new generation."

In ''Call Me Old Fashioned: The Broadway Standard,'' Max von Essen unabashedly embraces his love for the golden age of Broadway and the American Songbook. The album is available for pre-order on Amazon now!

Irish Repertory Theatre announced today special events and programming for the month of March as part of the The Sean O'Casey Season, a comprehensive retrospective of the work of renowned Irish playwright Sean O'Casey, celebrating 30 years of Irish Repertory Theatre.

Celebrate the 91st birthday of the Ohio Theatre with a free concert and singalong showcasing the Ohio's original "Mighty Morton" theatre pipe organ. CAPA featured organist Clark Wilson will replicate the audience singalong performed by former resident organist Roger Garrett on February 16, 1969, as part of the "final performance" at the Ohio Theatre. This will be followed by a concert from world-renowned organist Simon Gledhill featuring music from Broadway, Hollywood, and the Great American Songbook.

A Blank stage is set to adorn a combination of a house on one side and what will soon become the work stations of the women in this production. On the projection behind the set were words written to strike a chord with incoming audience members, "If one woman were to tell the truth about her life, the world would split open." These wise words from Muriel Rukyster were the only thing standing between the audience and the works to be portrayed on the stage this night. In the program, Founder and Director Fran Powers wrote, "Directing These Shining Lives has been a project of the heart. "It is vitally important to keep honoring courageous women who sacrificed so much for others." This is the foundation of the Powerstories Theatre mission."With that the scene is set and a whirlwind 90 minutes set to no intermission was about to unfold in front of us.

The Shakespeare Theatre Association (STA) annual conference came to Prague this year. It has an extensive performance program, crafted by host Guy Roberts and Prague Shakespeare Company, that was open to the public as well as conference attendees. The conference was all about bringing the focus back to the artistic sides of things, as theatre tries to compete in a world filled with on-demand entertainment.

In Arizona Broadway Theatre's production of AN AMERICAN IN PARIS, Director Kurtis Overby has assembled all the pieces of this American classic into a charming and engaging interpretation that is, to be clear, en pointe! The result is a jaunty, rhapsodic, and sentimental journey across avenues, cafes, and a dance studio where eros (romantic love) and pragma (practical love) intersect.

Every January I look forward to attending THE MANOR by Katherine Bates, presented by Theatre 40 inside the historic Greystone Mansion in Beverly Hills where the story upon which it is based actually took place. Now celebrating its 17th year, the annual production has become a Los Angeles/Beverly Hills institution with several performances selling out even before tickets go on sale to the public. Its popularity, no doubt, is due to the scandalous true story as told by the talented actors, costumed to time-period perfection, as well as the chance to be inside the grand and glorious architectural landmark in which the events of 90 years ago actually took place, performed in two acts taking place 10 years apart. The names of all characters in the Doheny saga have been changed, of course, "to protect the guilty" as we are told before the play begins by the mansion's loyal butler, James (Daniel Lench who has masterfully played the part for 6 years).

Red Bull Theater today announced the cast for the next REVELATION READING, the New York Premiere of The Shadow of a Doubt by Edith Wharton, directed by Eleanor Holdridge: Emily Brown, Michael Cerveris, Kimberly Chatterjee, Samantha Blaire Cutler, Sanjit De Silva, Adam Harrington, Kathryn Meisle, Amanda Quaid and Brian Wile.  This will take place on Monday January 28th at 7:30 PM at the Lucille Lortel Theatre (121 Christopher Street, between Bleecker and Hudson Streets).

Irish Repertory Theatre announced today special events and programming for the month of February as part of the The Sean O'Casey Season, celebrating 30 years of Irish Repertory Theatre.

After a hard day's labor in a parish workhouse for children, a nine-year-old orphan named Oliver asks for a second serving of gruel. The workhouse master, annoyed by Oliver's impertinence, sells him into an apprenticeship with a drunken undertaker and his abusive wife. Fearing for his life, the boy escapes to London, where he falls in with the Artful Dodger and a band of juvenile pickpockets led by the criminal Fagin. Oliver discovers heroes and villains in all manner of strange places as he learns how to survive and thrive on the streets of the city. Including such favorite songs as "Food, Glorious Food," "Consider Yourself," and "You've Got to Pick a Pocket or Two," Lionel Bart's adaptation of Charles Dickens' social satire of 19th-century London remains a cherished musical for all ages.

Brecht and Weill's The Threepenny Opera (l'Opera de Quat'Sous in French) is one of those works that became the hallmark of its era. Its sound, its look, and its cynicism are pure Weimar. However, during the 1928 Berlin premiere, early songs such as 'The Ballad of Mac The Knife' and 'Pirate Jenny' landed with a shrug, and it wasn't until the 'Canon Song,' halfway through the first act, that the audience became engaged. All of this to say that The Threepenny Opera is a complicated play whose virtues might not be immediately evident to the uninitiated. The production at Avignon's Opera Confluence, as directed by Jean Lacornerie, comes in at a swift two hours without intermission. While crammed onto an over-packed stage and breathlessly paced, Lacornerie still manages to keep the action moving with style.

Next week, FEINSTEIN'S/54 BELOW, Broadway's Supper Club & Private Event Destination, presents some of the brightest stars from Broadway, cabaret, jazz, and beyond.

Michael J. LaChiusa (music, lyrics and book) and George C. Wolfe's (book) musical interpretation of Joseph Moncure March's once scandalous 1928 poem THE WILD PARTY is an escapist night of deliciously dark debauchery.  The latest production from Little Triangle Theatre is a feast for the senses with fabulous music combining with brilliant choreography and creative costuming.

Quintessence Theatre Group presents Lionel Bart's beloved musical Oliver! Adapted from Charles Dickens' Oliver Twist, this tale about finding hope and a chosen family in the bleakest of situations will provide an adventurous escape and moving holiday parable for many Philadelphians starting November 14, 2018. OPENING NIGHT is Today, November 17 at 7:30pm, and performances run through December 23, 2018.