Him - 1928 - Broadway Articles Page 11

'This is a period in history where art is rejuvenating the people. From a musical standpoint, An American in Paris depicts an interesting time in the European-American cultural exchange. The many colors of French, German, British music were being influenced by American sounds to create a new, singular musical aesthetic, and this, in turn, influenced American musicians who emulated these aspects. It became a snowball of invention.' Music Director David Lamoureux is talking about the exciting period of cultural cross contexts and artistic innovation that was Post War Paris. He is joined by two of his collaborators on the production, directed and choreographed by Jeffry Denman, which opened at the Ogunquit Playhouse on July 13: Assistant Music Director Patrick Fanning and Assistant Choreographer Ashley Marinelli. The trio waxes eloquent about the fertile, innovative artistic world of the play and its time period and the opportunity to bring this milieu and story to life at the famed playhouse which celebrates its 86th season.

In 1928, George Gershwin composed 'An American in Paris' inspired by the time he spent there. It wasn't until 1951 that An American in Paris hit the movie screen starring Gene Kelly and Leslie Caron as directed by Vincente Minnelli.

I have never been to the Pinewood Bowl in Lincoln, Nebraska. Lincoln, our neighbor to the west, is a short 40 minute drive from Omaha on a good day. When the Huskers are playing, that is another story.

Interrobang Theatre Project is pleased to announce its ninth season, featuring three knockout dramas presented at its new resident home, Rivendell Theatre, 5779 N. Ridge Ave. in Chicago's Edgewater neighborhood. This season, Interrobang explores "identity/crisis," with three plays featuring characters on the edge of something new, battling old demons and making room for fresh starts.

London's Dirty Water Records, together along Metronomo Management (Lisbon), Peer Music and Alter-K Records (Paris) and in cooperation with Sony Music/Jive Epic, are pleased to announce the US and UK album release of 'Misfit' by European blues-punk sensation, The Legendary Tigerman (A.K.A. Paulo Furtado). 'Misfit' will be released on Dirty Water Records in the US and UK territories on August 24th, 2018 and will feature limited edition white coloured 12' vinyl coupled with four exclusive and unreleased bonus tracks entitled 'Misfit Ballads EP'.

More Lessons For Teachers, a newly expanded collection of the iconic acting teacher Michael Chekhov's lectures and technique, will be available in hard copy and PDF this summer. Published in English, German and Russian, the new edition supplements the 18 lessons from Chekhov's original book with nine additional lectures from the Chekhov archives.

The classic Musical 'Mame' opened the 2018 season last night at NSMT. The Musical by Jerome Lawrence and Robert E. Lee, with Lyrics by Jerry Herman, and based on the book by Patrick Dennis, is a 1966 Musical Theatre warhorse that has starred such luminaries as, Rosalind Russell, Angela Landsbury, and even Lucille Ball, in the ill-fated 1970's movie.

Principal Pops Conductor Michael Feinstein opens the 2018 Pasadena POPS Sierra Summer Concert Series on Saturday, June 23rd with That's Entertainment: Gershwin to Sondheim. The POPS season opener will cover the gamut of the Great American Songbook from jazz standards to Broadway hits, and vintage charts that can't be heard anywhere else. Hear your Broadway favorites from Porgy and Bess and An American in Paris to Company and Follies, plus popular standards and vintage archival surprises with Nice Work if You Can Get It, S'Wonderful, and Being Alive just to name a few.

The Providence Performing Arts Center (PPAC) and Mills Entertainment announced today that Will Gilbert, co-host of The Rhode Show on WPRI CBS 12, will be the moderator for WILLIAM SHATNER AND STAR TREK II: THE WRATH OF KHAN at PPAC today, May 12 at 7:30P.  The Rhode Show airs live Monday through Friday at 9A; tune in next week, May 7 - 11, for more information on a chance to win tickets to see the May 12th event.

The Providence Performing Arts Center (PPAC) and Mills Entertainment announced today that Will Gilbert, co-host of The Rhode Show on WPRI CBS 12, will be the moderator for WILLIAM SHATNER AND STAR TREK II: THE WRATH OF KHAN at PPAC on Saturday, May 12 at 7:30P.  The Rhode Show airs live Monday through Friday at 9A; tune in next week, May 7 - 11, for more information on a chance to win tickets to see the May 12th event.

It's a month of legends at Blue Note Hawaii with the Godfather of British Blues John Mayall, one of the most celebrated vocalists of our time, Dionne Warwick, and the band of reggae legend Bob Marley, The Wailers, all gracing the stage this May at Blue Note Hawaii. Local favorite Leipono kick us off on May Day, followed by Kuana Torres Kahele in his tribute to the island of Maui featuring Amy Hanaiali'i. Mike Lewis & Friends promise to bring the house down in a tribute to the music of Prince featuring sultry songstress Ginai. There's a night of Hawaii Jazz All Stars with Josh Kaye and Mike Lewis, welcoming some of the island's best jazz musicians. The Island 98.5 Rocksteady Reggae Series continues this month with the formidable Wailing Souls and The Wailers. Celebrate Mother's Day weekend with ukulele master Jake Shimabukuro, and the incomparable Willie K returns to the stage. Musical tributes this month from Mike Lewis & Friends include Thelonious Monk, Chuck Mangione, Chet Baker and Sade and Josh Kaye & Friends will pay homage to the great Aretha Franklin featuring vocalist Sherry Graham. The Honolulu Jazz Quartet will present a tribute to Broadway Classics with a jazz twist

It's a month of legends at Blue Note Hawaii with the Godfather of British Blues John Mayall, one of the most celebrated vocalists of our time, Dionne Warwick, and the band of reggae legend Bob Marley, The Wailers, all gracing the stage this May at Blue Note Hawaii.

Director Simon Levy, who has won much acclaim for his current production of Chaim Potok's The Chosen at the Fountain Theatre, now brings his directorial insight on achieving assimilation into America to the Sierra Madre Playhouse's production of THE IMMIGRANT, written by Mark Harelik about his grandfather's struggle to survive as the only Jewish immigrant to settle in Hamilton, Texas in 1909. The play is a timely and touching meditation on parents and children, newcomers and natives, Christians and Jews, and on what it means to be an American.

Just days ahead of his appearance at LA event MUSEXPO April 29, 9:30pm at SIR Studios, Greek composer and electronic musician Theodore has announced a North American CD pressing of his 2016 debut album It Is But It's Not via United We Fly, the label of which Theodore is founder and CEO. This pressing, the first time the album will be physically available in North America, arrives this Friday, roughly a month after his stellar North American live debut at SXSW, at which NPR Music became huge fans of his work. You can listen to It Is But It's Not single 'Are We There Yet?' via NPR Music's Austin 100 and 'What We Loved at SXSW 2018' playlists. Also featured in the latter playlist is a Theodore track titled 'Towards? (for what is to come)'; this song, premiered in February via CLASH, is the first single from the follow-up to It Is But It's Not, slated for a fall release. Another single is fast-approaching, and the album will be formally announced roughly mid-summer.

Alex Groth, Riley Walker and Chris Loving are three names to watch in this marvelous production.

Combining the force of some fabulous comic actors, SAMI IN PARADISE presents an absurd piece that utilises humour to address the humanitarian issues that are occurring around the world.

Artistic Director Eric Schaeffer and Managing Director Maggie Boland announce the full lineup for Signature Theatre's 2018/19 season.

Harlem EatUp! (HEU) festival co-founders Marcus Samuelsson and Herb Karlitz are pleased to announce the festival line-up and that tickets are now on sale for the fourth annual festival, May 14 - May 20, 2018. Tickets to Harlem EatUp! range from free and pay-as-you-go in the Marketplace and Harlem Stroll to ticketed Dine In dinners.

Harlem EatUp! (HEU) festival co-founders Marcus Samuelsson and Herb Karlitz are pleased to announce the festival line-up and that tickets are now on sale for the fourth annual festival, May 14 - May 20, 2018: http://www.harlemeatup.com. Tickets to Harlem EatUp! range from free and pay-as-you-go in the Marketplace and Harlem Stroll to ticketed Dine In dinners. Photographs available here.

Get ready to laugh - and laugh - and laugh some more as Castle Craig Players present THE DROWSY CHAPERONE, April 6-15 at their intimate cabaret venue.

THE DROWSY CHAPERONE opens at Candlelight on March 17. The chaperone in the show is not lethargic. He/she is slowly getting plastered.

Lyrics take center stage at Quality Hill Playhouse in March as the company pays tribute to two songwriters known for their internal rhymes and worldly wit in the original cabaret revue IT'S DELOVELY: THE WIT OF COLE PORTER AND NOËL COWARD, opening March 2.

The Pasadena Symphony continues its 90th season on Saturday, March 24th with Rachmaninoff Rhapsody on a Theme of Paganini at Ambassador Auditorium with performances at 2pm and 8pm.  Music Director David Lockington will lead this mesmerizing program filled with mystery and intrigue, opening with Alexander Miller's contemporary puzzle overture Scherzo Crypto, and closing with an even more cryptic work - the Enigma Variations of Elgar. The program centers around a classic Rachmaninoff melody, with his virtuosic Rhapsody on a Theme of Paganini performed by brilliant pianist Andrew von Oeyen.

Quintessence Theatre Group continues its blockbuster Season VIII with The Power and Idealism Repertory: Shakespeare's JULIUS CAESAR presented in rotating repertory with Henrik Ibsen's THE WILD DUCK. Striving for gender parity, Quintessence welcomes an A-list eleven-actor ensemble composed of Quintessence favorites and Philadelphia's best to explore new adaptations of two timely classics. As America's democracy is being tested, and the #metoo movement is challenging us all to reconsider America's complex history with patriarchy and the assault of women, directors Alexander Burns and Rebecca Wright revive these harrowingly relevant dramatic masterpieces to join in the conversation.

One thing becomes abundantly clear while witnessing Bailey McCall Thomas' emotionally charged performance of the song 'Cabaret' during a performance of the iconic Broadway musical of the same name: there is perhaps no 'title song' quite so evocative, quite so stunning as John Kander and Fred Ebb's composition for Cabaret. For it is during that song, performed by Sally Bowles in a Weimar era nightclub in Berlin, that the show's entire focus - every theme that shapes the work in order to tell its totally engrossing and entertaining story - is brought sharply into view, set to a memorable melody that seems at once to be both joyous and mournful, ensuring that every audience member experiences a response unique to them.