Ensemble Studio Theatre and the Alfred P. Sloan Foundation announced ten recipients for their 2026 Science and Technology New Play Commissions, continuing a 25-year program that has developed over 300 plays exploring science.
THE ATLANTA OPERA will stage a new production of TURANDOT, featuring a reimagined ending, opening April 25 at Cobb Energy Performing Arts Centre. The production marks the centennial of the opera's premiere.
Headlong has announced details for their 2026 season including a brand-new production of August Wilson's Fences directed by Daniel Bailey (Red Pitch) in a co-production with Leeds Playhouse, Lyric Hammersmith Theatre and HOME Manchester.
Birdland Jazz Club and Birdland Theater have announced programming for January 19 through February 1. Highlights include Ms. Lisa Fischer featuring the Orrin Evans Trio, The Mingus Big Band, Emma Smith Quartet, and return engagements by Vince Giordano & The Nighthawks and Jim Caruso’s Cast Party.
Steven Kramer’s (Book, Music & Lyrics) new work, PHAR LAP THE ELECTRO-SWING MUSICAL is a piece of pure genius.
From the same creative team as JABARI DREAMS OF FREEDOM, HERO: THE BOY FROM TROY, book by Nambi E. Kelley with lyrics, composition, and music direction by Joe Plummer, directed by Daniel Carlton, will tour. Learn how to purchase tickets.
Walter Bobbie’s 1996 Broadway Revival of CHICAGO is receiving a fourth Australian season with a fabulous new cast.
'...why not produce more plays with inclusion of older women in roles and older people in the story line? Instead the majority of theatres in my community constantly hit “replay” of plays done over and over and are always producing musicals again and again like worn out shoes.'
Packed with Borodin's music, and African rhythm and dance, romance, and humor that smacks of vaukdeville, this strange package has many delights.
It is a brilliant production of the second-most produced American opera. (After 'Porgy and Bess') Gorgeous scenic effects and world-class voices.
Jay James-Moody’s (adaptor, director, performer) adaptation of Burton Lane (Music) and Alan Jay Lerner’s (Book & Lyrics) ON A CLEAR DAY YOU CAN SEE FOREVER puts a queer lens and feminist undertone to absurd story of past lives and unusual talents.
See production images for the English National Opera's The Dead City (Die tote Stadt), running 25 March - 8 April 2023.
A stellar cast brightens a Romberg favorite. Operetta, as a genre, arose in the 1850's and swelled into a widely beloved form of entertainment. In America its chief luminaries were Sigmund Romberg, Victor Herbert, and Rudolf Friml. From the 1920's to the '40's the modern musical gradually drove operettas from the stage (except for the happily undying works of Gilbert & Sullivan). And I miss them! So I greatly approve of Winter Opera's offering us this old piece.
Georgina Hopson and Emily Havea deliver the requisite sass and shine as the leading ladies of GENTLEMEN PERFER BLONDES.
Winter Opera has presented a truly gorgeous production of Puccini's La Rondine (The Swallow). Puccini is the supreme master of romantic melody, and in Rondine he outdoes himself. I love this opera, my heart having been beguiled early by one lilting, gently syncopated romantic waltz refrain that recurs again and again like the memory of a distant sweet infatuation.
Book your next Botox session in advance because The Play that Goes Wrong is guaranteed to produce permanent laugh lines in all audience members. This incredible farce at Chicago's Broadway Playhouse at Water Tower Place is the perfect way to let go and truly escape both the drama and banality of everyday life. Though the humor largely centers around slapstick high jinks, this isn't your father's slip-on-a-banana-peel gag reel. Instead, this show combines perfectly timed prop and set mishaps with a wildly clumsy cast creating the perfect comedic storm.
For two performances only, this thrilling new production captures the passion and ferocity of Shakespeare's most haunting text.
Written in 1982, the play is set in a recording studio in Chicago in 1920. It deals with issues of race, the attitudes of Blacks regarding Whites, religion, and the historic exploitation of Black recording artists by white producers.
Director Caitlin Lopez, the Associate Artistic Director of Ophelia's Jump Productions (OJP) who also serves as Improv Director for the company elaborates, 'Twelfth Night tells the story of Viola who has washed up on the shores of the vibrant and uninhibited Illyria after a shipwreck. In this modern queer fairytale, she and a cast of colorful characters all must discover what it means to truly love and embrace their heart's desires.' I decided to speak with Caitlin about both her directing and appearing in the production, as well as her background with the history of OJP.
In Arena Stage's Dear Jack, Dear Louise, Jake Epstein is not only talking about another period, but another form of communication, one long since forgotten by society a?' letters.
Anthony Gooley (Director) delivers a delightfully entertaining expression of Steve Martin's play THE UNDERPANTS.
Lately John Austin's career seems to have two constants, exploring society's most topical issues and doing so at Arena Stage.
Natalie Bassingthwaighte (Roxie) and Alinta Chidzey (Velma) lead the Sydney return of Walter Bobbie's multi award winning revival of John Kander (Music), Fred Ebb (Lyrics & Book), and Bob Fosse's (Book) CHICAGO
If Jayne Atkinson were looking for a tour-de-force, then she found one as the late Texas governor holding court at Arena Stage in Ann. Written by Holland Taylor, Ann is a one woman play about the late Texas Governor Ann Richards that is part reflective autobiography, part homage to public service, and always entertaining.
INDECENT now onstage at Center Theatre Group/Ahmanson Theatre in a co-production with Huntington Theatre Company, magnificently directed by Rebecca Taichman, is as close to a Broadway-quality production as you will ever see in the City of Angels, with incredibly entertaining, stylized movement performed by triple-threat performers, guaranteed to draw you into not only the story but the necessity of its truth being brought to the stage now.
