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Happy-Go-Lucky 1920 Broadway — Photo Coverage


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Sarasota Opera to Mark Centennial of Historic Opera House in April 2026

Sarasota Opera to Mark Centennial of Historic Opera House in April 2026

by A.A. Cristi • Jan 26, 2026

During Sarasota Opera's 2026 Winter Festival, the company celebrates 100 years of the Sarasota Opera House. The historic occasion will be marked with two days of celebratory events, including a Centennial Concert at the Opera House on Saturday, April 11, and a Community Open House on Sunday, April 12, as well as special documentary and book projects.

Photos: GATSBY REDUX At Greystone Mansion and Gardens

Photos: GATSBY REDUX At Greystone Mansion and Gardens

by A.A. Cristi • Jun 6, 2025

Mixed eMotion Theatrix is returning to Greystone Mansion and Gardens with its production, GATSBY REDUX. The City of Beverly Hills Community Services Department is hosting this site-specific dance theater production, created by director/choreographer Janet Roston. Check out photos from the show.

Review: TIMBUKTU! at The Black Rep

Review: TIMBUKTU! at The Black Rep

by Steve Callahan • May 20, 2024

Packed with Borodin's music, and African rhythm and dance, romance, and humor that smacks of vaukdeville, this strange package has many delights.

Photos: Erich Bergen Rings in the New Year at the Wick Theatre

Photos: Erich Bergen Rings in the New Year at the Wick Theatre

by Stephen Sorokoff • Jan 2, 2023

Back in 60s, Jackie Gleason filled a railroad car with pals for a trip from NYC to Miami for his TV show.  In the 1920’s Henry Flagler organized a similar journey with a “party train” of friends..destination Palm Beach.  

BWW Review: So Wrong, It's Right- THE PLAY THAT GOES WRONG at Broadway Playhouse

BWW Review: So Wrong, It's Right- THE PLAY THAT GOES WRONG at Broadway Playhouse

by Kathleen Anwar • Dec 27, 2021

Book your next Botox session in advance because The Play that Goes Wrong is guaranteed to produce permanent laugh lines in all audience members. This incredible farce at Chicago's Broadway Playhouse at Water Tower Place is the perfect way to let go and truly escape both the drama and banality of everyday life. Though the humor largely centers around slapstick high jinks, this isn't your father's slip-on-a-banana-peel gag reel. Instead, this show combines perfectly timed prop and set mishaps with a wildly clumsy cast creating the perfect comedic storm.

BWW Review: MA RAINEY'S BLACK BOTTOM at Karamu

BWW Review: MA RAINEY'S BLACK BOTTOM at Karamu

by Roy Berko • Oct 10, 2021

Written in 1982, the play is set in a recording studio in Chicago in 1920. It deals with issues of race, the attitudes of Blacks regarding Whites, religion, and the historic exploitation of Black recording artists by white producers.

BWW Interview: Lola Boutée on THE DOLLFACE DAMES In Person And On Demand

BWW Interview: Lola Boutée on THE DOLLFACE DAMES In Person And On Demand

by Shari Barrett • Aug 12, 2021

I first discovered the Dollface Dames troupe of high-class, Burlesque entertainers in 2017 and have enjoyed their show-stopping style of entertainment at several venues around town since then. But 2020 brought on major changes for all in-person entertainment, so how have the Dollface Dames been keeping their unique brand of Burlesque available to audiences during the shutdown and what's next for them? To find out, I spoke with Lola Boutée who founded the group in 2008.

BWW Interview: Director Caitlin Lopez on Ophelia's Jump Productions' Twelfth Night

BWW Interview: Director Caitlin Lopez on Ophelia's Jump Productions' Twelfth Night

by Shari Barrett • Jul 17, 2021

​Director Caitlin Lopez, the Associate Artistic Director of Ophelia's Jump Productions (OJP) who also serves as Improv Director for the company elaborates, 'Twelfth Night tells the story of Viola who has washed up on the shores of the vibrant and uninhibited Illyria after a shipwreck. In this modern queer fairytale, she and a cast of colorful characters all must discover what it means to truly love and embrace their heart's desires.' I decided to speak with Caitlin about both her directing and appearing in the production, as well as her background with the history of OJP.  ​

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