Good Night, Oscar review: More like 'Hello, Tony' — Sean Hayes strikes gold on Broadway
9 / 10
Hayes' piano solo — and the beautiful way it is lit by Carolina Ortiz Herrera and Ben Stanton — easily ranks as the show's highlight, but aside from a few lulls in the early stages of exposition, before Hayes makes another memorable entrance, the entire play is delightful, buoyed by its leading man's performance. 'I'm controversial! People either dislike me or hate me,' Hayes as Levant quips, another of Levant's reworked old jokes. While Hayes' Levant is an acerbic, self-destructive, sad-sack of a human being, there's nothing to hate or even dislike about him. Or Good Night, Oscar. Sean Hayes is just too easy to love.
