As You Like It - 2020 - Articles Page 1

The selection of Frozen as the summer musical served multiple masters. Thematically, it fit within Encore’s 2025-2026 season’s theme of “Finding Yourself,” as the story of Queen Elsa discovering how to better control her powers also serves as a metaphor for self-love, self-acceptance, and self-esteem. Frozen also, let’s be honest, has always been a crowd-pleaser. It has a near universal appeal for various attendees who’d be interested in seeing a production at Dr. Phillips Center. Musical Theatre Acolytes. Disney Adults. Families looking for kid-friendly entertainment.

Next week, 54 Below will present some of the brightest stars from Broadway, cabaret, jazz, and beyond, including Linda Eder, Tony Danza, Paulo Szot and more. 

Laurie Woolery will direct the first post-Broadway production of Real Women Have Curves: The Musical, playing at Pasadena Playhouse in spring 2027 as the 3rd Mainstage offering of the theatre's 2026-2027 season.

In a candid conversation with BroadwayWorld, beloved actor Aaron Lazar discusses the progression of his ALS diagnosis and says his purpose ‘feels more exciting to me than dying.’

Seattle Theatre Group announced its 2026/27 Performing Arts Series, featuring 15 performances spanning jazz, dance, global music, and theatre, including a newly commissioned work from Perfume Genius and Kate Wallich.

Caramoor Center for Music and the Arts will present its upcoming Rosen House Concert Series, featuring 21 performances spanning classical, jazz, folk, and global music, plus a new Juilliard Extension collaboration.

FIRE FIRE, a two-hander by John Webber exploring class tensions in climate activism, will open at Arcola Theatre before embarking on a 16-venue East of England tour, presented by Webber & Co. and Metal Rabbit.

THE SECRET GARDEN at MacHaydn Theatre is a force of nature. Get tickets to the final week of its run.

“Politics have no place in theatre,” says a person who has no idea that some of the first-ever plays from Ancient Greece were political. From Antigone by Sophocles to Julius Caesar by Shakespeare, there has been no shortage of bold theatre spreading a message.

South Florida Symphony Orchestra will present Handel's Messiah and Holiday Pops at The Parker in Fort Lauderdale and Barry University in Miami Shores, joined by four vocal soloists and the South Florida Symphony Chorus.

After runs in the UK and Australia and over fifty five-star reviews, Alex Hill is bringing Why I Stuck A Flare Up My Arse for England across the pond to New York City! The one-man play, directed by Sean Turner, follows Billy Kinley, a football fan who went viral during the 2020 Euros for sticking a flare up his bum, and explores themes like identity, loyalty, and belonging. Recently, we had the chance to speak with Hill about making his off-Broadway debut. We discussed his creative process for the show, what it has been like performing it for the past three years, and even what he hopes audiences will take away from it.

The Flea announced the cast of BEYOND THE STARDUST, an immersive nightlife show conceived by Niegel Smith and The Illustrious Blacks, featuring aerialists, vocalists, and dancers in an Afro-disco-space-punk production.

Altadena Music Theatre announced its 2026 summer season with productions of GREASE and LITTLE SHOP OF HORRORS, performed at a temporary outdoor venue at the Mountain View Mausoleum after the Eaton Fire displaced the company.

Shereen Pimentel has moved fluidly between opera houses and Broadway stages since making her Broadway debut at nine as Young Nala in The Lion King, going on to star as Maria in the 2020 revival of West Side Story and, most recently, as Jellylorum in Cats: The Jellicle Ball.

Bringing a Broadway production to life in a new city is a massive undertaking, and few people know that better than Steve Quinn. As Company Manager of the Wicked National Tour, Quinn oversees the logistics of moving one of Broadway's largest touring productions from city to city, coordinating everything from the show's arrival at the theater to opening night.

Move over Punchdrunk: the longest running immersive drama in the world has arrived in the UK. Set in a unisex hair salon, Shear Madness’ intriguing mix of murder mystery and interactive sleuthing comes to The Mill At Sonning where artistic director Sally Hughes helms one of the first adaptations to land on British shores.

Papatango Theatre Company and Pentabus announced a new collaboration to produce and tour two world premieres by prize-winning playwrights Tom Powell and Laura Waldren to venues across the UK.

The Great Salt Lake Fringe Festival will feature 32 shows across four venues in downtown Salt Lake City, including a brand new location, Lightree Studios. Tickets are available individually, as a three-pack, or a ten-pack.

Beth Morrison Projects announced applications are open for its BMP Producer Academy, an 8.5-week all-virtual intensive in creative and tour producing for early-career producers of theater, opera, dance, and multi-disciplinary projects.

Good Company will be presented in Alaska as part of the Summer Concert Series in July at Stephenson Park. Learn more about the upcoming performance here.

BWW catches up with Sam Hume to chat about bringing Adults Only Magic Show to the 2026 Edinburgh Festival Fringe.

Now running at The Laura Pels Theatre at the Harold and Miriam Steinberg Center for Theatre is A Walk on the Moon. Inspired by the acclaimed 1999 film, A Walk on the Moon is directed by Tony Award nominee Sheryl Kaller and features a book and additional lyrics by original screenwriter Pamela Gray, music and lyrics by Tony Award and Grammy Award nominee AnnMarie Milazzo, and choreography by Josh Prince. In this interview, Talia Suskauer, who plays 'Pearl', reflects on the rehearsal process and the journey of the new musical so far.

BWW catches up with Paul Coates to chat about bringing Boy in a Box to the 2026 Edinburgh Festival Fringe.

Tony Danza returns to 54 Below with his Sinatra tribute show this July, joined by Linda Eder and a packed lineup of Broadway and cabaret stars.

Summer 2019 - Nellie Beavers was 20th in line sitting on the sidewalk outside the Walter Kerr Theatre at five AM. She'd been there since before dawn, waiting for rush tickets to Hadestown. If it won the Tony, as she suspected it would, she'd never be able to afford a ticket. She had Empanada Mama's delivered to her on the sidewalk, and she was catching up on MasterChef Junior when it hit her, 'I'm an adult with a credit card! Why am I sitting on the ground?'