Cyril Nri Will Lead DEATH OF A SALESMAN at Liverpool Everyman
Cyril Nri will take on the role of Willy Loman in Arthur Miller's DEATH OF A SALESMAN at the Liverpool Everyman, directed by Olivier Award-winning Tristan Fynn-Aiduenu.
As You Like It 1964 Off-Broadway — Photo Coverage
HOW TO DANCE IN OHIO, DEAR EVAN HANSEN, and More Set For Beck Center 26-27 Season
Beck Center for the Arts announced its 94th professional theater season, featuring a world premiere comedy by Cleveland playwright Eric Coble, regional premiere musicals, and a collaboration with Oberlin College & Conservatory Music Theater Program.
GISELLE, FIDDLER ON THE ROOF, and More Set For Chandler Center For The Arts 2026/2027 Lineup
Chandler Center for the Arts announced its 2026–2027 season lineup, set to launch following a major interior renovation. The season includes music, dance, theater, and family entertainment, with Pick 5 packages now available to members.
More Than 1,700 Shows Added For Edinburgh Festival Fringe 2026
A second batch of shows for this year's Edinburgh Festival Fringe has been announced, bringing the current total number on sale for 2026 to 2,083. Learn more here!
Maybe You Like It Brings DOWN TO CHANCE and SORRY (I BROKE YOUR ARMS AND LEGS) to London
Maybe You Like It will bring critically acclaimed thriller Down to Chance and queer farce Sorry (I Broke Your Arms and Legs) to London. Wednesday 22nd April – Saturday 9th May 2026.
Review: CONSCIENCE at Westport Community Theatre
What did our critic think of CONSCIENCE at Westport Community Theatre?
Interview: Paul Slade Smith of THEATRE PEOPLE at Westport Country Playhouse
A Season of Laughter continues at the Westport Country Playhouse with Theatre People, a new adaptation of Ferenc Molnar’s 1924 three-act farce, Play at the Castle (Játék a kastélyban).
Interview: Cheryl Stern of FUNNY GIRL at Bass Concert Hall
Cheryl Stern is a powerhouse performer and storyteller with an incredible career spanning Broadway, national tours, TV, and beyond. Next week, she'll be in town with the National Tour of FUNNY GIRL, playing Mrs. Strakosh and stepping into the role of Fanny Brice at select performances.
Review: MARY POPPINS at Palm Canyon Theatre
What holiday season can be claimed as complete without a Disney musical, right? While one can tick that box with the opening of “Moana 2” at the local movie house, there is nothing like a live performance to energize those merry-making juices. Palm Canyon Theatre provides that much needed “spoon full of sugar” into their magically musical punch bowl of fun, “Mary Poppins”.
Review: JERSEY BOYS at Desert Theatreworks
While many jukebox musicals rely heavily on the audience's pre-existing love for the music, 'Jersey Boys' stands out as an exception. This Tony-winning musical, currently gracing the stage at Desert Theatreworks, transcends its soundtrack.
Review: FIDDLER ON THE ROOF at Moorestown Theater Company
What did our critic think of FIDDLER ON THE ROOF at Moore?
Interview: CHOREOGRAPHERS ELLENORE SCOTT & AYODELE CASEL GIVE FUNNY GIRL'S SAGA FLAIR, FUN & FINESSE
VJM: Thank you both for giving of your time to answer my questions. I don’t think I’ve ever heard of two Choreographers being hired for the same Broadway show, not even a revival, that I can think of. How did that come about for both of you? Ellenore Scott: Funny Girl was my Broadway debut as a choreographer. I was so happy when I got a call from Michael Mayer (the director) asking me to work on this revival with him. He knew I was NOT a tap dancer and was aware of the multiple tap routines in the show and asked if I would be down to share the billing with Ayodele Casel. Ayo is an extraordinary artist so I was thrilled to be by her side as she made her Broadway debut as well. Michael first met me initially at Head Over Heels on Broadway where I was an associate choreographer to Spencer Liff. In 2019, he asked if I would choreograph the Off-Broadway revival of Little Shop of Horrors and we opened the show October 17th, 2019. I have loved working with Michael and feel as though he keeps his people close and I’m grateful he thought of me for this historic revival. Ayodele Casel: I met Michael Mayer in 2016 when he directed a New York City Center Encores! show I performed in. Later that fall he invited me to perform that piece in a Broadway for Hillary fundraiser he was also directing. We'd kept in touch over the years and in 2019, after seeing a show I’d premiered at The Joyce Theater, he asked if I would be interested in providing the Tap choreography for a revival he was working on. Like Ellenore shared, Michael wanted to work with us both to deliver the full choreographic vision of the show. I believe it was a very progressive vision on his part and I’m really thankful that I was able to make my Broadway debut with this team.
Review: RUDOLPH THE RED-NOSED REINDEER JR. at Moorestown Theater Company
Heartwarming holiday classic RUDOLPH THE RED-NOSED REINDEER, JR. brought to life by the award-winning Moorestown Theater Company
Review: GIRL FROM THE NORTH COUNTRY at Connor Palace
What did our critic think of GIRL FROM THE NORTH COUNTRY at Connor Palace? David Greene, the Senior Vice President of Programming at Playhouse Square, informs theater-goers in his program notes for GIRL FROM THE NORTH COUNTRY that “it is a non-traditional musical which features songs by music legend and Rock and Roll Hall of Famer Bob Dylan.”
Review: ERMA BOMBECK: AT WIT'S END at Cleveland Play House
What did our critic think of ERMA BOMBECK: AT WIT'S END at CLEVELAND PLAY HOUSE?
BWW REVIEW: MARY POPPINS Returns To Sydney To Enchant A New Generation With The Tale Of Manners And Magic
Read our critic's review - twelve years after MARY POPPINS first flew into Australian theatres, the musical theatre adaptation of P.L. Travers’ famous magical nanny returns to the Sydney stage to the delight of young and old.
BWW Interview: Imaginative Director Branda Lock of PYGMALION at Little Fish Theatre
How a director envisions a production makes all the difference in its prestation to an audience, starting with casting and continuing through rehearsals and all technical aspects of the show. I spoke with Branda Lock on bringing her vivid imagination and directing skills to George Bernard Show’s PYGMALION, filled with unique Lock-inspired changes to the casting which promise to shed new light on this classic tale of class struggles in Shaw’s time.
BWW Interview: Valerie Schillawski, Jen Knight, and Deborah Moylan of LEGENDS AND BRIDGE at Dramatically Incorrect Theater Group & Dance Company
LEGENDS AND BRIDGE is a comedy imagining former, silver-screen legend Joan Crawford (matronly, washed-up, and pickled on spiked Pepsi) who invites Judy Garland (recently fired from her CBS TV show) and Bette Davis (bitter at no longer being the “Queen of Hollywood”) up to her Manhattan apartment in 1964 to live with her as they work on a “secret” film project. I find it difficult to believe anyone reading this does not already know about the three screen legends featured in the show. But just to be sure, I decided to interview the three actors portraying them to find out more about what it was like to portray such well-known personalities.
BWW Review: HERE, THERE AND EVERYWHERE—CVLT STREAMS VISITING MR. GREEN, EXAMINE PSYCHOLOGY, MUSICAL STYLE AND CREATIVITY OF HAMILTON, PROJECT SING OUT!, and more
On Saturday, July 25 and Sunday, July 26, CVLT will be streaming the archival video of Visiting Mr. Green for a pay-as-you-can admission. For details and advance reservation, visit https://cvlt.org/events/visiting-mr-green
BWW Review: FIDDLER ON THE ROOF at Providence Performing Arts Center. Don't Miss It!
There are times when being a theater reviewer is a fabulous gig. Last night at the Providence Performing Arts Center was one of those times. FIDDLER ON THE ROOF, running through Sunday at PPAC is not to be missed. It is warm, funny, sad, uplifting, and helps us see the world from the vantage point of the oppressed-it is gorgeous. First, let's give credit to FIDDLER'S creators: Jerry Bock wrote the music, Sheldon Harnick the lyrics, and Joseph Stein the book. Bock and Harnick had previously collaborated on the Tony and Pulitzer Prize winner Fiorello; Stein had been part of the writing team along with Woody Allen, Mel Brooks, Carl Reiner and Neil Simon on television's Your Show on Shows-these were some talented guys. The original Broadway production of the show, which opened in 1964, had the first musical theatre run in history to surpass 3,000 performances. It held the record for the longest running Broadway musical for almost ten years. The production was extraordinarily profitable and highly acclaimed. It won nine Tony awards, including best musical, score, book, direction and choreography. It spawned five Broadway revivals and a highly successful film adaptation and has enjoyed enduring international popularity.
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