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BroadwayWorld chats with lesbian icon Lea DeLaria about her upcoming performances at Feinstein's at the Nikko on May 29th & 30th. DeLaria will perform an evening of classic jazz tunes leavened with comedic tales.

THE BOOK OF MORMON has been delighting audiences for 15 years with its audacious blend of irreverent comedy and genuine heart. As the show enters its second decade of touring, it's currently running its long-awaited New Orleans engagement at the Saenger Theatre.

What did our critic think of MOULIN ROUGE! THE MUSICAL at National Arts Centre?

There’s a strange dichotomy that exists in live theater. I may not like the material, but will still find reason to love its execution. And at Theater West End, they’ve culled together a company of players who help elevate the material of POTUS into a comedy that now exists thanks to their approach to the characters. They form a symbiotic relationship with the audience throughout the two acts to make us still care for them, for their arcs, and for their resolutions – no matter how far-fetched it may seem. This is where the production of POTUS shines.

Astounding triple-threat talent is on display in big production numbers with attention-grabbing scenic elements by brilliant designers add to the artistic wonder of the entire production helmed by EWP Artistic Director Lily Tung Crystal, choreographed by Janelle Dote Portman, with music direction by Marc Macalintal.

BroadwayWorld chats with Bay Area theater icon Robert Kelley about his production of the Tony and Olivier-Award winning musical 'Come From Away' playing April 15th to May 10th at TheatreWorks Silicon Valley in Mountain View

From April 1st-19th, Theatre Raleigh will be presenting the Tony-winning musical COME FROM AWAY at the De Ann S. Jones Theatre. Sara Jean Ford and I previously spoke in 2023 talking about North Carolina Theatre’s production of MARY POPPINS.

The play is suffused with the sympathetic wisdom that defines Wilson’s writing. He looks at lives many would dismiss as small or defeated and finds in them an undeniable nobility.

In honor of the Aida’s 25th anniversary, BroadwayWorld spoke to stars Heather Headley (Aida), Adam Pascal (Radames), Sherie Rene Scott (Amneris), Schele Williams (Nehebka), as Thomas Schumacher (original producer and Disney Theatrical Group chief for its first three decades), lyricist Tim Rice, and book writer David Henry Hwang to compile an oral history of the show’s early days, transition to Broadway, and legacy beyond the boards.

Today’s subjects Edwaard Liang and Dwight Rhoden make up two fourths of the choreographic team for The Washington Ballet’s program of Moving Forces. The production will be presented in the Eisenhower Theater at Kennedy Center on October 24th through 26th.

Costello came up with an intriguing mix of crowd favorites, snarling his way through his harder edged material like “The Beat,” “(I Don’t Want to Go to) Chelsea,” and “High Fidelity” and displaying his softer side with ballads like “Almost Blue” and “Poisoned Rose.”

In HARRY POTTER AND THE CURSED CHILD, Albus Potter (Adam Grant Morrison) and Scorpius Malfoy (David Fine) use a Time-Turner to go back in time to try to prevent a tragedy from occurring. If Morrison could travel back to his first role, he might try to convince his younger self to stick with acting because it was going to take him to places he could never imagine. The show, which is the most expensive Broadway touring production at a cost of $23.5 million, will be performed from Oct. 12-26 at the Ohio Theatre (39 E. State Street in downtown Columbus).

Amber Davies will play Elle Woods in the brand-new Made at Curve production of the West End and Broadway smash-hit musical comedy LEGALLY BLONDE THE MUSICAL.

At its heart, Sister Act: The Musical is a celebration of sisterhood and the unexpected bonds formed in the most unlikely places. While Deloris Van Cartier begins her journey chasing fame, her time with the nuns reveals a deeper calling: not spiritual in the traditional sense, but rooted in connection, community, and self-worth.

Here we go again! The beloved jukebox musical classic turned global film phenomenon MAMMA MIA! has returned home to Broadway is now playing at the Winter Garden Theatre. Read the reviews!

Tennessee Williams found fame with 1944’s “The Glass Menagerie,” which is considered to be one of the gifted playwright’s most notable works along with “A Streetcar Named Desire, “Cat on a Hot Tin Roof” and “Sweet Bird of Youth.” That status is being affirmed once again by the magnificent production of the drama now at Gloucester Stage through June 28.

Brian Wilson, musical genius and founder of the Beach Boys, died today (Wednesday, June 11, 2025), so in honor of him, here is an article of the 40 greatest Beach Boys songs that I wrote for Broadway World two years ago.  Love & Mercy, Brian!

Once you get past the title of the show and the setting of a public restroom, Roxy’s production of URINETOWN THE MUSICAL is more than bathroom wit – it’s hilarious satire that pokes fun at capitalism, local government, environmental doom, and musical theatre itself.  It’s an entertaining evening that Wichita audiences won’t want to miss!

NextStop’s production of 'Footloose' felt haphazard and emotionless, and what should have been a fun evening of theater and nostalgia was instead entirely lackluster.

The new musical Goddess can currently be seen in its New York premiere production at the Public Theater on Lafayette Street. Directed by the Public’s associate artistic director and resident director Saheem Ali, who is currently Tony Award-nominated for directing Buena Vista Social Club, Goddess is playing at the Public’s largest space by capacity, the Newman Theatre.

This summer, Blyth Festival will present the World Premiere of a new stage work from internationally acclaimed, best-selling author Emma Donoghue, THE WIND COMING OVER THE SEA.

This time, the reader question was: How Often Do Broadway Musicals Tackle the Topic of War? There are actually many musicals about war in the canon. The rare feat of Operation Mincemeat lies in its tone. The show is a fast-paced, zany, comedic take on a mission that used a dead body to mislead the Axis forces, leading to the successful Allied invasion of Sicily.

Riccardo Muti in ecstatic interpretations at Carnegie Hall with “the orchestra of his life”, the Vienna Philharmonic with which he celebrates 54 years of artistic partnership with works that have shaped their common path.

As Broadway prepares to reckon with the effect of McCarthyism on journalism in the new drama, Good Night and Good Luck, go deeper into the history of the Red Scare and its long-lasting implications for artists on Broadway and beyond.

Ben Chavez is a singer, actor, and dancer who currently lives here in Houston. He recently was in the THEATRE UNDER THE STARS production of NEWSIE. He's done a national Broadway tour with Disney’s ALADDIN. He's done New York performances on Broadway.