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It’s been two years since Gavin Creel died on September 30, 2024, at age 48 after being diagnosed with cancer. Longtime friends and members of the Broadway community look back on his life and legacy.

Amber Davies will reprise her role as Elle Woods when LEGALLY BLONDE THE MUSICAL transfers to London Coliseum from March 22 to May 22, 2027, following a sold-out UK and Ireland tour.

But it began with her feeling like she wasn't safe in certain spaces, and with that rage women get when they walk down the street and are catcalled, and their voices are minimized. And so she sort of took that. And tried to find, I guess, the most concentrated industrial strength version of that.

The Actors' Gang in Culver City will present an eight-show season featuring THE WOMEN OF LOCKERBIE, THE EXONERATED, new works, and family-friendly programming.

While some have accused it of being too twee, this musical docudrama provides hope and humanity in a time when both are hard to come by.

With high-energy numbers, incredible singing, and hilarious material, Legally Blonde – The Musical is an infectiously joyous show perfectly suited to make all kinds of audience members leave with a smile and a pep in their step.

WONDERLICK is set to release its seventh studio album, according to a announcement from Howlin' Wuelf Media, marking a new chapter for the band.

Director and choreographer Keith Andrews discusses staging COME FROM AWAY at The Gateway Playhouse, running August 7 through September 6, 2026, just weeks before the 25th anniversary of September 11.

Michael Curry Design is famous for their puppetry for The Lion King, Frozen, and Beetlejuice on Broadway. Eva Curry, in collaboration with her father, Micheal Curry brings their work back to Portland with her directorial debut.

A conversation with John Cameron Mitchell celebrating the 25th anniversary of the film HEDWIG AND THE ANGRY INCH - on art, empathy, punk rock, and the unexpected community that grew around one of the most beloved cult classics of the past quarter-century.

It's the end of an era on Broadway. As BroadwayWorld reported last month, the curtain has officially come down on Boneau/Bryan-Brown, the iconic Broadway press office founded by ATPAM-members Chris Boneau and Adrian Bryan-Brown, after more than three decades representing theatre on Broadway, Off-Broadway and around the world.

BroadwayWorld chats with lesbian icon Lea DeLaria about her upcoming performances at Feinstein's at the Nikko on May 29th & 30th. DeLaria will perform an evening of classic jazz tunes leavened with comedic tales.

THE BOOK OF MORMON has been delighting audiences for 15 years with its audacious blend of irreverent comedy and genuine heart. As the show enters its second decade of touring, it's currently running its long-awaited New Orleans engagement at the Saenger Theatre.

What did our critic think of MOULIN ROUGE! THE MUSICAL at National Arts Centre?

There’s a strange dichotomy that exists in live theater. I may not like the material, but will still find reason to love its execution. And at Theater West End, they’ve culled together a company of players who help elevate the material of POTUS into a comedy that now exists thanks to their approach to the characters. They form a symbiotic relationship with the audience throughout the two acts to make us still care for them, for their arcs, and for their resolutions – no matter how far-fetched it may seem. This is where the production of POTUS shines.

Astounding triple-threat talent is on display in big production numbers with attention-grabbing scenic elements by brilliant designers add to the artistic wonder of the entire production helmed by EWP Artistic Director Lily Tung Crystal, choreographed by Janelle Dote Portman, with music direction by Marc Macalintal.

BroadwayWorld chats with Bay Area theater icon Robert Kelley about his production of the Tony and Olivier-Award winning musical 'Come From Away' playing April 15th to May 10th at TheatreWorks Silicon Valley in Mountain View

From April 1st-19th, Theatre Raleigh will be presenting the Tony-winning musical COME FROM AWAY at the De Ann S. Jones Theatre. Sara Jean Ford and I previously spoke in 2023 talking about North Carolina Theatre’s production of MARY POPPINS.

The play is suffused with the sympathetic wisdom that defines Wilson’s writing. He looks at lives many would dismiss as small or defeated and finds in them an undeniable nobility.

In honor of the Aida’s 25th anniversary, BroadwayWorld spoke to stars Heather Headley (Aida), Adam Pascal (Radames), Sherie Rene Scott (Amneris), Schele Williams (Nehebka), as Thomas Schumacher (original producer and Disney Theatrical Group chief for its first three decades), lyricist Tim Rice, and book writer David Henry Hwang to compile an oral history of the show’s early days, transition to Broadway, and legacy beyond the boards.

Today’s subjects Edwaard Liang and Dwight Rhoden make up two fourths of the choreographic team for The Washington Ballet’s program of Moving Forces. The production will be presented in the Eisenhower Theater at Kennedy Center on October 24th through 26th.

Costello came up with an intriguing mix of crowd favorites, snarling his way through his harder edged material like “The Beat,” “(I Don’t Want to Go to) Chelsea,” and “High Fidelity” and displaying his softer side with ballads like “Almost Blue” and “Poisoned Rose.”

In HARRY POTTER AND THE CURSED CHILD, Albus Potter (Adam Grant Morrison) and Scorpius Malfoy (David Fine) use a Time-Turner to go back in time to try to prevent a tragedy from occurring. If Morrison could travel back to his first role, he might try to convince his younger self to stick with acting because it was going to take him to places he could never imagine. The show, which is the most expensive Broadway touring production at a cost of $23.5 million, will be performed from Oct. 12-26 at the Ohio Theatre (39 E. State Street in downtown Columbus).

Amber Davies will play Elle Woods in the brand-new Made at Curve production of the West End and Broadway smash-hit musical comedy LEGALLY BLONDE THE MUSICAL.

At its heart, Sister Act: The Musical is a celebration of sisterhood and the unexpected bonds formed in the most unlikely places. While Deloris Van Cartier begins her journey chasing fame, her time with the nuns reveals a deeper calling: not spiritual in the traditional sense, but rooted in connection, community, and self-worth.