A Chorus Line - 2014 - Regional (US) Articles Page 10

Meet the complete cast for A Beautiful Noise, The Neil Diamond Musical, as rehearsals began in New York ahead of the musical's world premiere, pre-Broadway engagement this summer at Boston's Emerson Colonial Theatre.

Ethan Woods wades through humid field recordings and psychedelic songwriting on his latest release, Burnout, released today on Whatever’s Clever.

The Green Room 42 has announced their May line-up for in-person performances. Located inside YOTEL Times Square (570 Tenth Avenue, Fourth Floor), The Green Room 42 is Broadway's newest and most spacious cabaret club.

Forming in Brooklyn in 2014, The Wilful Boys inception began after a chance meeting at the now defunct Cake Shop, a venue that would become a staple venue for them until its closure at the end of 2016. The name says a lot, these boys are loud, boisterous and stubborn—but they’ve got good hearts. Listen to the new single now!

SEWING THE DREAM, a new musical with books and lyrics by Judith Estrine, Artistic Director of Prism Stage Company, comes to the stage for six performances on Theatre Row, 410 West 42nd Street, NYC, starting April 26, 2022. The original music was written by David Kurkowski (FINDING MADAME CURIE) with direction by Zillah Glory Langsjoen, music direction by Ben Kiley, and choreography by Tatyana Kot.

The North American Tour of SUMMER: The Donna Summer Musical will make its Dallas premiere at the Winspear Opera House April 26-May 1.

Yale Repertory Theatre will conclude its 2022 season with Between Two Knees. The play, written by the intertribal sketch comedy troupe The 1491s and directed by Eric Ting, is presented with Oregon Shakespeare Festival. Between Two Knees will be performed May 12–June 4 at Yale Repertory Theatre (1120 Chapel Street).

Berkshire Theatre Group has announced the 2022 Colonial Concert Series: Featuring Broadway Luminaries. 

This May, Opera San José will play host to the nation’s next generation of opera stars during its Irene Dalis Vocal Competition, named for the internationally-acclaimed mezzo-soprano who founded Opera San José.

The Why I'll Never Make It podcast is going live again at The Green Room 42, this time with Broadway performers Joshua Morgan (Ain't Too Proud, LES MISERABLES) and Janine DiVita (Jagged Little Pit, If/Then).

Horton Records announces the signing of acclaimed roots music guitarist/singer Brad Absher and his band, the Superials, and will release their label debut album, Tulsa Tea.

The Green Room 42 has announced their April line-up for in-person performances. Located inside YOTEL Times Square (570 Tenth Avenue, Fourth Floor), The Green Room 42 is Broadway's newest and most spacious cabaret club.

New York City Opera will present Kurt Weill and Bertolt Brecht's thrilling double bill, The Seven Deadly Sins & Mahagonny Songspiel, for the first time ever told as one story, a tragic fable for today.

The highly anticipated Broadway revival of Funny Girl is beginning performances tonight, March 26, at the August Wilson Theatre, ahead of an official opening on April 24. Meet the cast bringing this iconic show back to the stage!

The Hunchback of Notre Dame is a musical inspired by the Victor Hugo novel of 1831, with music primarily featured in the 1996 Disney film adaptation. With music by Alan Menken, lyrics by Stephen Schwartz, and book by James Lapine and Peter Parnell The Hunchback of Notre Dame is a 2.5 hour deep dive that takes pieces from both the film and Hugo’s novel to create an amalgamation of the world in which the people in this story reside.

Music Director and Founder Marios Papadopoulos will conduct the Oxford Philharmonic Orchestra - praised as 'excellent' by Gramophone magazine and 'thoroughly impressive' by BBC Music Magazine - in their Carnegie Hall Debut on Tuesday, June 7 at 7:30 PM in Stern Auditorium / Perelman Stage.

Today's top stories include the latest episode of The Aging Ingenue, and new single from Noah Reid, and more! Plus, Taron Egerton collapsed onstage this weekend during the West End opening night preview performance of the Mike Bartlett play, Cock. 

Check out BroadwayWorld's guide to Broadway actors in the fourth season of The Marvelous Mrs. Maisel and how you know them! The series features an impressive amount of Broadway talent, including returning cast members Tony Shalhoub, Stephanie Hsu, and Jane Lynch, and new guest stars like Gideon Glick, Kelly Bishop, and more.

The Muny announced today the directors, choreographers and music directors for The Muny’s 2022 season, which opens on June 13 with the celebrated return of the 2021 hit that audiences went “Whoopee!” for, the Tony Award-winning Chicago.

Sony Masterworks Broadway today releases the Studio Cast Recording of WITNESS UGANDA (AN AMERICAN MUSICAL), an album of music from the powerful musical envisioned by the creative duo of Matt Gouldand Griffin Matthews. 

Segerstrom Center for the Arts presents Tony Yazbeck on March 24, 25 and 26, 2022 at the Samueli Theatre. Broadway triple threat Tony Yazbeck brings his signature style to the Segerstrom Center offering up a little song, a little dance, and whole lot of joy. 

Sony Masterworks Broadway today released the Studio Cast Recording of WITNESS UGANDA (AN AMERICAN MUSICAL), an album of music from the powerful musical envisioned by the creative duo of Matt Gould and Griffin Matthews. 

San Francisco Ballet's remarkable new Program 2 features 3 terrifically enjoyable works, including a new dance by William Forsythe set to the music of James Blake, and Jerome Robbins' rapturously romantic classic 'In the Night.' It runs through February 13th at the War Memorial Opera House in San Francisco.

Brazilian pop superstar Anitta reveals an upbeat and undeniable new English-language single and music video “Boys Don’t Cry” today. She was recently seen on Miley’s New Year’s Eve Party Hosted By Miley Cyrus and Pete Davidson. Anitta has worked with the likes of Madonna, Diplo, and Maluma among others. Watch the music video for the new single now!

Steve Gunn's Way Out Weather, from 2014 was not only a career highlight for the artist himself, who had formerly travelled most often in more experimental and more improvisatory musical communities, but it was also an important milestone in the story of contemporary independent music of the rock and roll variety in the world at large.