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JEKYLL & HYDE Continues at Broadway Playhouse in Chicago

by A.A. Cristi — Oct 9, 2026

Kokandy Productions' critically acclaimed gothic musical JEKYLL & HYDE will conclude its run at Broadway Playhouse at Water Tower Place in Chicago. The production stars David Moreland and Ava Lane Stovall.

WUTHERING HEIGHTS to Open at the little OPERA theatre of ny

by A.A. Cristi — Oct 9, 2026

The little OPERA theatre of ny will present Carlisle Floyd's WUTHERING HEIGHTS, an opera adaptation of Emily Brontë's novel, at the Sheen Center for Thought & Culture in lower Manhattan. General admission tickets range from $30-60, with student rush pricing available.

Review: THE ADDAMS FAMILY at Turner Theater

by Carolan Trbovich — Oct 9, 2026

Halloween season in Williamson County has found its crown jewel. Studio Tenn has officially launched its 17th theatrical season at the Turner Theater with a deliciously macabre production of The Addams Family running through October 25. Directed with razor-sharp comedic timing and vibrant visual flair, this production proves that Broadway’s favorite ghoulishly eccentric clan translates brilliantly to the local stage.

Review: I'LL BE DAMNED IF at Jubilee Theatre

by Buster Spiller — Oct 9, 2026

When people hear about Idlewild, the first thing that comes to mind is the 2006 drama film with a musical score produced, written, and mostly performed by the Grammy award winning hip-hop duo Outkast. Set in fictional Idlewild, Georgia, the film focuses on the seedier side of the music business rather than the majesty that was Idlewild, Michigan.

Lakeshore Records to Release FAMILY Soundtrack by Logan Nelson

by Rachel Stone — Oct 9, 2026

Lakeshore Records and Fifth Season will release the FAMILY original motion picture soundtrack, composed by Logan Nelson. The horror film score features experimental textures from the GRAMMY-winning Attacca String Quartet.

Review: VIKING -A LIVE ACTION MUSICAL at Dreamland - Arenatältet

by Annette Stolt — Oct 9, 2026

Dröse & Norberg have previously staged family musicals based on well-known stories such as *Snow White*, *Aladdin*, and *The Jungle Book*, featuring original music; however, with *Viking*, they are targeting a more mature audience. The recommendation that the show is suitable for ages 13 and up is entirely appropriate, as the performance is at times quite violent.

Review: MAYBE HAPPY ENDING at National Theatre

by David Friscic — Oct 9, 2026

Bittersweet poignancy permeates underneath and amidst the charismatic and subversive musical that is Maybe Happy Ending ---now playing at the National Theatre. This totally involving musical is suffused with numerous creative, surprising twists and subplots by insightful writers Will Aronson and Hue Park.

Review: BAT BOY: THE MUSICAL at Second Generation Theatre

by Michael Rabice — Oct 9, 2026

Sometimes a musical comes along that perplexes and enchants simultaneously, but whose description may sound off-putting. BAT BOY: THE MUSICAL now playing in a fabulous production by Second Generation Theatre is such a production. Part Marvel comic come to life on stage, it is also a mix of a graphic novel meets SWEENEY TODD , and part ROCKY HORROR SHOW with a smattering of LITTLE SHOP OF HORRORS sprinkled with FATHER KNOWS BEST.

Hayes Warner Shares 'Seriously' From THE SHARDS Soundtrack

by Rachel Stone — Oct 9, 2026

Hayes Warner released the new song 'Seriously' from FX's THE SHARDS original soundtrack. Written by Cal Shapiro, Leland, Warner, and Sarah Hudson, the track was written from the perspective of Warner's character Debbie Schaffer.

Guest Post: Theatre Re’s Artistic Director Guillaume Pigé On 15 Years Of THE NATURE OF FORGETTING

by Guest Author — Oct 9, 2026

It is quite rare to be given the privilege of spending so much time with a single piece of work, returning to it again and again to question it, challenge it and enrich it through encounters with new performers, collaborators and audiences across the world. I am only realising now how much that restless process of exploration and refinement has shaped Theatre Re’s performance language. We would not be the company we are today without The Nature of Forgetting.

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