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EDINBURGH 2023: Review: SOFIE HAGEN: BANGLORD, Monkey Barrel
by Natalie O'Donoghue - August 13, 2023
Comedian Sofie Hagen brings Banglord to Monkey Barrel.
EDINBURGH 2023: Review: GAIL PORTER: HUNG, DRAWN AND PORTERED, Assembly
by Natalie O'Donoghue - August 13, 2023
Gail can laugh at her life now she's won a BAFTA for 'being mental' (Being Gail Porter, 2020). She's been famous, homeless and sectioned with two guys both claiming to be Jesus. She's even lost her hair, but no need for sympathy, she gets so many travel upgrades as people assume she's dying. By sharing the stories of her mental life and mental mind she hopes to show how, with love and kindness, we can all thrive. She's a wee Scottish ninja back in her home town – it's time to go Gail force.
EDINBURGH 2023: Review: NICK PUPO: ADDICTED, Just The Tonic At The Mash House
by Kat Mokrynski - August 12, 2023
Nick Pupo: Addicted is a powerful story about one man’s struggle with addictions; a heartfelt reflection on mistakes from the past and looking towards the future, but rarely is it a comedy.
EDINBURGH 2023: Review: ANNABEL MARLOW . . . IS THIS OKAY??, Pleasance Courtyard, The Attic
by Kat Mokrynski - August 12, 2023
If the show had simply been categorised as “Music” and not “Comedy,” I believe that I would have enjoyed it more, as I went in expecting more comedy than simply singing and playing instruments. There are some good jokes, but they tended to be few and far between the songs.
EDINBURGH 2023: Review: SOPHIE SANTOS… IS CODEPENDENT, Underbelly, Bristo Square
by Kat Mokrynski - August 12, 2023
Have you ever been through a breakup? Did that breakup happen while you were trying to give each other some “space” through long distance? Are you currently living in the house next to your ex’s parents, who are trying to be nice but want you to leave? Sophie Santos is ready to tell us all about it in Sophie Santos . . . is Codependent. 
Review: EDINBURGH 2023: REVIEW: ALAN TURING - A MUSICAL BIOGRAPHY, Paradise In Augustines (The Sanctuary)
by Helen Smith - August 12, 2023
Early Morning Productions bring Alan Turing’s story to life in this piece written by Joan Greening with music by Joel Goodman and Jan Osborne. From his visionary work in computing to his appalling treatment by the authorities for being gay, it explores Turing’s experiences and legacy. 
EDINBURGH 2023: Review: WE'LL HAVE NUN OF IT, Underbelly Cowgate
by Katie Kirkpatrick - August 12, 2023
Derry Girls meets Spring Awakening in this absolute triumph of new musical theatre writing. Performed by a talented young cast, this is a show that deserves a very long life. We’ll Have Nun Of It follows a year in the life of four close friends at an Irish Catholic boarding school in the 1960s. Each of the girls has their own backstory and personality, very quickly distinctive, and the dynamics between each of them are fun to watch play out.
EDINBURGH 2023: Review: MIDNIGHT BUILDING, Greenside
by Natalie O'Donoghue - August 12, 2023
Following an NYC preview run, Midnight Building is a contemporary drama that is guaranteed to spark debate and make you question your morals. Watch as a selfish hero and a heartless lover battle for the ethical high ground.Think you're a good person? Think again.
Alex Edelman's JUST FOR US to Hold Benefit Performance at Edinburgh Fringe in Honour of Director Adam Brace
by BWW News Desk - August 12, 2023
Presented by Alex Edelman, Soho Theatre and Pleasance, tickets are now on sale for a special one-off benefit performance of Alex Edelman's award-winning JUST FOR US on Saturday 26 August at the Edinburgh Fringe Festival in honour of the show's director Adam Brace (Liz Kingsman's One Woman Show, Leo Reich's Literally Who Cares). All profits will go to an Award that will be set up in Adam Brace's name which supports talent in the way Adam did, with details to follow.
EDINBURGH 2023: John Hastings Q&A
by Natalie O'Donoghue - August 11, 2023
BWW caught up with John Hastings to chat about bringing The Times They Are A John Hastings to the 2023 Edinburgh Festival Fringe.
EDINBURGH 2023: Review: SAD, Summerhall
by Cindy Marcolina - August 11, 2023
Exceptionally convivial and inclusive, the performances are relaxed and explained ahead by Brigitte herself. It’s loud, and dark, and blindingly bright. But earplugs are provided and leaving or taking a break are completely appropriate reactions. Audiences are encouraged to be understanding.
EDINBURGH 2023: Review: TEMPORARILY YOURS, Underbelly Bristo Square
by Cindy Marcolina - August 11, 2023
Italian performer Greta Zamparini takes extracts from Concita De Gregorio and creates a complex solo show about the commodification of the female body. A series of women open up and explain why they do what they do. From a high-end escort to a trafficked woman who’s finally back home, Temporarily Yours provides a very wise and rational take to the subject with an eloquent script that keeps crossing the lines of empowerment and exploitation.
EDINBURGH 2023: Review: TOMORROW'S CHILD, Assembly Checkpoint
by Cindy Marcolina - August 11, 2023
Innumerable sounds of all kinds create a 360-degree retro journey to the future. While the blindfold doesn’t completely plunge the individual into the darkness, it evokes an air of mystery and immerses them in a world of weird delivery methods and pyramidal children. It’s an engrossing adventure that showcases a remarkable use of sound design.
EDINBURGH 2023: Review: EIGG THE MUSICAL, Greenside
by Natalie O'Donoghue - August 11, 2023
Situated in Scotland's Inner Hebrides, the Isle of Eigg has a fascinating history of sovereignty. Not long ago, the inhabitants on Eigg faced a different type of invader; a celebrity Laird looking to create a Gaelic island utopia. Will the citizens support his vision? Can they put up with his antics? Can he accept that a medieval landlord mentality no longer works on Eigg? The transfer to community ownership hatched on Eigg is arguably the most captivating example of Scottish land reform. Come celebrate this small island tale at the Edinburgh Festival Fringe this August!
EDINBURGH 2023: Review: MONET X CHANGE: LIFE BE LIFEIN', Underbelly Bristo Square
by Mary Baillie - August 11, 2023
The glam queen showcases her knack for storytelling, comedy and operatic vocals (that RANGE though) in an anecdote-filled, fabulous performance extravaganza.
EDINBURGH 2023: Review: LOVE IS BLUE, C Arts
by Cindy Marcolina - August 11, 2023
Though it comes off as the only reason for the play to exist, the campaign remains an important subject. Cotter weaves religious homophobia and bereavement into this story of sudden homelessness and penance. It would make it an exciting, multi-faceted project to program, but it still has a long way to go.
EDINBURGH 2023: Review: THE MITFORDS, TheSpace @ Surgeons' Hall
by Cindy Marcolina - August 11, 2023
What ties down the project is the one-woman aspect of it. Wilkinson Wright is a tremendous actress, but this direction gives her a staged personality disorder. The framing of the play throws it straight into the action; the performer modulates her voice to shape the different women, but the result is messy and unconvincing, especially if one isn’t familiar with this part of history. It’s not exactly the most streamlined solo show at the Fringe, but it’s among the most compelling subjects for sure.
EDINBURGH 2023: Review: HOLLYWOODN'T, Gilded Balloon Teviot
by Cindy Marcolina - August 11, 2023
Directed by Elizabeth Kaye Sortun, while it offers a look at the complexities of toxic dynamics, coercion, consent, and control, it doesn’t truly achieve its goal. Verlo’s past is colourful and intriguing, but this isn’t the production that makes it shine. It lacks the aplomb that inspires reflection and change, settling on underwhelming attempts at cheap laughs.
EDINBURGH 2023: Review: MRS PRESIDENT, C Arts
by Cindy Marcolina - August 11, 2023
Lily Wolff directs with gorgeous brushstrokes. Smooth, creative changes of pace come with gradual shifts in the lighting and sound designs, revealing Mary’s interiority and explaining her history. Leeanne Hutchinson’s First Lady is a complex, hurt mother who can’t seem to overcome the pain in her life. She’s matched in performance by Christopher Kelly, who plays Brady as well as a collection of his peculiar subjects. There’s a tense chemistry between them. The minimalism of the visuals engages the imagination of the audience, putting the actors on a blank canvas.
EDINBURGH 2023: Review: VIOLET AND ME, Pleasance Courtyard
by Cindy Marcolina - August 11, 2023
It’s a tale of resilience, resentment, and regret told with instinctive storytelling and a dash of friendly advice. Photos of her relatives and snapshots of her life accompany her narrative, giving a visual reference to her stories. It’s a delicate, lovely play from a woman whose strength could never be ignored.
EDINBURGH 2023: Review: BREAKING THE CASTLE, Assembly Rooms
by Cindy Marcolina - August 11, 2023
Captivating writing is matched by a tireless performance that transports you in time with a complex breakdown of drug abuse. He admits that he makes it sound too good for comfort: the chemsex, the dissociation from his problems, the unbridled fun of it. On the opposite side, he places the drug-induced psychosis that landed him in a psych ward, his erratic behaviour, and the continuous benders that followed. There isn’t any preachiness or superiority in his delivery. Breaking the Castle introduces a humble, charismatic performer whose lived experience makes him an emotionally intelligent and profound man.
EDINBURGH 2023: Review: ANIA MAGLIANO: I CAN'T BELIEVE YOU'VE DONE THIS, Pleasance Courtyard
by Mark Carnochan - August 11, 2023
Ania Magliano solidifies herself as a star of the UK Comedy scene with her latest hour of stand up.
EDINBURGH 2023: Review: CHRISTOPHER MACARTHUR-BOYD: SCARY TIMES, Monkey Barrel
by Natalie O'Donoghue - August 11, 2023
A new hour of stand-up by the wee guy with the glasses from Glasgow. Featuring routines and jokes on such topics as Edinburgh Zoo, going for a walk, and the collapse of the British state.
EDINBURGH 2023: Review: DNA, TheSpace On The Mile
by Mary Baillie - August 11, 2023
The Parker & Schnell Youth Company showcase the immense talent of young people through their performance of ‘DNA’.
Fishamble: The New Play Company wins Fringe First Award For HEAVEN by Eugene O'Brien
by BWW News Desk - August 11, 2023
It has just been announced that Fishamble: The New Play Company has been awarded a Scotsman's Fringe First Award for Heaven by Eugene O'Brien starring Andrew Bennett and Janet Moran and directed by Jim Culleton. 

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