Dundee Rep Theatre has announced the cast and creative team for a major new production of Tennessee Williams' The Glass Menagerie, directed by Dundee Rep Theatre’s Artistic Director, Andrew Panton.
Advertised as a 'moving and darkly comic remix' of Shakespeare's famous tragedy, Lost Lear retells the play through the eyes of Joy, an elderly dementia patient and former actress trapped in a perpetual memory of rehearsing King Lear for the stage.
Khalid Abdalla (The Kite Runner, The Crown) redefines and reclaims the solo show in a lyrical tapestry where resistance, displacement and selfhood are delicately woven through an avant-garde aesthetic.
In a perfectly paced show featuring musical numbers and smooth crowd work, Robyn Reynolds details the ups and downs of her life – or rather, brings out the silver lining in the downs.
Jennifer Irons’ roller-skating solo show Bad Immigrant nearly ended at the Edinburgh Fringe after unsafe stage conditions forced a canceled performance.
Josh Elton makes an assured and highly memorable Fringe debut with Away With The Fairies, a show which captures both the unfiltered chaos of the life of a comic and the mythic absurdity which shapes it.
Unsettling music and Chekov's child draw the audience in before 1612 even starts, creating the perfect environment to learn about this historic witch trial.
Set amidst the razzle-dazzle decadence of the 1920s, CHICAGO is the story of Roxie Hart, a housewife and nightclub dancer who murders her on-the-side lover after he threatens to walk out on her.
In the face of ongoing funding cuts, political instability and a fragmented sector, Scotland’s arts organisations are coming together in an attempt to spark change.
Described by its creator as “50 minutes of vegetable insanity”, this surrealist and entirely enjoyable hour of physical theatre, tragicomedy and puppetry has a certain ‘je nais sais quoi’.
What did our critic think of AVENUE Q at Braw Venues At Grand Lodge?This smash hit musical is a hilarious satire of modern life starring a mixed cast of humans and puppets.
Four generations of Northern Irish women gather for a 90th birthday party in Karis Kelly’s Consumed, and what unfolds is a pitch-black dark comedy with razor wit and gasp-inducing shock.