All My Sons
7.9
Closed Jun 30, 2019
Betrayal
8.6
Closed Dec 8, 2019
Burn This
6.9
Closed Jul 14, 2019
Frankie and Johnny in the Clair de Lune
7.6
Closed Jul 28, 2019
Gary: A Sequel to Titus Andronicus
7.7
Closed Jun 16, 2019
Hillary and Clinton
6.8
Closed Jun 23, 2019
Ink
8.0
Closed Jul 7, 2019
King Lear
7.2
Closed Jun 9, 2019
Linda Vista
7.4
Closed Nov 10, 2019
Network
8.3
Closed Jun 8, 2019
Sea Wall / A Life
7.7
Closed Sep 29, 2019
The Ferryman
9.1
Closed Jul 7, 2019
The Great Society
6.3
Closed Nov 29, 2019
The Height of the Storm
7.1
Closed Nov 24, 2019
The Lifespan of a Fact
7.8
Closed Jan 13, 2019
The Play That Goes Wrong
7.2
Closed Jan 6, 2019
The Rose Tattoo
6.4
Closed Dec 8, 2019
Torch Song
8.1
Closed Jan 6, 2019
True West
6.9
Closed Mar 17, 2019
What the Constitution Means to Me
9.0
Closed Aug 24, 2019
Review Roundups
BLOOD/LOVE has officially arrived off-Broadway. The production will now continue performances through May 10 at Theater 555 in New York City. Let's see what the critics are saying...
Critics stopped by BURNOUT PARADISE, the new theatrical experience created by Australian collective Pony Cam. BURNOUT PARADISE features five performers attempting to complete a series of escalating tasks while running on four treadmills. Read the reviews!
The critics are weighing in on Wallace Shawn’s new play, What We Did Before Our Moth Days, directed by André Gregor, running now at the Greenwich House Theater (27 Barrow St). The production stars Hope Davis, Maria Dizzia, John Early, and Josh Hamilton. Read the reviews.
Lincoln Center Theater is presenting the new musical Night Side Songs, written by duo, The Lazours who are reuniting with Lortel and Obie Award-winning director Taibi Magar. See what the critics are saying in BroadwayWorld's Review Roundup!
BIGFOOT! A NEW MUSICAL opened Off-Broadway at New York City Center Stage, and critics are sharing their reviews of the new musical comedy, running now.
Pasadena Playhouse's production of Peter Shaffer’s Amadeus, led by Jefferson Mays, and directed by Tony Award-winner Darko Tresnjak, is running now through Sunday, March 15, 2026. Read the reviews here!
Regional Reviews
All Regional Reviews ›
Glenn McQuaid’s pitch-perfect ode to high melodrama and the sci-fi/horror mash-up, The Restoration at Grayson Manor, meets the Universal Monsterverse in a uniquely camp sci-fi horror comedy.
A darkly funny comedy about an incarcerated man who does whatever he can to honour his late pal and make him a legend.
For Isabelle Huppert, this is a massive undertaking, a tour-de-force performance.
In the premiere of RED HARLEM at Company of Angels, director Bernadette Speakes’s production offers some frequently dynamic staging which is brought down by a mixed bag of acting performances and the heavy-handed messaging of Henderson’s script.
What did our critic think of THE NEIGHBOURS at Tarragon Theatre?
Another Lloyd Suh work pulls heartstrings this time at Stages.
Michael Feinstein channels the golden age of New York nightclubs in a swinging Standard Time concert highlighted by dazzling big-band arrangements led by Tedd Firth.
For every lover of Ibsen, Arthur Miller and Stephen Sondheim, there’s a lover of The Three Stooges, Abbott & Costello and of course, Monty Python. Back in the 1970’s Monty Python’s Flying circus was a sensation with their irreverent and risqué observational comedy. If you couldn’t recite the week’s show the next day, you were ‘square.’
Strange Fruit, directed by Venus Cuffs at Joe's Pub on 2/26, is a multimedia protest performance inspired by Billie Holiday's 1939 anti-lynching anthem. An all-LGBTQIA+ cast of Black artists explores resilience and resistance.
One could be forgiven for feeling a little burned out on Wicked these days. After two super-sized movies and a press tour that seemed to last a decade, Wicked-mania feels a bit on the wane. However, there is no substitute for seeing this show live on stage. This show is more relevant than ever, and the current touring cast are exceptional.
There’s something wonderfully nuts about The Town Players of New Canaan taking on One Man, Two Guvnors, Richard Bean’s 2011 hit based on The Servant of Two Masters by Carlo Goldoni. The original, written in 1743, is a classic commedia dell’arte comedy built on disguises, twins, and glorious chaos.
The chart-toppers - those whimsical tunes we can't help but love - take us on a delightful trip down memory lane. They're like little time machines, whisking us back to moments long gone, laughter with friends, tearful heartbreaks, and the dancing butterflies of first loves.
The third production of Adventure Theatre MTC’s 25/26 season Freckleface Strawberry The Musical keeps up the company’s winning streak with a show that features a stellar cast, a good message, superb direction, and more.
On February 27, 2026, I made the drive from Minneapolis down to the Des Moines Performing Arts Civic Center to catch the national tour of The Outsiders. I’d been hearing a lot of buzz about the show, and since it hasn’t made its way up to Minnesota yet, I figured it was worth the road trip to see it early. Turns out, it absolutely was.
I'm in love with these territory folks in Oklahoma! and you do not want to say no to securing your tickets for this show. This beloved Rodgers and Hammerstein musical has found a lively and immersive home with Actors Theatre of Little Rock, running through Saturday, March 14 in the basement of Quapaw United Methodist Church in Little Rock, and it's a party once you enter the theatre.
There is something undeniably magical about a story that leans into its own whimsy, and ANASTASIA THE MUSICAL, now playing at Crown Theatre, does exactly that. Following its successful Melbourne run, the Broadway hit has finally arrived in Perth, bringing with it a sense of old-school theatrical grandeur that feels like a warm embrace for the romantic at heart.
For Knight, this represents her first chance to be the original aggressor rather than the avenging victim, and it’s wild to see her twist her narrative. She is stunning and statue-esque, and Olivia whiplashes between actress and countess with skill.
Review: Luminous and Legendary Donna McKechnie Plays A MUSICAL MEMOIR at The Laurie Beechman Theatre
A Musical Memoir might be the most entertaining show in cabaret right now, but since it is Donna McKechnie's memoir, it is definitely the most important.
In celebration of 15 years on stage since opening at the Courtyard Theatre in Stratford-upon-Avon, and following performances in 100 cities across 17 countries worldwide, Matilda now returns for a UK tour.
Mary, Queen of Scots, is a remarkable piece of work, offering pointed comment on the place of women in the sixteenth-century court and on the mythology that casts Mary as a martyr. With striking visuals and compositions, it is an original and modern take on a familiar part of history.
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