Watch 'And The Money Kept Rolling In' from The Muny's production of Evita in this all-new video. The cast includes Katerina McCrimmon (Eva), Paulo Szot(Juan Perón), Omar Lopez-Cepero (Che) and Daniel Torres (Agustín Magaldi) is Sabrina Santana (Perón's Mistress, Ensemble).
Watch as Katerina McCrimmon, making her debut at the Muny as Eva Perón, sings 'Buenos Aires' from Evita in rehearsal. The show opens July 18 and runs through July 24.
Get a first look at video of The Old Globe's pre-Broadway engagement of the world premiere of Regency Girls. This raucous and daring new musical comedy features a book by Emmy-winning writers Jennifer Crittenden and Gabrielle Allan, music by three-time Emmy-nominated composer Curtis Moore, and lyrics by two-time Tony and Grammy nominee Amanda Green.
Watch a video from inside the sitzprobe for the new Broadway-bound musical Regency Girls. The cast includes Isabelle McCalla, Krystina Alabado, Kate Rockwell, Ryann Redmond, Nik Walker, Gabe Gibbs, Janine LaManna, and more!
Go inside rehearsals for The Muny's grand finale of the 2022 season, the mega-fun hit Joseph and the Amazing Technicolor Dreamcoat, which runs August 12 - 18, 2022.
BroadwayWorld has a first look at rehearsals for The Muny's production of Seven Brides for Seven Brothers, the third show of the theatre's 103rd season. Seven Brides for Seven Brothers runs August 12 - 18.
Just last month, Divas for Democracy, directed by Lee Wilkins and Josh Rhodes, brought together the best of the worlds of drag and Broadway for an unforgettable night to support Drag Out the Vote. Now, we're celebrating one of the evening's most poignant performances- 'This Is Me,' performed by original star of The Greatest Showman, Keala Settle, and featuring Milania Kapoor.
Few people seem to be familiar with Lerner & Loewe's Paint Your Wagon. Those who are usually mention the 1969 film of the same title, starring Lee Marvin and Clint Eastwood, known for being a ridiculously miscast and embarrassingly terrible flop. The musical, which originally appeared on Broadway in 1951, is similarly messy, and has gone pretty much unproduced for decades. Fortunately, however, playwright Jon Marans has redrafted the book, top-to-bottom, enhancing both the story line and its characters, and the result is a shiny-new masterpiece with new orchestrations and new dance and vocal arrangements. It is now an entirely enjoyable musical, complex in its structure, with an interesting setting, compelling plot, nuanced layers, appropriate social commentary, and characters...