New Executive Artistic Director Susanna Gellert makes her Weston directorial debut with the world's longest-running musical, THE FANTASTICKS (June 20 - July 13 | Weston Playhouse), Tues - Sat 7:30pm; Wed & Sat 2:00pm; Sun 3:00pm.
fortyfivedownstairs and La Mama present Sentient Theatre's production of A Room of One's Own by Virginia Woolf, adapted for the stage and Directed by Peta Hanrahan, 17 - 28 July, 2019.
Joe Orton's The Ruffian on the Stair is set for four performances only in the 2019 Hollywood Fringe Festival, it was announced today by Hicks Street Productions. Under the direction of Mark Kemble, the cast will feature (in alphabetical order) S le Bermingham, Reed Michael Campbell, and Brian Foyster. Lighting design is by Matt Richter. The performance dates and times are Sunday 6/9 at 4pm; Thursday 6/13 at 8:30pm; Friday 6/21 at 6:30pm; and Saturday 6/22 at 8pm. Running time will be 60 minutes.
Weston Playhouse is deeply saddened to announce that ?Malcolm Ewen?, Weston Playhouse Theatre Company Founding Director, beloved colleague, and friend, has passed after a long battle with cancer.
Irish Repertory Theatre announces two new productions for summer 2019. On the Francis J. Greenburger Mainstage will be Little Gem by Elaine Murphy (Shush) and directed by Marc Atkinson Borrull (Outlying Islands). Performances begin on July 17, 2019, with an opening night set for July 25, for a limited run through September 1, 2019.
Second Stage Theater has announced complete casting for the Broadway production of Tracy Letts's Linda Vista. Directed by Dexter Bullard, the production will feature Ian Barford (Wheeler), Sally Murphy (Margaret), Caroline Neff (Anita), Chantal Thuy (Minnie), Jim True-frost (Paul), Cora Vander Broek (Jules) and Troy West (Michael).
Weston Playhouse Theatre's Young Company presents a family-friendly adventurous tale based on the beloved children's book, THE PHANTOM TOLLBOOTH (June 13 - June 30 | Walker Farm), Tues - Sun 4:00pm; June 14/15 & June 22/2[AB1] 3 at 1:00pm.
With an immense and exciting programme of 265 shows, Pleasance has programmed a bumper year for you to enjoy this summer with theatre, comedy, music, circus, family shows, magic and dance. There's surely nowhere else you'd rather be!
Final casting has been announced for the upcoming concert performance of Rodgers & Hammerstein's iconic musical CAROUSEL for one night only at Cadogan Hall on Sunday 19th May.
Wendi Peters, Kimberley Walsh and Matthew Kelly will star as Mrs Baskin, Susan Lawrence and George MacMillan respectively. They join the previously announced Jay McGuiness as Josh Baskin. Based on the smash-hit movie starring Tom Hanks, BIG The Musical makes its West End premiere at the Dominion Theatre for a strictly limited nine-week season from 6 September to 2 November 2019, with a Gala Night in aid of Make-A-Wish on Tuesday 17 September.
Head Trick Theatre announces its 2019-20 season, "In War With Time," following its recently acclaimed productions of Goblin Market and Watch on the Rhine. Featuring two U.S. premieres, "In War With Time" is a season on an epic and an intimate scale, about the span of a life and the moments and choices that shape it.
Berkshire Theatre Group (BTG) presents Pulitzer Prize-winning American playwright, Edward Albee's (Who's Afraid of Virginia Woolf?, Three Tall Women, Zoo Story), The Goat or, Who is Sylvia? directed by Eric Hill (BTG: Naked, At Home At The Zoo (Zoo Story), The Homecoming), and featuring David Adkins (Homeland, BTG: At Home At The Zoo (Zoo Story), The Petrified Forest) as Martin, Jennifer Van Dyck (Hedda Gabler, BTG: The Petrified Forest, Coastal Disturbances) as Stevie, Josh Aaron McCabe (Peep Show) as Ross and Evan Silverstein (BTG: The Music Man) as Billy. The Goat or, Who is Sylvia? runs from May 24 through June 15 at The Unicorn Theatre in Stockbridge, MA. Opening night is set for Saturday, May 25.
The 29th annual Inside Out Toronto LGBT Film Festival (Inside Out), championing innovative LGBTQ filmmakers from across the globe, revealed its full feature and short film lineup. The announcement was made today by Inside Out's Executive Director Andria Wilson and the festival's Director of Programming Andrew Murphy. Inside Out, which launched the first ever annual LGBTQ Film Finance Forum, has established itself as an international home and incubator for LGBTQ emerging and established filmmakers. This year's festival will take place May 23 to June 2, 2019.
A play intended to shock the conservative and probe at society's typical imaginings of marital breakdown, the Baxter's latest offering of the award-winning THE GOAT, OR WHO IS SYLVIA? has an equally acclaimed director and cast behind it; making it stand in good stead as a must-see for those brave enough to approach what they cannot 'unsee'.
"Stranger Things" star David Harbour (Who's Afraid of Virginia Woolf?, The Coast of Utopia) meets his match in Tony nominee Steven Boyer (Hand to God, NBC's "Trial & Error"). Their live recording of David Auburn's AN UPSET, directed by Michael Wilson, celebrates Playing on Air's 100th podcast episode.
Pinch 'N' Ouch to present Atlanta premiere of THE ANTIPODES by Pulitzer Prize Winner Annie Baker.
The UC San Diego Department of Theatre and Dance presents The Jefferson Middle School Monthly, written by Mara Nelson-Greenberg and directed by Carla Harting, as part of the 2019 Wagner New Play Festival.
Over the course of each Broadway season, unexpected and unique storylines inevitably pop up. This morning, with the announcement of the 2019 Tony Award nominations, a number of new narratives have come to life.
Lucy Kirkwood's explosive The Children begins as a caustic, bold comedy between a late-middle-aged couple (Hazel and Robin) and a friend (Rose) from many years ago who makes an unannounced visit to their seaside cottage on the east coast of England. The thin veneer of civility flakes away and the caustic nature of their relationships become apparent. What becomes apparent to the audience is that these three old friends have much more to discuss than just old times and these three actors bring years of experience and flare to the Phoenix stage.
As ferocious as it is funny, this modern classic nimbly dismantles the American Dream.
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