Over the past twelve years, The Playwrights Realm, led by Founding Artistic Director Katherine Kovner and Producing Director Roberta Pereira, has continually produced work by brave new voices and expanded its commitment to providing holistic support to playwrights striving to make a life in the arts. With its 2018-2019 Writing Fellowship, The Playwrights Realm is proud to grant a career-propelling honor to four tremendously talented playwrights exhibiting drive and commitment to the form: Bleu Beckford-Burrell (Lyons Pride), Sarah Einspanier (I LOVE SEAN), Keelay Gipson (#NewSlaves), andElse C. Went (Saving Throw).
The Warner Theatre will present its 7th Annual International Playwrights Festival held in the Warner's Nancy Marine Studio Theatre on October 12 and 13, 2018. The mission of the International Playwrights Festival is to recognize the work of emerging and established playwrights and to build a link between the playwrights, the theatre community and our audiences.
National Alliance for Musical Theatre has announced initial casting for the 30th Annual FESTIVAL OF NEW MUSICALS, which takes place on Thursday, October 25 and Friday, October 26, 2018 at New World Stages
Presented in conjunction with FRIGID New York @ Horse Trade and New York Madness, CommonWealth will have a reading on Sunday, September 30, 2018 at 8pm at The Kraine Theater (85 East 4th Street between 2nd Avenue and Bowery), directed by Michele O'Brien. Produced by Alison Preece.
Sacred Music in a Sacred Space begins its 2018-2019 Season by welcoming patrons into the intimate Wallace Hall at the Church of St. Ignatius Loyola (980 Park Avenue) for a Caritas Concert.
Flower of Iowa, a bold new World War I drama about an unexpected and forbidden love between two soldiers - one American, one British - has been selected as one of the seven finalists at the 2018 New York New Works Theatre Festival, from a field of nearly 50 productions. Judging was determined by a panel of theatre professionals and by audience votes.
National Alliance for Musical Theatre announces the line-up of directors for their 30th Annual FESTIVAL OF NEW MUSICALS, which takes place on Thursday, October 25 and Friday, October 26, 2018 at New World Stages (340 West 50th Street, between 8th and 9th Avenues). The Festival events will kick off on Monday, October 22 with Thank You, 30!, a gala event to celebrate the 30th Annual Festival.
Transport Group has announced casting for its world premiere musical, Renascence, which begins performances Friday, October 5 at 7:30pm, at the Abrons Arts Center, 466 Grand Street. Renascence has music by Carmel Dean (musical director If/Then, American Idiot), book by Dick Scanlan (Thoroughly Modern Millie, Everyday Rapture), and lyrics from the poems of Edna St. Vincent Millay. The musical is directed by artistic director Jack Cummings III and Dick Scanlan. The opening is set for Thursday, October 25 at 7:30pm.
Ted Austin, Chair of the Board of Directors at Portland Center Stage at The Armory in Portland, Oregon, announced today that Marissa Wolf has been selected as the next Artistic Director at Portland Center Stage at The Armory, after an eight-month, nationwide search. Wolf, who is currently the Associate Artistic Director/Director of New Works at Kansas City Repertory Theatre, previously served as the Artistic Director at San Francisco's innovative Crowded Fire Theater. Wolf will join Managing Director Cynthia Fuhrman as co-leader of Portland Center Stage and begins her role full-time on September 15, 2018.
Ted Austin, Chair of the Board of Directors at Portland Center Stage at The Armory, announced today that Marissa Wolf has been selected as the next Artistic Director at Portland Center Stage at The Armory, after an eight-month, nationwide search. Wolf, most recently the Associate Artistic Director at Kansas City Repertory Theatre, previously served as the Artistic Director at San Francisco's innovative Crowded Fire Theater. Wolf joins Managing Director Cynthia Fuhrman as co-leader of the city's leading professional theater and begins her role full-time on September 15, 2018.
A bold new drama about World War I and an unexpected and forbidden love between two soldiers - one American, one British - will have its world premiere at the 2018 New York New Works Theatre Festival.
Playwright Daniel McCoy's new plays, Perfect Teeth and Dick Pix are set to run in rotation at Theaterlab in mid-town Manhattan, July 18 - August 12. Opening night is slated for Sunday July 22.
Adam H. Weinert performs Jacob's Pillow founder Ted Shawn's epic work Dance of the Ages, the first evening-length modern dance work ever presented, in celebration of the work's 80th anniversary. This exclusive engagement transforms the Pillow's campus to reflect the original performance as first experienced in 1938, featuring use of the Pillow's original barn studio, now known as the Bakalar Studio, traditional production components, and an authentic pre-performance Tea Garden lecture.
HISTORY MATTERS/BACK TO THE FUTURE presents an evening of scenes from women's plays of the past, performed by renowned actors April Matthis (Lear; The Sound and the Fury; April Seventh, 1928), Maryann Plunkett (Blue Valentine, The Apple Family Plays) and Jay O. Sanders (Blindspot, The Apple Family Plays) directed by Joan Vail Thorne, founder of History Matters/Back to the Future.
The Museum of Contemporary Art (MOCA) North Miami will present the exhibition "Tracing the Red Thread," by distinguished South Florida-based artist Mira Lehr, Sept. 6 - Nov. 4, 2018. The multimedia, museum-wide installation will reflect Lehr's eco-feminist philosophy, the concept of mankind working with nature rather than dominating over it. Lehr uses the classical myth of Ariadne to explore the beauty, fragility and interconnectedness of the endangered aquatic ecosystem of the South Florida coast.
HISTORY MATTERS/BACK TO THE FUTURE presents an evening of scenes from women's plays of the past, performed by renowned actors April Matthis (Lear; The Sound and the Fury; April Seventh, 1928), Maryann Plunkett (Blue Valentine, The Apple Family Plays) and Jay O. Sanders (Blindspot, The Apple Family Plays) directed by Joan Vail Thorne, founder of History Matters/Back to the Future.
Shakespeare's Globe is delighted to announce the programme for 'Shakespeare and Race', a new festival of events opening 11 August. This is the first time in the Globe's twenty-year history that the topic will be explored in depth over a week. Curated to draw attention to and provide a platform for scholars, practitioners and educators of colour in the teaching, study and performance of Shakespeare, this festival will highlight the importance of race to the consideration of Shakespeare not only in his time, but more urgently, in our own. The festival includes a play American Moor by Keith Hamilton Cobb, a workshop entitled Staging Race and Diversity in the Shakespearean Theatre, The Sam Wanamaker Fellowship Lecture is to be given by Professor Kim F. Hall, a pre-show talk for Emilia with Morgan-Lloyd Malcolm, a panel discussion of actors who have played Othello, and an international symposium featuring Kimberle Crenshaw, Professor of Law at Columbia Law School and UCLA, who coined the term 'intersectionality'. The festival starts and finishes with two theatre productions, Voices in the Dark and Hip-hop Shakespeare Unplugged.
Playwright Daniel McCoy's new plays, Perfect Teeth and Dick Pix are set to run in rotation at Theaterlab in mid-town Manhattan, July 18 - August 12. Opening night is slated for Sunday July 22.
