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Review: HANDBAGGED, Kiln Theatre

Indhu Rubasingham's revival of Buffini’s play is playful and fiercely funny, whilst deftly tackling serious issues. It explores the battle of wills between two powerful women: The Queen and Margaret Thatcher, through the eleven years Thatcher served as Prime Minister.

Review: SALOME, Royal Opera House

If you thought horror as a genre wasn’t something opera dabbled in, think again. The fourth outing for David McVicar’s 2008 production of Richard Strauss’ is as bloody and gruesome as it gets in Covent Garden.

BWW Review: THE CAR MAN at Royal Albert Hall

Highly physical, beautifully danced and sexy as all hell, Sir Matthew Bourne’s acclaimed ballet The Car Man made its debut in 2000 and now returns to London with an imaginative new staging at the Royal Albert Hall.

BWW Review: CHICAGO, New Wimbledon Theatre

Chicago is a piece of musical theatre that feels as though it has been around forever. Premiering in 1975, directed and choreographed by the legendary Bob Fosse, it quickly gained an iconic status and an exhausting number of revivals followed. Currently running on Broadway, starring Pamela Anderson, it is also on a highly successful tour that lands at the New Wimbledon Theatre this week.

BWW Review: FATAL ATTRACTION, Theatre Royal, Glasgow

When happily married New York attorney Dan Gallagher, meets charming editor Alex (Susie Amy) on a night out in the city, they both commit to a night of passion they can’t take back. Dan returns home to his family and tries to forget the mistake he has made, but Alex has different ideas. Dan’s about to discover that love is a dangerous game, and Alex has only one rule; you play fair with her, and she’ll play fair with you.

BWW Review: LA TRAVIATA, Royal Opera House

Eyre’s take on La Traviata quite rightly deserves to be seen as a jewel in ROH’s crown but Angel Blue lifts it to a new level. Read our critic's review.

BWW Review: ANYTHING GOES Starring Sutton Foster Hits the Big Screen

The buzz on the internet about Sutton Foster playing Marian the Librarian in the latest Music Man revival was polarizing to say the least, but NO ONE can claim that Sutton Foster wasn't born to play Reno Sweeney in the classic Cole Porter musical farce, Anything Goes. Foster won a Tony playing the role on Broadway in 2011, and in 2021, returned to the role at the Barbican Theatre in London, belting out standards like the title number, 'I Get A Kick Out Of You', and the famous list song, 'You're The Top'. Trafalgar Entertainment and Stage2view filmed the cast during the London run and will now air the presentation in American movie theaters for two nights.

BWW Review: THE MERCHANT OF VENICE, Sam Wanamaker Playhouse

The Merchant of Venice is vastly considered to be Shakespeare’s most controversial and problematic play and director Abigail Graham does not shy away from the tough antisemitic and racist themes covered in the bard’s text.

BWW Review: BARELY METHODICAL TROUPE - KIN, Peacock Theatre

KIN at Sadler's Well Peacock Theater. Barely Methodical Troupe's Director, Ben Duke, together with 6 brilliantly talented performers, and a crack technical team have created magic with almost nothing and turn the nearly-empty stage into the arena for one of the most breathtaking theatrical events that this reviewer has ever seen. Get a ticket now.

The Nigel Havers Theatre Company to Tour with Noël Coward's PRIVATE LIVES

Following breaking box office records in Bath, Richmond, Chichester and Cambridge, Theatre Royal Bath Productions and Moss Empires have announced 2022 tour dates for The Nigel Havers Theatre Company production of Noel Coward’s PRIVATE LIVES. This is the inaugural show for The Nigel Havers Theatre Company, which will be touring the country with a line-up of theatrical gems. The UK Tour of PRIVATE LIVES will visit Theatre Royal Brighton from Tuesday 12 to Saturday 16 April 2022.

BWW Interview: Vikki Stone Chats ALADDIN at Lyric Hammersmith

Vikki Stone is an award-winning comedian, actor and composer. She usually spends the festive season on stage in a panto. But this year, she's the composer of Aladdin, currently playing at the Lyric Hammersmith. We spoke with Stone about her involvement in the production.

BWW Review: THE VALKYRIE, London Coliseum

Some curious directorial choices fail to blunt the force of Wagner's musical donner und blitzen as the gods bicker and bully and the mortals bleed

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