Review: DIDO AND AENEAS, Theatre Royal Bath
It's a double first at Theatre Royal Bath with Henry Purcell's Dido and Aeneas.
Tristram Kenton News
Review: AIDA, Royal Opera House
A provocative and ultimately successful reimagining of opera's most operatic of works
Review: HANDBAGGED, Kiln Theatre
Indhu Rubasingham's revival of Buffini’s play is playful and fiercely funny, whilst deftly tackling serious issues.
Review: SALOME, Royal Opera House
If you thought horror as a genre wasn’t something opera dabbled in, think again.
Guest Blog: Julian Forsyth Talks About His 1000th Appearance in THE WOMAN IN BLACK & the Innovative Rehearsal Process
What’s so special about The Woman in Black, and why is it still running in the West End after 33 years? As someone who is about to perform in it for the 1,000th time, I can offer an insider’s view that provides just one of several answers to that question.
Photos: Inside Rehearsal For Frantic Assembly's OTHELLO
Frantic Assembly have released new photos from the rehearsal room of their acclaimed production of Shakespeare’s Othello.
Review: THE DARKEST PART OF THE NIGHT, Kiln Theatre
An inorganic melodrama that stuffs too many themes together.
Photos: First Look at THE DARKEST PART OF THE NIGHT at the Kiln Theatre
Kiln Theatre presents the world première of Zodwa Nyoni’s The Darkest Part of the Night.
Review: PEAKY BLINDERS: THE RISE, Camden Garrison
Get your flat-cap ready and brush up your Brummie accent: the immersive Peaky Blinders: The Rise has arrived in London.
Photos: First Look at THE THRONE at Charing Cross Theatre
See the new photos from the world premiere of The Throne, starring Mary Roscoe, Charlie Condou and Michael Joel Bartelle, which opens tonight at Charing Cross Theatre.
Review: COSÌ FAN TUTTE at Royal Opera House
Mozart’s Così fan tutte has always been a work that tells us about ourselves.
BWW Review: THE CAR MAN at Royal Albert Hall
Highly physical, beautifully danced and sexy as all hell, Sir Matthew Bourne’s acclaimed ballet The Car Man made its debut in 2000 and now returns to London with an imaginative new staging at the Royal Albert Hall.
BWW Review: CHICAGO, New Wimbledon Theatre
Chicago is a piece of musical theatre that feels as though it has been around forever.
Guest Reviewer Kym Vaitiekus Shares His Thoughts On AN AMERICAN IN PARIS
An American in Paris is a glorious and inventive new musical inspired by the 1951 movie with a superb collection of music by the Gershwins.
BWW Review: FATAL ATTRACTION, Theatre Royal, Glasgow
When happily married New York attorney Dan Gallagher, meets charming editor Alex (Susie Amy) on a night out in the city, they both commit to a night of passion they can’t take back.
BWW Review: LA TRAVIATA, Royal Opera House
Eyre’s take on La Traviata quite rightly deserves to be seen as a jewel in ROH’s crown but Angel Blue lifts it to a new level.
BWW Review: ANYTHING GOES Starring Sutton Foster Hits the Big Screen
The buzz on the internet about Sutton Foster playing Marian the Librarian in the latest Music Man revival was polarizing to say the least, but NO ONE can claim that Sutton Foster wasn't born to play Reno Sweeney in the classic Cole Porter musical farce, Anything Goes.
Photos: See Louise Redknapp & More in New Images of FATAL ATTRACTION
Tonight (Wednesday 9th March, 2022) marks Louise Redknapp’s debut in the UK tour of Fatal Attraction.
BWW Review: THE MERCHANT OF VENICE, Sam Wanamaker Playhouse
The Merchant of Venice is vastly considered to be Shakespeare’s most controversial and problematic play and director Abigail Graham does not shy away from the tough antisemitic and racist themes covered in the bard’s text.
Photos: First Look at THE MERCHANT OF VENICE at the Sam Wanamaker Playhouse
All new photos have been released for The Merchant of Venice, performed in the candlelit Sam Wanamaker Playhouse, directed by Abigail Graham and designed by Sarah Beaton.
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