Tristram Kenton News

Photo Flash: First Look at Michael Ball, Lizzie Bea, Marisha Wallace, and More in HAIRSPRAY

by Stephi Wild — June 29, 2021

The production is now playing at the London Coliseum, running 21 June through 29 September 2021.

BWW Review: HAIRSPRAY, London Coliseum

by Louise Penn — June 30, 2021

Returning to London after more than a decade, and a few false starts, Marc Shaiman and Scott Wittman’s musical is, to quote the closing number of act one, “big, blonde, and beautiful”.

BWW Review: A MIDSUMMER NIGHT'S DREAM, Shakespeare's Globe

by Cindy Marcolina — May 28, 2021

One of London’s most venerated theatres, Shakespeare's Globe has re-opened its doors with Sean Holmes’s gaudy 2019 production of A Midsummer Night’s Dream.

BWW Feature: THE BIRTHDAY MONTH / SONDHEIM 2 - Five performances we won't forget

by Matt Wolf — March 29, 2021

Earlier this month, we marked the 91st birthday of the living legend that is Stephen Sondheim with a look back at five London productions of his work that are embedded in my memory.

BWW Review: THE ROYAL BALLET: BACK ON STAGE, Royal Opera House

by Vikki Jane Vile — October 11, 2020

The Royal Ballet returned to the stage for the first time in seven months on Friday night.

BWW Review: LA BOHEME, The Luna Drive-in Cinema

by Aliya Al-Hassan — July 27, 2020

On a rainy evening in North West London, a rather unique experience took place.

BWW Review: FAUST, Royal Opera House Online

by Bella Bevan — July 18, 2020

Last night was the online premiere of the Royal Opera House's Faust, broadcast for free as part of the #OurHouseToYourHouse series.

Flashback: LEND ME A TENOR at the Gielgud Theatre

by Caroline Cronin — April 9, 2020

It's a strange old time right now, with our beloved theatre community mourning the loss of jobs, of creative outlets, and of the human connections that theatre is so brilliant at creating.

BWW Feature: The Best of Mike Leigh

by Jonathan Marshall — April 3, 2020

The theatre landscape has changed dramatically since the 1977 premier of Abigail's Party but Leigh remains as real, raw and relevant as ever before.

BWW Review: THE PRINCE OF EGYPT, Dominion Theatre

by Anthony Walker-Cook — February 25, 2020

When you think of theatre, what shows come to mind? An obvious answer may well be Wicked.

Photo Flash: Get a First Look at THE PRINCE OF EGYPT at London's Dominion Theatre

by Stephi Wild — February 25, 2020

The new musical The Prince of Egypt is now in previews at London's Dominion Theatre.

BWW Review: LUISA MILLER, London Coliseum

by Alexandra Coghlan — February 13, 2020

There must have been a two-for-one offer on the day director Barbora Horakova visited the Regietheater prop-store to kit out her Luisa Miller for English National Opera.

Guest Blog: Max Hutchinson On Joining THE WOMAN IN BLACK

by Marianka Swain — February 10, 2020

We're just starting our second week of shows at the Fortune Theatre in the West End, after three weeks of rehearsal, and every bit of it has been an absolute joy so far.

Photo Flash: First Look at Frantic Assembly's I THINK WE ARE ALONE

by Stephi Wild — February 4, 2020

Frantic Assembly have released production images for I Think We Are Alone a major new play by Sally Abbott (The Coroner, Vera), which will run at King's Theatre Edinburgh from Tuesday 18 February – Saturday 22 February

BWW Review: LA BOHEME, ROH Live

by Aliya Al-Hassan — January 30, 2020

On paper, the story of Puccini's La bohème veers towards sentimentality, but witnessing a live production rarely fails to stir deep emotion.

BWW Review: ONEGIN, Royal Opera House

by Vikki Jane Vile — January 20, 2020

John Cranko's Onegin was last performed by the Royal Ballet in 2015.

Photo Flash: Inside Rehearsal For Frantic Assembly's I THINK WE ARE ALONE

by Stephi Wild — January 13, 2020

Frantic Assembly have today released rehearsal images for I Think We Are Alone a major new play by Sally Abbott (The Coroner, Vera), co-directed by Kathy Burke (Lady Windermere's Fan, The Retreat) and Scott Graham (Fatherland, Things I Know to be True).