Review: MAGGOTS, Bush Theatre
If you input “what does death smell like?” into Google, you’ll get a variety of results saying that it depends on the conditions of the body.
Tristram Kenton News
Review: LOST ATOMS, Lyric Hammersmith Theatre
There’s nothing like a great love story.
Review: THE NUTCRACKER, Royal Ballet And Opera
Ballet lovers will all have their own relationship with Sir Peter Wright’s The Nutcracker.
Review: PERSPECTIVES: BALANCHINE, MARSTON, PECK, Royal Ballet And Opera
The Royal Ballet season continues with Perspectives: Balanchine, Marston, Peck.
Interview: 'It Has To Be Fresh”: Director and Choreographer Lynne Hockney on Reviving Sir Peter Hall's Iconic A MIDSUMMER NIGHT'S DREAM at Glyndebourne
Celebrated choreographer and director Lynne Hockney has been involved in Sir Peter Hall’s iconic version of Benjamin Britten’s A Midsummer Night’s Dream at Glyndebourne since 2001.
Review: A MIDSUMMER NIGHT'S DREAM, Glyndebourne
Sir Peter Hall's iconic production of Benjamin Britten's A Midsummer Night's Dream has achieved legendary status since its premiere in 1981.
Photos: Frantic Assembly’s LOST ATOMS Begins UK Tour Following Curve Leicester Run
Production photos have been released for Lost Atoms, Frantic Assembly’s 30th anniversary production, now playing at Curve Leicester through 4 October 2025.
Review: THE SICILIAN VESPERS, Royal Ballet & Opera
The Sicilian Vespers is always going to be a challenging proposition.
Review: THIS BITTER EARTH, Soho Theatre
This Bitter Earth, the UK directorial debut of Tony winner Billy Porter, is a play with a lot to say – about race, about activism, and about love.
Review: IL BARBIÈRE DI SIVIGLIA, Glyndebourne Festival
Opera buffa is an ever-popular genre of the art, and more than two centuries after its composition, Rossini's Il barbière di Siviglia remains one this genre's most often staged operas.
Review: NORTHERN BALLET - JANE EYRE, Sadler’s Wells
The dance world is all the richer for having different kinds of storytellers - no doubt.
Review: EINKVAN, The Coronet Theatre
This production is a treat.
Review: ROMEO AND JULIET, Shakespeare's Globe
In this version of the familiar story, we are whisked away to the 1800s American West.
Review: THE PLAY'S THE THING: A ONE-PERSON HAMLET, Wilton's Music Hall
More lost than gained in this abridged version of Shakespeare's longest play
Review: TURANDOT, Royal Ballet And Opera
With plenty of colour, masks, and a mystical ambience, Andrei Șerban’s 1984 production of Turandot feels just as fresh as ever.
Review: JASMIN VARDIMON: NOW, Sadler's Wells East
With NOW standing for many nows, thens, nowheres, future nows, past nows, and present nows, Jasmin Vardimon offers up revisited classic choreography fused with new material to create a beautiful and intense way to celebrate the company's 25th anniversary.
Photos: CHURCHILL IN MOSCOW is Now Playing at the Orange Tree Theatre
All new production photos have been released for Churchill in Moscow at Orange Tree Theatre ahead of press night this evening.
Review: CHURCHILL IN MOSCOW, Orange Tree Theatre
In 1942 Moscow a top-secret meeting occured between Winston Churchill and Joseph Stalin as the Nazis rampaged through Europe and into the Soviet Union.
Review: HANSEL AND GRETEL, Royal Ballet and Opera
Macabre and spectacular, this is Christmas fare as it once was and should still be, fully trusting its audience.
Critics' Choice: Cheryl Markosky's Best Shows of 2024
Grand dame Sian Phillips stealing the show, Adam Cooper giving an unexpected twirl and smaller theatre spaces punching above their weight.
.jpg?format=auto&width=365)
Tickets From $59
Tickets From $70
Tickets From $72
Tickets From $106
