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Interview: 'I'm Intrigued By John Watson': Actor Jyuddah Jaymes on Curiosity and Suspense in SHERLOCK HOLMES

The game is afoot at Regent’s Park Open Air Theatre! Sherlock Holmes, written by Joel Horwood and directed by Sean Holmes, opened earlier this month, bringing with it a new interpretation of Sir Arthur Conan Doyle’s iconic characters of Sherlock [Joshua James] and his companion, Dr John Watson [Jyuddah Jaymes]. Recently, we had the chance to speak with Jaymes about taking on the role of Watson. We discussed how he first got started in the world of theatre, what it is like to be putting his own spin on such an iconic character and even what it’s like to perform in an outdoor theatre!

Review: GENTLEMAN JACK, Sadler's Wells

At this point in the history of humanity, a ballet translated from screen to stage or built around a real person is more likely to raise eyebrows than expectations. That’s not to say they have a uniform quality - Rambert’s Peaky Blinders: The Redemption Of Thomas Shelby blew the roof off Sadler’s Wells while Birmingham Royal Ballet’s tribute to Black Sabbath was an unholy mess. No, the main qualm is that it all smacks of hopping onto a passing bandwagon and hoping fervent fans of the source material fill the stalls.

Photos: English National Opera’s ANGEL’S BONE In Rehearsal

English National Opera will present Du Yun’s Pulitzer Prize-winning opera Angel’s Bone in a new production directed by Kip Williams, with performances scheduled at Aviva Studios in Manchester. See photos from inside rehearsal.

Review: MAYERLING, Royal Ballet And Opera

Mayerling is an experience - let no one tell you otherwise. Kenneth MacMillan’s 1978 ballet delves into the true story of the 19th century Austro-Hungarian court, and specifically the experience of the heir apparent; Crown Prince Rudolf.

Review: PLAYING SHAKESPEARE WITH DEUTSCHE BANK: ROMEO AND JULIET, Shakespeare's Globe

A revival marking twenty years of a remarkable education initiative, Playing Shakespeare with Deutsche Bank: Romeo and Juliet at Shakespeare’s Globe demonstrates accessible theatre at its very best. Directed by Lucy Cuthbertson, this fast paced ninety minute production captures the essence of Shakespeare’s tragedy while presenting it in a form that resonates powerfully with young audiences. It is modern, clear and inclusive, without losing sight of the emotional core of the play.

Review: BROKEN GLASS, Young Vic

Arthur Miller's later works are usually overshadowed by his earlier masterpieces. Is it time for reappraisal? With rising antisemitism across the world, what can Miller’s 1994 confrontation of anti-Jewish racism tell us in 2025?

Photos: Arthur Miller's BROKEN GLASS at the Young Vic

All new production photos have been released for Arthur Miller’s psychological drama Broken Glass directed by Olivier Award nominee Jordan Fein. Learn more and check out the photos here!

Review: THE SINGING MERMAID, artsdepot

Set beneath a vibrant circus tent filled with sparkling multicoloured lights and fluttering flags, the production opens with a jovial instrumental atmosphere that immediately invites children into the world of the show.

Review Roundup: THE UNLIKELY PILGRIMAGE OF HAROLD FRY, Starring Mark Addy & Jenna Russell

Harold Fry was never meant to be a hero. An ordinary man in an ordinary life until a letter from a long-lost friend sends him out the front door… and he keeps on walking. From Devon’s quiet lanes to the windswept streets of Berwick-upon-Tweed, his journey becomes a pilgrimage of love, redemption, and second chances. Strangers turn into companions, kindness appears in unexpected places, and the road reveals more than Harold ever imagined. Back home, his wife Maureen begins her own journey, one that might bring them together again.

Review: THE UNLIKELY PILGRIMAGE OF HAROLD FRY, Theatre Royal Haymarket

First seen in Chichester last summer, The Unlikely Pilgrimage of Harold Fry now makes its joyful arrival into London. Based on the 2012 novel by Rachel Joyce which became a 2023 film, the show is a musical that cleverly acts as a snapshot of modern Britain and a study into the complexities and darkness of grief and sadness within a marriage. 

Review: LOST ATOMS, Lyric Hammersmith Theatre

There’s nothing like a great love story. Jess and Robbie met and instantly fell head over heels for each other – well, almost. Then, it was bliss until it wasn’t. Stuck in a liminal space, they disclose their own versions of the facts. Frantic Assembly take on romance and loss in their new production, which originally premiered in Leicester last year. Lost Atoms candidly analyses the everyday tragedies that bring a relationship to an end. It’s uplifting, moving, and desperate in all the right moments. Written by Anna Jordan and directed by Scott Graham, the show doesn’t hide a grander purpose. There’s no apocalypse, no war, no climate emergency that’s being directly addressed – we just have two people trying to make it work. And that’s their crux.

Interview: 'It Has To Be Fresh”: Director and Choreographer Lynne Hockney on Reviving Sir Peter Hall's Iconic A MIDSUMMER NIGHT'S DREAM at Glyndebourne

Celebrated choreographer and director Lynne Hockney has been involved in Sir Peter Hall’s iconic version of Benjamin Britten’s A Midsummer Night’s Dream at Glyndebourne since 2001. Now playing for the first time in the venue’s Autumn season, the production has been revived regularly since its premiere in 1981, bringing Shakespeare’s enchanting story of magic and mayhem to life. BroadwayWorld spoke to Hockney about her long association with the production, Sir Peter Hall’s enduring vision and how no one involved in the production is more important than anyone else.

Review: A MIDSUMMER NIGHT'S DREAM, Glyndebourne

Sir Peter Hall's iconic production of Benjamin Britten's A Midsummer Night's Dream has achieved legendary status since its premiere in 1981. In 2025, it has lost none of its magic, with the Glyndebourne audience still wide-eyed at the visual feast on stage.

Review: THE SICILIAN VESPERS, Royal Ballet & Opera

The Sicilian Vespers is always going to be a challenging proposition. In a move smacking of sheer hubris, Verdi’s original version lasted over four hours and featured half an hour of ballet partway through. Stefan Herheim's production for the Royal Ballet & Opera removes that dance sequence but transports the plot from Palermo to Paris with the Sicilian rebel leader Jean Procida now portrayed as a mutinous ballet master. What next: Che Guevara as a South Kensington Zumba instructor?

Review: THIS BITTER EARTH, Soho Theatre

This Bitter Earth, the UK directorial debut of Tony winner Billy Porter, is a play with a lot to say – about race, about activism, and about love. First produced in 2017, the show follows the twists and turns in the relationship between Jesse (Omari Douglas), a Black writer, and his boyfriend Neil (Alexander Lincoln), a white BLM activist.

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