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Review: LOVE’S LABOUR’S LOST, Shakespeare’s Globe

Review: LOVE’S LABOUR’S LOST, Shakespeare’s Globe

by Debbie Gilpin — July 30, 2026

The flimsy theme holding together this year’s summer season at Shakespeare’s Globe is ‘1599 or 1939’, which has allowed them to stage a work by Brecht as well as several Shakespeare plays which are frequent flyers at this theatre complex.

Review: ARIADNE AUF NAXOS, Glyndebourne Festival

Review: ARIADNE AUF NAXOS, Glyndebourne Festival

by Aliya Al-Hassan — July 20, 2026

Richard Strauss's opera within an opera, Ariadne aux Naxos, is a curious beast: a hybrid of spoken word and singing, a mix of musical influences and themes which ask whether high art can ever mix with popular entertainment.

Review: I PURITANI, Royal Ballet And Opera

Review: I PURITANI, Royal Ballet And Opera

by Franco Milazzo — July 2, 2026

Thirty-four years is a long time to leave an opera in the attic, and I puritani has spent most of that period gathering dust for good reason.

Review: BILLY BUDD, Glyndebourne

Review: BILLY BUDD, Glyndebourne

by Aliya Al-Hassan — June 29, 2026

It is 75 years since Benjamin Britten's Billy Budd first appeared on stage: a collaboration between himself and novelist EM Forster to adapt Herman Melville’s novella.

Review: GENTLEMAN JACK, Sadler's Wells

Review: GENTLEMAN JACK, Sadler's Wells

by Franco Milazzo — May 21, 2026

At this point in the history of humanity, a ballet translated from screen to stage or built around a real person is more likely to raise eyebrows than expectations.

Review: THE SINGING MERMAID, artsdepot

Review: THE SINGING MERMAID, artsdepot

by Christiana Rose — February 16, 2026

Set beneath a vibrant circus tent filled with sparkling multicoloured lights and fluttering flags, the production opens with a jovial instrumental atmosphere that immediately invites children into the world of the show.


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