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Upon entering the space the audience is immediately surrounded by the dwellings of a castle. The beautiful set design by Tom Hansen lent itself well to this harkened tale of Christmas in England. Henry II, King of England and his ward Alais are seen talking about their love and the King donning a Blood Red Crown that has been exquisitely crafted to the finest detail. Soon we meet the three sons of King Henry, Richard Lionheart, John and Geoffrey. All three are bastards in the eyes of King Henry and all three feel their stake at the Crown is higher, and more deserving than the others. Whether written into the script or a Directors choice, the use of Christmas carols, both modern and Baroque was a nice touch and lent itself well to the story and made scene changes seamless. A nice touch from the set design was having the pieces of the King's table fly in from up above and added nicely to the set. The texture of having the candles on every inch of the set, gave the castle a warm feeling and made it also feel very elegant and regal.
Gothic, Spooky, and down right Mind-Bending are just three words used to describe the deeply affecting, and resonating performance during freeFall Theatre's enigmatic opening to their 19/20 Season a?oeGhostlight.a?? Upon entering the theatre the audience is immediately incapsulated in a world of Gothic Noir. Like something bursting out of a?oeMidnight in the Garden of Good and Evila?? and blended well with real water, the stage was set and the mood was placed for an eerie and beautiful trip. Over the next enthralling 75 minutes two actors of supreme grandiose proportions took the audience on an unforgettable trip across the pond to Essex, and the opening night audience in mere sell out lingered on every word. Even a chill in the air lent itself to the spooky good time set before us. A true tour-de-force helmed exceptionally well by Director Timothy Saunders, two characters simply named a?oeMana?? and a?oeWomana?? took our breath away and left a chill down our spine that still resonates with me days later.
With any luck most of us will bypass any connection to opioid or heroin addiction. I know going into Book-It Repertory Theatre's current production of Tom Hansen's "American Junkie", I knew nothing of that world except what you might catch on TV. But what this gritty memoir and gripping performances do is give a much more intense and visceral look into this world while still mixing in humor and hope making this a fascinating ride.
Book-It Repertory Theatre [Book-It] kicks off 2019 with an honest look at addiction in Seattle native Tom Hansen's American Junkie. Adapted by Jane Jones and Kevin McKeon and directed by Jones, Hansen deftly balances a raw story about the path that leads to self-destruction with wry humor and hope.
It's a whole new year with a whole new slate of fabulous theater coming to Seattle and the surrounding areas. So many exciting shows ready to thrill and astound us, make us laugh and cry. And so, I thought I'd let you in on the Top 10 shows coming up that I'm most excited about (actually 11 since I couldn't narrow it down to 10 but 'Top 10' sounded better) in chronological order.
Book-It Repertory Theatre kicks off 2019 with an honest look at addiction during Seattle's grunge years with Seattle native Tom Hansen's American Junkie. Adapted by Jane Jones and Kevin McKeon and directed by Jones, Hansen deftly balances a raw story about the path that leads to self-destruction with wry humor and hope. A tight, 90-minute ride through Seattle's music scene during the grunge era, American Junkie looks at the man behind the addiction and takes a hard look at the power heroin and other opioids have on people's lives.
Book-It Repertory Theatre continues its 29th season with the enchanting My Ántonia by Willa Cather. Annie Lareau, who adapted the novel and starred as Ántonia in Book-It's original 2008 production, returns to direct the 2018 production.
Book-It Repertory Theatre continues its 29th season with the enchanting My Ántonia by Willa Cather. Annie Lareau, who adapted the novel and starred as Ántonia in Book-It's original 2008 production, returns to direct the 2018 production.
Book-It Repertory Theatre will open its 2018-2019 season with Jane Eyre. Called the 'first historian of the private consciousness', author Charlotte Bronte explores classism, sexuality, and female expression in this Gothic mystery. Julie Beckman adapted and directed Jane Eyre for Book-It in 2001 and will direct the 2018 production.
Book-It Repertory Theatre is thrilled to announce its 2018-2019 season. For 29 years, Book-It has been adapting great literature into great theatre through simple and sensitive productions and will produce five mainstage shows and three school-touring shows.
freeFall Theatre Company presents The Glass Menagerie by Tennessee Williams, February 2 - February 25, 2018. Widely regarded as an American classic, The Glass Menagerie stars Rob Glauz (Tom Wingfield), Stephanie Lynge (Amanda Wingfield), Ali Foley (Laura Wingfield) and Michael David (Jim O'Connor). The Glass Menagerie opens February 2 and marks the return to freeFall's newly refurbished black box space. freeFall sustained extensive damage to performance space during Hurricane Irma.
freeFall Theatre Company presents The Glass Menagerie by Tennessee Williams, January 27 February 18, 2018. Widely regarded as an American classic, The Glass Menagerie stars Rob Glauz (Tom Wingfield), Stephanie Lynge (Amanda Wingfield), Ali Foley (Laura Wingfield) and Michael David (Jim O'Connor). The Glass Menagerie opens January 27 and marks the return to freeFall's newly refurbished black box space. freeFall sustained extensive damage to performance space during Hurricane Irma.