Ted Hewlett News

Director Rosalind Bevan skillfully blends all the ingredients in this Boston premiere of Zora Howard’s 2021 Pulitzer Prize Finalist for Drama.

Over its nearly sixty-year history, Hartford Stage has become synonymous with breathtaking productions of Shakespeare. Since its very first production, Othello in 1964, Connecticut audiences and beyond have traveled to downtown Hartford to experience world-class interpretations of The Bard's favorites and lesser-known works.

The cast has been announced for Hartford Stage's upcoming production The Art of Burning. This inspired new comedy by award-winning playwright Kate Snodgrass explores the love, rage, and responsibility that go with marriage and parenting in America.

The trend of modern plays seems to be that playwrights a trimming down their plays, often to ninety minutes or less. While this brevity can work for many plays, it doesn’t work for all. There’s only so much a playwright can say or do in ninety minutes and sometimes plays move too quickly and the audience leaves wondering if they missed something.

JOE TURNER'S COME AND GONE was the first Wilson play produced at the Huntington in 1986, the beginning of a 19-year relationship that saw all ten of his American Century Cycle plays chronicling the African American experience in the 20th century performed on the local stage.

The Huntington has announced the casting and creative team for the highly anticipated revival of August Wilson’s Joe Turner’s Come and Gone, directed by Lili-Anne Brown. Wilson’s masterpiece serves as the inaugural production of the newly renovated Huntington Theatre and runs from October 14 – November 13, 2022.

Hartford Stage, raises the curtain on its 2021-2022 season with Pulitzer and Nobel Prize-winning playwright Eugene O'Neill's only full-length comedy, Ah, Wilderness!

The Huntington announces the cast and creative team of its second production of its 40th anniversary season, the dark comedy Witch by Jen Silverman, directed by Rebecca Bradshaw, running from October 15 to November 14, 2021 at The Huntington's Calderwood Pavilion at the BCA. Running time of the show is 90 minutes with no intermission.

In 2018, the U.S. Supreme Court handed a narrow victory to a Christian baker from Colorado who refused for religious reasons to make a wedding cake for a gay couple. Hailing from a conservative North Carolina background, playwright Bekah Brunstetter is personally familiar with people like Della, the protagonist of THE CAKE, and ideally positioned to protect her and defend her humanity, while also setting her on a path to self-reflection and change. Although the story may be ripped from the headlines, Brunstetter tells it from the perspectives of a quartet of ordinary, yet multi-faceted characters, each of whom comes with a strong set of beliefs.

Huntington Theatre Company has announced the extension of the Boston premiere of the Pulitzer Prize-winning drama Sweat.  Due to high ticket demand, this a?oebreathtakingly timelya?? (The Wall Street Journal), Tony Award-nominated play by two-time Pulitzer Prize winner Lynn Nottage and directed by Kimberly Senior (The Niceties at the Huntington, Disgraced on Broadway) will now run at the Huntington Avenue Theatre (264 Huntington Avenue, Boston) from Friday, January 31, 2020 through Sunday, March 1, 2020.

A septuagenarian suffering from Alzheimer's may seem an unlikely hero, but in QUIXOTE NUEVO, playwright Octavio Solis' adaptation of Miguel Cervantes' DON QUIXOTE, a retired Mexican-American college professor fearlessly takes on the Border Patrol, aids migrants, and models the importance of resilience while searching for his long-lost love. Pursued by death in the form of a colorful band of a?oecalacasa?? from the spirit world, his worried sister and niece, and the therapist and priest who want to take him to an assisted living facility, Jose a?oeJoea?? Quijano becomes convinced that he is Don Quixote and sets off on a quest to find his Dulcinea, the migrant girl he fell in love with as a boy on his father's farm.

Just as the centuries-old spirituals sung by American slaves created community and gave voice to the thoughts and emotions they were forced to repress, so too the music in CHOIR BOY serves to give hope and healing to the young men struggling to find and express their true identities at a boarding school designed to shape them into society's culturally approved version of a?oestrong, ethical black men.a?? As classroom students, they must live up to the high standards set by the Headmaster and a strict 50-year honor code. As members of the school's acclaimed choir, they are set free when they sing.

YERMA, a play with music, adapted and translated by Melinda Lopez from Spanish poet/playwright Federico Garcia Lorca's 1934 work, is receiving its world premiere by the Huntington Theatre Company at the Calderwood Pavilion at the Boston Center for the Arts. On press night, in the age-old tradition of the show must go on, Lopez was pressed into service to perform in place of the ailing Jacqui Parker, one of the five women who surround the title character as her emotional support community, even as their multiple children are a stinging reminder of her infertility. It is a tragic tale, but one fueled by hope and infused with beautiful flamenco-inspired music and Spanish culture.

Over the course of the last twenty years, Producing Artistic Director Spiro Veloudos has been a man with a mission. During that time period, he has systematically presented the works of composer Stephen Sondheim at the Lyric Stage Company, beginning with ASSASSINS in the 1998-1999 season, and concluding with PACIFIC OVERTURES to wrap up the 2018-2019 season. In spite of the daunting nature of the undertaking, Veloudos has tackled it with gusto and proven himself to be a meritorious interpreter of the Sondheim canon. Collaborating with Music Director Jonathan Goldberg, Choreographer Micheline Wu, and his familiar roster of designers, Veloudos recreates the musical in his own vision, downsizing what originated as a behemoth show to fit the parameters of the Lyric's thrust stage.

Cast & creative team announced for Pacific Overtures at the Lyric Stage

It's a different time and a different war, but the protagonist in this coming of age story faces many of the same challenges as would a young person today. What do I want to do with my life? Where do I fit in the world? How can I make my mark? Meanwhile, set in the City of Lowell in 1941-2, as it is struggling to come to terms with a surfeit of immigrants, that city today remains a diverse community in a nation that is roiled by the debate over how to deal with a flood of immigrants and asylum seekers. Artistic Director Sean Daniels has adapted Lowell native Jack Kerouac's unfinished, long-lost novel THE HAUNTED LIFE into a play of the same name, now having its world premiere at Merrimack Repertory Theatre, with Daniels co-directing with christopher oscar peña.

There is much fun afoot in this cleverly written, earnestly acted, and crisply directed play being revived on the main stage at the Huntington Theatre Company. SHERLOCK'S LAST CASE had its world premiere in 1984 in Los Angeles before transferring to Broadway for a short run in 1987 with Frank Langella in the lead role. Huntington stalwart Maria Aitken returns to direct a tightly-synched cast with Rufus Collins (Holmes) and Mark Zeisler (Watson) as the long-time companions taking on a new nemesis. Has Holmes met his match, or will he live to sleuth again?

Honoring Trustee Michael A. Miller for his twenty-five years of service, Shakespeare & Company held its 2018 Season Gala on Saturday, June 30th. The sold-out benefit, co-chaired by Rhea Werner and Suzanne Werner, was the most successful in Company history, raising more than $400,000 for Training, Education, and Performance programs.

Shakespeare & Company presents William Shakespeare's Macbeth, directed by Obie Award-winning director Melia Bensussen. Company veterans Jonathan Croy and Tod Randolph take the helm as Macbeth and Lady Macbeth, two of Shakespeare's most notorious anti-heroes. Shakespeare's stunning classic of blind ambition and corrosive power runs from July 3 - August 5 in the Tina Packer Playhouse.

Shakespeare & Company's Summer Training Institute kicks off this week. The four week program provides young actors, ages 18-25, the opportunity to immerse themselves in the actor/audience acting approach and pedagogy of the Company.  The Summer Training Institute is targeted for undergraduate theatre students, recent graduates, and early career acting professionals. This summer the program includes 45 participants from all over the United States, including the South, Midwest, New England and the West Coast.