The Huntington to Reopen Newly Renovated Huntington Theatre With JOE TURNER'S COME AND GONE

Tony Award nominated costume designer Constanza Romero will attend the opening night performance and unveil the plaque in August Wilson's honor.

By: Sep. 28, 2022
The Huntington to Reopen Newly Renovated Huntington Theatre With JOE TURNER'S COME AND GONE
Get Access To Every Broadway Story

Unlock access to every one of the hundreds of articles published daily on BroadwayWorld by logging in with one click.

Existing user? Just click login.

The Huntington has announced the casting and creative team for the highly anticipated revival of August Wilson's Joe Turner's Come and Gone, directed by Lili-Anne Brown. Wilson's masterpiece serves as the inaugural production of the newly renovated Huntington Theatre and runs from October 14 - November 13, 2022, with digital access to the filmed performance available until November 27, 2022.

The Huntington has had a deeply special relationship with playwright August Wilson and his work, having produced all ten of his American Century Cycle plays that chronicle the African American experience in the 20th century (seven prior to their Broadway runs), and his autobiographical one-man show How I Learned What I Learned.

This major revival of Joe Turner's Come and Gone is particularly meaningful to The Huntington - not only will it reopen the Huntington Theatre after being closed the past two and a half years for the pandemic and its transformational renovation, but it was the first Wilson play that the Huntington ever produced and the start of a fruitful collaboration that lasted until the playwright's death in 2005. The Huntington partnered with the Yale Repertory Theatre in 1986 for the pre-Broadway production of Joe Turner's Come and Gone that featured soon-to-be-stars Angela Bassett and Delroy Lindo, and went on to produce all of Wilson's major works.

"August Wilson is undoubtedly one of the giants of the American theatre," says Huntington Managing Director Michael Maso. "Few moments in my career have had more meaning than the one where we agreed to produce the original Joe Turner's Come and Gone. It was 1986, the start of The Huntington's fifth season and of our 19-year collaboration with August, as we worked closely with him in residence on seven of his iconic plays until his untimely death in 2005. With this new production in our newly renovated theatre, we honor the icon who was August Wilson, but we remember our friend. May his spirit inspire generations of artists and audiences alike."

August Wilson himself said in a 2004 recorded interview, "I have a long and valued relationship with the Huntington Theatre, and I guard that relationship jealously." Wilson left an indelible mark on American theatre, and The Huntington will celebrate his legacy by naming the lobby of the newly renovated Huntington Theatre the August Wilson Lobby. Wilson's widow and estate executor, the Tony Award nominated costume designer Constanza Romero, will attend the opening night performance of Joe Turner's Come and Gone on October 19 and unveil the plaque in his honor.


Joe Turner's Come and Gone is set in a boarding house in Pittsburgh's Hill District in 1911, where owners Seth and Bertha Holly play host to a makeshift community of African Americans, many who have left the farms of the South to come to the cities of the North. Newcomer Herald Loomis arrives with his daughter in tow, in search of his lost wife after having spent 7 years of forced labor working for Joe Turner - but first he must regain a sense of his own heritage and identity.

Director Lili-Anne Brown says her approach to this production is to "Be reverent and uplift this work, but also approach it with fresh eyes." She notes that the characters in the play are experiencing the Great Migration and a period of upheaval, and wants to explore what it means to stage this production after the pandemic as another period of tremendous social change. "Some of these characters are one generation out from slavery," she continues. "They are all asking, where is home, how does one find it, and find oneself."

"I can think of no better way to welcome our community home than with August Wilson's masterwork," says Artistic Director Loretta Greco. "I'm especially thrilled to do so with the astounding Lili-Anne Brown at the helm and a cast that boasts so mightily of Boston artistry."

The cast of Joe Turner's Come and Gone includes notable actors from the Boston area and around the country. They are, in order of appearance:

  • Maurice Emmanuel Parent as Seth Holly, the hardworking and practical owner of the boarding house he runs with his wife Bertha. Credits include Common Ground Revisited, Sweat, Merrily We Roll Along, Skeleton Crew and more at The Huntington, Co-Producing Artistic Director of The Front Porch Arts Collective.
  • Shannon Lamb as Bertha Holly who runs the boarding house with her husband Seth, making biscuits and acting as peacemaker. Credits include Common Ground Revisited at The Huntington, Letters to Kamala (WAM), Joe Turner's Come and Gone (UMASS Theater), It Happened in Little Rock, and Because of Winn Dixie (Arkansas Repertory Theatre).
  • Robert Cornelius as Bynum Walker, a resident of the boarding house, a spiritual man who practices folk magic and has a talent for binding people together. Credits include Her Honor Jane Byrne (Lookingglass Theatre), Lottery Day (Goodman Theatre), and Hamlet (Gift Theatre).

  • Lewis D. Wheeler as Rutherford Selig, a traveling salesman who describes himself as a "people finder," and who sells raw materials to Seth then buys back the pans and wares Seth makes. Credits include No Man's Land (ART), Pass Over (SpeakEasy Stage), Long Day's Journey Into Night (New Repertory Theatre), and Book of Will (Lyric Stage).

  • Stewart Evan Smith as Jeremy Furlow, a cheerful young man and boarder, looking for a good job and some female companionship. Credits include Black Superhero Magic Mama (Company One), Vanity Fair (Underground Railway Theatre), The Crucible (Bedlam/The Nora Theatre Company), and The Three Musketeers (Greater Boston Stage Company).

  • James Ricardo Milord as Herald Loomis, a newcomer to Pittsburgh, searching for his lost wife and trying to put his life back together after 7 years of forced labor. Credits include Common Ground Revisited at The Huntington, Paradise Blue (Gloucester Stage) and the premiere of Young Nerds of Color (Central Square Theater).

  • Young actors Gray Flaherty and Alana Ross alternate as Zonia Loomis, Herald Loomis' daughter. Gray is an 8th grader at the Shady Hill School in Cambridge, and Alana is a 5th grader at the Benjamin Banneker Charter Public School in Cambridge.
  • Al-nisa Petty playing Mattie Campbell, a hopeful young woman looking for the lover who recently left her. Credits include Kin (WP Theater), Twelfth Night (The Acting Company), and School Girls; Or, The African Mean Girls Play (Berkeley Rep).

  • Eli Lapaix and Joshua McKenna alternate as Reuben Mercer, a neighborhood boy who befriends Zonia. Eli is a 7th grader at Waring School in Beverly. Joshua has appeared in A Christmas Carol (2021-22) and The Bodyguard (2019) at North Shore Music Theatre.

  • Dela Meskienyar as Molly Cunningham, a happily single, independent young woman who flirts with Jeremy. Credits include The Beginning Days of True Jubilation at the New Ohio Theater.

  • Patrese D. McClain as Martha Pentecost, Herald Loomis' wife and Zonia's mother, who has come to Pittsburgh in search of a new life. Credits include Jitney (Broadway tour), Twilight (Syracuse Stage), Pipeline and Skeleton Crew (Actors Theatre).

The creative team for Joe Turner's Come and Gone includes scenic design by Arnel Sancianco (Once on this Island at Oregon Shakespeare Festival, Ain't No Mo' at Woolly Mammoth), lighting design by Jason Lynch (You Are Here: An Evening with Solea Pfeiffer Off Broadway), costume design by Samantha C. Jones (Black Odyssey at Oregon Shakespeare Festival, King James at Steppenwolf), and sound design by Aubrey Dube (The Bluest Eye at The Huntington, Trayf and Good at New Rep). Hair, wig, and makeup design is by Earon D. Nealey, Sandy Alexandre is the dramaturg, Ted Hewlett is the fight choreographer, Jermaine Hill is the music consultant, Kurt Douglas is the movement consultant, Gregory Geffrard is the intimacy consultant, and Carla McDonough is the young person coordinator. The production stage manager is Emily F. McMullen and the stage manager is Ashley Pitchford.


August Wilson (Playwright) (April 27, 1945 - October 2, 2005) authored Gem of the Ocean, Joe Turner's Come and Gone, Ma Rainey's Black Bottom, The Piano Lesson, Seven Guitars, Fences, Two Trains Running, Jitney, King Hedley II, and Radio Golf. These works explore the heritage and experience of African Americans, decade-by-decade, over the course of the 20thcentury. His plays have been produced at The Huntington, at regional theatres across the country and all over the world, as well as on Broadway. In 2003, Mr. Wilson made his professional stage debut in his one-man show How I Learned What I Learned.

His works garnered many awards including Pulitzer Prizes for Fences (1987) and The Piano Lesson (1990); a Tony Award for Fences; Great Britain's Olivier Award for Jitney; as well as eight New York Drama Critics Circle Awards. Additionally, the cast recording of Ma Rainey's Black Bottom received a 1985 Grammy Award, and Mr. Wilson received a 1995 Emmy Award nomination for his screenplay adaptation of The Piano Lesson. Mr. Wilson's early works included one-act plays The Janitor, Recycle, The Coldest Day of the Year, Malcom X, The Homecoming, and the musical satire Black Bert and the Sacred Hills.

Mr. Wilson received many fellowships and awards, including Rockefeller and Guggenheim Fellowships in playwrighting, the Whiting Writers Award, 2003 Heinz Award, and a 1999 National Humanities Medal given by the President of the United States, and numerous honorary degrees from colleges and universities, as well as the only high school diploma ever issued by the Carnegie Library of Pittsburgh. He was an alumnus of New Dramatists, a member of the American Academy of Arts and Sciences, a 1995 inductee into the American Academy of Arts and Letters, and on October 16, 2005, Broadway renamed the theatre located at 245 West 52nd Street - The August Wilson Theatre. Additionally, Mr. Wilson was posthumously inducted into the Theatre Hall of Fame in 2007.

Mr. Wilson was born and raised in the Hill District of Pittsburgh, PA and lived in Seattle, WA at the time of his death. He was survived by his two daughters, Sakina Ansari and Azula Carmen Wilson, and his wife, costume designer Constanza Romero.

Lili-Anne Brown (Director), a Chicago South Side native, works as a director, actor and educator, and has performed in, directed and produced many award-winning shows in Chicago and nationally.  She is the former Artistic Director of Bailiwick Chicago, where she focused programming on Chicago-premiere musicals and new play development with resident playwrights.  Recent directing credits include School Girls, or The African Mean Girls Play and the world premieres of Ike Holter's I Hate It Here and Lottery Day (Goodman Theatre), Ain't No Mo' (Woolly Mammoth), The Color Purple (The Muny), Once on This Island (Oregon Shakespeare Festival), Acoustic Rooster...(Kennedy Center), Spunk (Roundabout Theatre virtual), Put Your House in Order (La Jolla Playhouse). She is a member of SDC, AEA, and SAG-AFTRA, and represented by William Morris Endeavor.