Tanika Gupta News

You can watch a free screening of Lyric Hammersmith's production of A Doll's House, for free on YouTube on Wednesday 20 May, 2020!

Award-winning theatre company, Wildcard, have today announced 'Wildcard: Full House', a six-month programme with a focus on supporting emerging artists, digitally.

Digital Theatre+, Simon Stephens and an award-winning cast of playwrights, directors, designers and actors join forces to deliver a series of free-to-access theatre videos!

Birmingham Repertory Theatre's Artistic Director, Sean Foley, alongside Executive Director, Rachael Thomas, and Deputy Artistic Director, Amit Sharma today announced their first full season of work for the theatre.

Today, Birmingham Rep has announced plans for its new season of work, with new Artistic Director Sean Foley at the helm. The programme is bold and inventive, with many nods to Birmingham itself in terms of associate artists and the shows that feature. Sean Foley talks to BroadwayWorld about the importance of representation in theatre, and his passion to revitalise the venue.

Martin Wylde is an acting teacher, theatre director and active advocate of both new writing and new work, commissioning and developing plays within the conservatoire and for industry. As Principal Lecturer and Programme Leader for MA Acting at London's Royal Central School of Speech and Drama, he teaches Stanislavsky derived acting methodologies and scene study and directs public productions and showcases on both the Classical and Contemporary Acting courses

Artistic Director of the Young Vic Kwame Kwei-Armah today announces complete casting for Nora: A Doll's House. Anna Russell-Martin (Cyrano De Bergerac, A Christmas Carol Citizens Theatre) reprises her role from the critically-acclaimed Citizens Theatre production, and is joined by Mark Arends (MotherFatherSon; Fatherland Lyric Hammersmith), Natalie Klamar (Wilderness Hampstead Theatre; Richard II Almeida), Luke Norris (Poldark; Blue/Orange, A View from the Bridge Young Vic), Amaka Okafor (The Son Kiln/West End; I'm Not Running, Macbeth National Theatre) and Zephryn Taitte (Call The Midwife; Bitter Wheat Garrick Theatre).

The Women's Prize for Playwriting, launched by EKP and Paines Plough, today announces a partnership with Samuel French, a Concord Theatricals company, who will publish the winning scripts found in first, second and third place.

What a year for theatre 2019 has been! Remembering all of the amazing shows as part of the build-up to the BroadwayWorld UK Awards has been a complete joy, and it is my pleasure to present some thoughts about the shows that have left a distinct impression on my stagey mind.

When the late Stephen Jeffreys' award-winning comedy Valued Friends opened at the Hampstead Theatre in 1989, one or two critics, suspicious of its brilliant structure and well-crafted narrative, declared it a?oesafea?? and a?oeold-fashioned' - by which they meant that the London fringe, or alternative, theatre had gone soft.

EKP and Paines Plough today launch The Women's Prize for Playwriting to celebrate and support exceptional UK and Ireland-based playwrights who identify as female. The winning playwright will receive £12,000 in respect of an exclusive option for EKP and Paines Plough to co-produce the winning play. The founding sponsor of The Women's Prize for Playwriting is PER.

Artistic Directors of Paines Plough Charlotte Bennett and Katie Posner today announced their inaugural programme for the company.

It's been a week of new Artistic Director's kicking off their debut seasons. Lynette Linton smashed it out of the park with her gig-theatre epic revival of Chiaroscuro, Rachel O'Riordan's direction of Tanika Gupta's A Doll's House has gone down a treat, and now it's the turn of Hampstead Theatre boss Roxana Silbert's to give an insight into what her tenure will be. Differing from the ladies above, Silbert isn't directing her inaugural seasonal show, instead relying on the hand of Michael Boyd.

The simple act of deception that opens Ibsen's A Doll's House never ceases to amaze me. A housewife enters, laden with boxes or bags from a recent shopping trip, and pops a sweetie secretly in her mouth. Her husband calls, playfully asking if she visited the confectioners whilst in town. Of course not, the wife replies, licking her lips. If she can lie about something so simple as a delectable treat, what else is she hiding?

Elliot Cowan returns to the Lyrics Hammersmith for A Doll's House. Taking us through his own history with the play, Elliot also shares an insight into the vitality and vision of Gupta's adaptation, set against the backdrop of British colonialism.

In 2017, Young Vic Taking Part took the Young Vic's production of The Brothers Size, by Moonlight writer Tarell Alvin McCraney, into HMP Wandsworth. The workshops led by Liverpool-born playwright Luke Barnes and director Justin Audibert which followed resulted in a brand-new piece of theatre - The Jumper Factory - developed with eight Wandsworth prisoners.

Growing up in 70s' Scotland as the adopted mixed raced child of a Communist couple, young Jackie blossomed into an outspoken, talented poet. Then she decided to find her birth parentsa??

The Lyric is one of the UK's leading producing theatres, creating world-class theatre from the heart of Hammersmith - its home for more than 120 years.

For forty years Clean Break is proud to have produced ground-breaking plays by some of Britain's best playwrights. A selection of these progressive, brilliant artists come together to share what they have learnt from working with Clean Break, what the future holds for women playwrights and why complicated, multifaceted representations of women on our stages are more essential than ever.

MA Acting Classical and MA Acting Contemporary students at The Royal Central School of Speech and Drama will perform in their final-year productions of 'The Cherry Orchard' and 'Bones', respectively.