Lincoln Center Theater has announced its upcoming production of Becky Nurse of Salem, a new play by Sarah Ruhl, directed by Rebecca Taichman. Becky Nurse of Salem will begin previews Thursday, October 27 and open on Thursday, November 21 at the Mitzi E. Newhouse Theater.
Second Stage Theater has announced that Laura DiLorenzo, who was serving as the organization’s Director of Marketing & Communications, has been promoted to Chief Marketing Officer.
Columbia University School of the Arts will present an expanded festival of new plays written by Columbia MFA Playwriting Students. The faculty who have nurtured these students, including Tony, Pulitzer, and Obie Award winners such as David Henry Hwang, Lynn Nottage, and more, invite you to experience these innovative new playwrights.
DE-CRUIT has announced a three-show series at Theatre Row July 15 through August 20. Each production is a two-person adaptation of one of Shakespeare's classics, written and performed by DE-CRUIT founders Dawn Stern and Stephan Wolfert.
signature Theatre’s SigSpace will present the first-ever installation from Quiara Alegría Hudes and Sean Ortiz’s Emancipated Stories project, designed by Yazmany Arboleda with Emmanuel Oni and featuring letter-writing sessions and pop-up performances produced in collaboration with The Fortune Society.
Signature Theatre, the nationally influential Off-Broadway theater, has announced Timothy J. McClimon, currently the organization's Interim Executive Director, to the permanent role of Executive Director, in which he will continue to serve alongside Artistic Director Paige Evans, beginning July 1.
Berkeley Rep today announced a special event with the 2022 Tony Award-nominated director, Les Waters (Dana H). Waters, Berkeley Rep’s Associate Artistic Director from 2003-2011, will appear in person in the Roda Theatre on Monday, June 27 at 8pm to discuss his new book, The Theatre of Les Waters: More Like the Weather.
The Wilma Theater announced today that Fête 2022 will honor retiring Co-Founding Artistic Director Blanka Zizka, who recently departed the company after 40 years in the position. Fête 2022 will be held on Monday June 13, 2022.
The Center for Fiction, a 200-year-old literary nonprofit that has created an immersive home for readers and writers in downtown Brooklyn, and Theatre Communications Group (TCG), the national organization for theatre, will co-present Story/Teller Arts: Aleshea Harris with Nissy Aya on June 8 at 7pm ET at The Center for Fiction, 15 Lafayette Ave, Brooklyn, NY 11217, and via livestream.
Signature Theatre’s SigSpace will reteam this June with Theatre For One to present six one-on-one, five-to-six minute theater experiences. Titled Déjà Vu (referencing a featured work by the same name), this iteration of Theatre For One revisits five selected works from the visionary and unconventional organization.
Second Stage Theater has announced two new productions for its upcoming 2022-23 Season. Tony Award-nominee Bess Wohl will return to the Tony Kiser Theater (305 West 43rd Street) this Fall with the New York premiere of CAMP SIEGFRIED. Spring 2023 will see the Broadway premiere of Larissa FastHorse's THE THANKSGIVING PLAY,
On Monday, June 6th, Second Stage Theater will host the Fair Chance Job Fair. Fair Chance Hiring means that employers refrain from including questions about conviction history in the application process before a job offer is made.
Clubbed Thumb has announced complete casting for the final production of the rescheduled 25th SUMMERWORKS festival of new plays, Bodies They Ritual. Performances will run June 22-July 2.
Second Stage Theater has announced casting for the upcoming world premiere production of 53% OF. The production will feature ANNA CRIVELLI, EDEN MALYN, MARIANNA McCLELLAN, GRACE REX, CATHRYN WAKE, and AYANA WORKMAN.
The Sledgehammer Series, a book project hosted by Tripwire Harlot Press, was created during the pandemic by playwrights Sheila Callaghan, Jacqueline Goldfinger, and Sarah Ruhl to address limited opportunities in dramatic publishing in the American theater, and specifically to redress a lack of published visibility for BIPOC playwrights.