Piotr Beczala News

The Wiener Staatsoper has announced its upcoming 2020-21 season.

On April 25, 2020, The Metropolitan Opera presented many of its top ranked artists performing from their homes or where they were staying on that date. Met General Manager Peter Gelb, the master of ceremonies, chatted with Music Director Yannick Nézet-Séguin as they presented each performer. Because of the COVID-19 pandemic, artists were recorded alone or with people they know well.

It's a busy week for Piotr Beczala, at least on the Met on Demand. It started with Monday's free broadcast of 2014's RUSALKA, opposite Renée Fleming (when the interview that follows was conducted) to Saturday night's free ADRIANA LECOUVREUR performance opposite Anna Netrebko, from January 2019. You can also hear him in excerpts from WERTHER, opposite Joyce DiDonato, which was scheduled for last month at the Met, but sidelined by COVID-19. The arias were recorded in JDD's living room, to give audiences a glimpse of what they might have missed in the complete performance.

Piotr Beczala did not appear in the final performance of Verdi's La Traviata, due to being on vocal rest after issues with his vocal chords.

Lisette Oropesa, where have you been all my life? Of course, I've heard her before--she's appeared 100 times or so at the Met so one could hardly miss her--but never in a showpiece like the title role of Jules Massenet's MANON, opposite tenor Michael Fabiano's Chevalier des Grieux on the second night of the Met's new season.

The Cleveland Orchestra has announced a new five-year extension of Franz Welser-Möst's contract as Music Director, continuing a partnership that began in 2002 to 2027. The announcement was made at Severance Hall in Cleveland at the Gala Concert opening the Orchestra's 2019-20 season.

Dmytro Popov will take over from Piotr Beczala at Un Ballo in Maschera. Originally only September 15, he will also perform September 19 and 23.

Piotr Beczala has canceled performances of Verdi's 'Un Ballo in Maschera' in Berlin.

Halka, an opera in four acts, will play at Moniuszko Auditorium Feb. 11-23, 2020.

Anna Netrebko brings her acclaimed portrayal of the passionate real-life French actress at the heart of Francesco Cilea's Adriana Lecouvreur to the Metropolitan Opera for the first time in a new production that opens in a special New Year's Eve gala performance and continues through January 26, 2019. Let's see what the critics had to say.

On New Year's Eve, the Metropolitan Opera unveiled a new production of Cilea's ADRIANA LECOUVREUR, with a high-powered, audience-pleasing cast--headed by Anna Netrebko--in a production by Met favorite David McVicar, appealingly designed and costumed, and played elegantly by the Met orchestra under Gianandrea Noseda's sweeping baton.

Well, it's that time of the year again--time for a look-back on what was worth making note of during the calendar year that's about to come to an end. It's from a totally personal, subjective point of view, of course, but frankly that's the way opera-lovers always seem to like it, n'est-ce pas? The productions worth noting come from places big, small and in-between, from composers old as the hills to freshly minted or somewhere in between (likewise the performers), from traditional or boldly modern to simply stand up and sing.

Gianandrea Noseda-Music Director of the National Symphony Orchestra (NSO), Principal Guest Conductor of the London Symphony Orchestra and newly-appointed General Music Director of the Zurich Opera starting in 2021-returns to the Metropolitan Opera for the first time since 2017 to conduct a new production of Cilea's Adriana Lecouvreur starring Anna Netrebko in her house role debut, December 31, 2018 through January 26, 2019. The 2018-2019 season marks Noseda's second as Music Director of the NSO, including a full schedule of subscription concerts that recently included critically-acclaimed performances of Britten's War Requiem in November and Mahler's Symphony No. 1 earlier this month. On May 19, 2019, Noseda will bring the NSO to Carnegie Hall in a program that includes Rossini's rarely-performed Stabat Mater.

Sean Panikkar is a tenor who appears in leading opera roles around the world. He is also a member of the crossover tenor trio, Forte, as a result of his foray into the world of America's Got Talent. This month he sings the role of Mohandas K. Gandhi in Philip Glass's SATYAGRAHA at Los Angeles Opera.

La Traviata is one of the cornerstones of operatic repertory, filled with catchy arias and duets, many which are recognizable from popular culture. Pair this opera with The Martha Cardona Opera -whose mission is to bring this art form to those who have yet to experience a live operatic performance, as well as to bring up-and-coming stars of the opera world to those who already have a passion for opera - and you have a perfect fit!

Tickets go on sale today for the Met's Emmy® and Peabody Award-winning Live in HD series' 2017-18 season, which begins on October 7 with the company's new production of Bellini's Norma.

If you didn't find a performance to attend in the first part of this series--or you simply can't get enough operas, symphonic concerts and musical theatre pieces thrown in for good measure--here's more to choose from. It covers the gamut from the Mozart REQUIEM to Bernstein, Bernstein and more Bernstein.

Sarasota Opera is pleased to announce the line-up for the 2018 season of 'HD at the Opera House' and "Classic Movies at the Opera House".  This weekly series of filmed performances has allowed Sarasota Opera to expand its programming from the fall and winter season to year-around. The 2018 "HD at the Opera House" series will open on Sunday, May 20th and run through September 30th and will include presentations of Ballet and Theater from some of the world's most famous venues and companies including the Royal Opera House; Teatro alla Scala in Milan; Royal Shakespeare Company; Vienna State Opera; and the Royal Ballet. Each presentation will begin at 1:30pm.

LUISA MILLER isn't one of Verdi's greatest hits, written not long before RIGOLETTO but dramatically (and craft-wise) a quite a way off. Despite plenty of “love and intrigue,” Salvatore Cammarano'a libretto (based on the play of that name by Friedrich Schiller) never really takes flight, with too much exposition needed to justify the action. Still, when it's performed by a cast this good—and with the Met orchestra in fine form under Bertrand de Billy--it can be surprisingly potent. And this performance was.

Verdi's Luisa Miller returns to the Met for the first time since 2006, starring Sonya Yoncheva as the title character and Piotr Beczala as her lover, Rodolfo.Placido Domingo adds a new role to his Met repertory as Miller, Luisa's father, a role he shares with Luca Salsi. Olesya Petrova sings the widowed duchess Federica, Alexander Vinogradov is the lord Walter, and Dmitry Belosselskiy sings the role of Wurm. Bertrand de Billy conducts all performances of the revival which runs for 7 performances from March 29 through April 21, 2018.