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MET Opera Offers Free Weekend To View Audio & Visual Performances Beginning 5/1

The Metropolitan Opera will offer a free weekend of unlimited access to Met Player, the subscription service that makes much of the company's extensive video and audio catalog of full-length performances available to the public online, in exceptional, state-of-the-art quality. The free preview begins at 5pm ET on Friday, May 1, and runs through midnight on Sunday, May 3.

The Met Expands Its Repertory In The 2009-10 Season

Eight new productions, four of which are company premieres, will highlight the Metropolitan Opera's 2009-10 season. General Manager Peter Gelb and Music Director James Levine jointly announced plans that include: the Met premieres of Rossini's Armida, Verdi's Attila, Jan?ček's From the House of the Dead, and Shostakovich's The Nose; new productions of Bizet's Carmen, Offenbach's Les Contes d'Hoffmann, Thomas's Hamlet, and Puccini's Tosca; and 18 revivals from the company's repertory. The season is the first to be entirely planned under Gelb's leadership, in collaboration with Levine (the past three seasons were planned before Gelb became General Manager in 2006-07 but included some productions, repertoire, and casting changes made by Gelb).

Piotr Beczala Will Sing Edgardo In LUCIA DI LAMMERMOOR 2/7

Piotr Beczala will sing Edgardo in Donizetti's Lucia di Lammermoor on Saturday, February 7 at 1:00 p.m., replacing Rolando Villaz?n who is ill. The performance is being transmitted worldwide as part of The Met: Live in HD series. Mr. Beczala sang the role of Edgardo this past October at the Met to both public and critical acclaim. He is currently singing Lensky in Tchaikovsky's Eugene Onegin at the Met, with remaining performances on February 5, 9, 14 matinee, 18, and 21 evening.

Thomas Hampson Performs the Title Role in Eugene Onegin Opposite Karita Mattila in her First Met Tatiana

Tchaikovsky's romantic masterpiece Eugene Onegin, based on the Pushkin poem, returns to the Met on Friday, January 30, with a superb international cast. American baritone Thomas Hampson returns to the role of Onegin, the haughty aristocrat who acknowledges love too late, opposite the Finnish soprano Karita Mattila making her Met role debut as Tatiana, who grows from a love-struck young girl to an aristocratic woman. Russian mezzo-soprano Ekaterina Semenchuk is her sister, Olga; Polish tenor Piotr Beczala is Lenski, Onegin's doomed friend; and Russian bass Sergei Aleksashkin is Gremin, the elderly prince who marries Tatiana. Aleksashkin will sing the first two performances and American bass James Morris, taking on the role for the first time at the Met, does the remainder of the run. Czech maestro Jiř? Bĕlohl?vek conducts all performances, through February 21. The production is by Robert Carsen, sets and costumes are by Michael Levine, Jean Kalman is the lighting designer, and the choreographer is Serge Bennathan.

Verdi's Popular Masterpiece RIGOLETTO Returns To The Met

Verdi's popular masterpiece Rigoletto returns to the repertory on January 24 with baritone Roberto Frontali making his Met role debut as the hunchback jester and conductor Riccardo Frizza in his company debut. They are joined by Aleksandra Kurzak as Gilda and Giuseppe Filianoti as the Duke of Mantua, both of whom are also singing their roles for the first time at the Met. Viktoria Vizin makes her Met debut as Maddalena, and Mikhail Petrenko sings his first Sparafucile with the company. Georgian bass George Gagnidze makes his Met debut on January 27 in the title role and sings the following five performances through February 12. Piotr Beczala, whose performances as Edgardo in Lucia di Lammermoor last fall drew wide acclaim, sings the Duke on February 12. A second run of performances begins April 1 and features the first Met Gilda of Diana Damrau, who earlier this season created a sensation with her interpretation of the title role of Lucia di Lammermoor. She will be partnered with Joseph Calleja as the Duke and Roberto Frontali as Rigoletto. Frontali returns for the April performances which run through April 17. Tamara Mumford sings Maddalena and Raymond Aceto is Sparafucile in the April cast. About the performers

The Met Opens Radio Broadcast Season With LA DAMNATION DE FAUST 11/29

Today, November 29, the Metropolitan Opera Radio Saturday Matinee Broadcasts launches its 78th season of world-class opera heard over the Toll Brothers-Metropolitan Opera International Radio Network with the network premiere of Berlioz's La Damnation de Faust.

The Met Opens Radio Broadcast Season With LA DAMNATION DE FAUST 11/29

On November 29, the Metropolitan Opera Radio Saturday Matinee Broadcasts launches its 78th season of world-class opera heard over the Toll Brothers-Metropolitan Opera International Radio Network with the network premiere of Berlioz's La Damnation de Faust.

Two of Opera's Leading Ladies Sing 'Lucia di Lammermoor' This Season at Met

Two of opera's leading sopranos - both acclaimed for their dramatic and vocal skills - sing the demanding title role in Donizetti's Lucia di Lammermoor for the first time at the Met this season. In the opening performance, October 3, 2008, Diana Damrau - who last season became the first soprano to achieve the feat of singing both leading soprano roles in Mozart's Die Zauberflote, Pamina and the Queen of the Night, in the same Met season - sings the role of Lucia for the first time in her career. Polish tenor Piotr Beczala is her beloved Edgardo in his Met role debut.

Metropolitan Opera Announces Sirius Radio Broadcast Schedule

Metropolitan Opera on SIRIUS Satellite Radio channel 78 launches its regular live broadcasts of the company's 2008-09 season with the Opening Night Gala starring Renée Fleming, which airs on Monday, September 22, 2008 at 6:30 p.m. The third season of Met Opera Radio on SIRIUS features four live broadcasts weekly as the Met celebrates its 125th anniversary with six new productions, including the company premiere of John Adams's Doctor Atomic, 18 revivals, and the season grand finale of Wagner's epic Ring cycle, conducted by Music Director James Levine.

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