In order to conserve her vocal energies in a season that has included numerous performances of demanding repertory, Anna Netrebko has withdrawn from three of her eight scheduled performances of the title role in Puccini's Manon Lescaut at the Met next season. In her place, Kristine Opolais—who starred in the premiere of the Met's new staging earlier this year—will sing the role of Manon Lescaut on November 21, December 7, and December 10.
The Cape Cod Chamber Music Festival (CCCMF), celebrating 37 years as Cape Cod's premiere presenter of summer chamber music, presents Brian Zeger Returns with Imani in two concerts on Monday, August 1, 7:30 pm, at Church of the Holy Spirit, 204 Monument Road, Orleans, and on August 2, 7 pm at Cotuit Center for the Arts, 4404 Falmouth Road (Route 28), Cotuit.
The Metropolitan Opera's 2016-17 season, the 50th anniversary of its home at Lincoln Center, will feature 225 opera performances of 26 operas in a varied repertory that ranges from 18th century masterpieces to one of the most acclaimed operas in recent years. Repertoire for the company's 132nd season will include the Met premiere of Finnish composer Kaija Saariaho's 2000 opera L'Amour de Loin, as well as new stagings of Wagner's Tristan und Isolde, Rossini's Guillaume Tell, Gounod's Romeo et Juliette, Dvo?ak's Rusalka, and Strauss's Der Rosenkavalier. A gala concert on May 7, 2017 will celebrate the 50th anniversary of the company's Lincoln Center location with performances by opera's leading stars honoring the Met's past and future. Ticket prices will not increase, remaining the same as in the current season, and audience development programs instituted by the company in recent years will continue.
No more carping about out-of-tune singing (for the rest of 2015). No more bemoaning opera directors who don't seem to like the art of opera (for the next five minutes). No more worrying whether traditional opera will go the way of all flesh (for the next few days, at least). It's time to give up on my Scrooge tendencies and be thankful for the gifts that opera gave me, in and around New York this past year, alphabetically speaking.
New York, NY (December 10, 2015) – OPERA NEWS Editor in Chief F. Paul Driscoll today announced the recipients of the 11th Annual OPERA NEWS Awards. This year's honorees — Joseph Calleja, El?na Garan?a, Waltraud Meier, Anna Netrebko, and José van Dam — will be feted at a black tie gala celebration on April 10th at the Plaza Hotel in New York City.
Tonight, December 2, Verdi's RIGOLETTO returns to the Met with a new cast of principals stepping into the 1960s Las Vegas setting of Michael Mayer's acclaimed production.
On Wednesday, December 2, Verdi's RIGOLETTO returns to the Met with a new cast of principals stepping into the 1960s Las Vegas setting of Michael Mayer's acclaimed production.
The Met's production of Verdi's great opera RIGOLETTO, is often referred to as the 'Ratpack' version--because it is set in the Las Vegas days of Frank Sinatra and his high-living cronies. From its debut, it was a huge success for the company and with good cause. It was brilliantly conceived and sung, even though the title role seemed fuzzier than it usually is in the standard setting. But how would it stand up, season after season, I wondered, when the novelty wore off? The good news is that the production (excitingly designed by Christine Jones) not only remains effective and entertaining, but, in a key way, it is even better than at the premiere nearly three years ago.
The Baltimore Symphony Orchestra (BSO) celebrates the 2015 holiday season with a wide variety of concert programming, from the traditional annual performances of Handel's Messiah with the Concert Artists of Baltimore to a one-of-a-kind experience that pairs world-class acrobats and gymnasts with music by the Baltimore Symphony Orchestra, in an exciting program titled Cirque de la Symphonie.
The Richard Tucker Music Foundation's annual galas--celebrating each year's winner of the Tucker Award to young American singers--are known for two things. First, they are notoriously fun evenings of opera warhorses and, second, they are guessing games: Which of the singers scheduled to perform won't show up? This year's gala fulfilled the first object delectably, as it celebrated mezzo Jamie Barton, but, surprise!, almost everyone appeared as scheduled, with one very noticeable exception.
?Named "Best Female Singer" at the 2014 International Opera Awards, German soprano Diana Damrau appears in recital with pianist Craig Rutenberg at Carnegie Hall on Sunday, December 6 at 2:00 p.m. in Stern Auditorium / Perelman Stage. Ms. Damrau and Mr. Rutenberg perform German lieder by Schubert and R. Strauss, French songs by Poulenc and Manuel Rosenthal, and Dvo?ak's Zigeunermelodien.
Verdi's Rigoletto returns to the Met October 20 for fifteen performances. Michael Mayer's 2013 production, set in a 1960s Las Vegas casino, will star George Gagnidze in the title role opposite two singers in company role debuts: Olga Peretyatko as Gilda and Stephen Costello as the Duke. Spanish maestro Pablo Heras-Casado will lead the initial performances of the opera, which also feature Štefan Kocán as Sparafucile and Swedish mezzo-soprano Katarina Leoson, in her Met debut, as Maddalena. Later performances this season will star Željko Lu?i? in the title role and Piotr Beczala as the Duke, roles both sang in the new production premiere of Mayer's staging, opposite 2009 National Council Auditions winner Nadine Sierra in her Met debut as Gilda. Roberto Abbado conducts a cast that also features Russian bass Dimitry Ivashchenko in his Met debut as Sparafucile and Nancy Fabiola Herrera as Maddalena.
San Francisco Opera today announced cast changes for the Company's new production of Gaetano Donizetti's Lucia di Lammermoor, presented October 8–28, 2015, and for Mozart's The Magic Flute, presented October 20–November 20, at the War Memorial Opera House. German soprano Diana Damrau has withdrawn from the Lucia production, in order to remain on vocal rest for the next six weeks. American soprano Nadine Sierra—who performed Lucia last spring at the Zurich Opera House to critical acclaim and, more recently, as the Countess in San Francisco Opera's The Marriage of Figaro—will now sing the title role for all seven performances.
San Francisco Opera today announced cast changes for the Company's new production of Gaetano Donizetti's Lucia di Lammermoor, presented October 8-28, 2015, and for Mozart's The Magic Flute, presented October 20-November 20, at the War Memorial Opera House.
San Francisco Opera today announced cast changes for the Company's new production of Gaetano Donizetti's Lucia di Lammermoor, presented October 8–28, 2015, and for Mozart's The Magic Flute, presented October 20–November 20, at the War Memorial Opera House.
San Francisco Opera celebrates the opening of its 93rd Season tonight, September 11, 2015 with a gala performance of Verdi's Luisa Miller, conducted by Company Music Director Nicola Luisotti and featuring an international cast, led by soprano Leah Crocetto, tenor Michael Fabiano and baritone Vitaliy Bilyy.
The Richard Tucker Music Foundation holds its annual gala, one of the most highly anticipated events of the opera season, on Sunday, November 1 at the newly renamed David Geffen Hall in New York's Lincoln Center.
San Francisco Opera celebrates the opening of its 93rd Season on Friday, September 11, 2015 with a gala performance of Verdi's Luisa Miller, conducted by Company Music Director Nicola Luisotti and featuring an international cast, led by soprano Leah Crocetto, tenor Michael Fabiano and baritone Vitaliy Bilyy.
Acclaimed Polish film director Mariusz Treliski makes his highly anticipated Met debut with the Metropolitan Opera's new production, inspired by classic noir films of the 1940s, bringing together two rarely performed one-acts
Bei der Verleihung des Österreichischen Musiktheaterpreises im Wiener
Ronacher wurden Kunstlerinnen und Kunstler fur ihre Leistungen in der Spielsaison 2013/14 in elf Kategorien ausgezeichnet. Die Preistrager fur das Lebenswerk (Neil Shicoff), fur das Beste Festival (Wiener Festwochen | Markus Hinterhauser) sowie der ORFIII Preis an Piotr Beczala standen bereits im Vorfeld fest. Der Krone Musicalpreis ging an Uwe Kroger.
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